composition-improvisation based on south-indian Raga Kirwani. Inspired by pandit Hariprasad Chaurasia. Of course, this music is not indian classic, just my first try to play solo and to follow the scale. Many thanks to pandit Harsh Wardhan for the flute. Performed by Sasha Zhuravlev in august 2013 in Oporto, Portugal

Improvisation based on Raga Kirwani

8 verses to Durga - Goddess of Protection chanted by Ananda, vocalist on "Sacred Chants of Devi". 
Arrangement Davor Vdovic: "DURGA - Mantras for Protection." 
You can get the CD on 
http://anandasart.com/?A=MAN

Durgashtakam, 8 Verses To Durga

Ra Ma Da Sa By Simrit

all of us have known this feeling - the thirst for the beloved. whether the meeting be with the outer or the inner beloved, there is a certain beauty in the waiting. santoor, bamboo flute and a touch of violin invoke this feeling in this piece, based on raga darbari. 

Waiting For The Beloved

Untitled

Late afternoon raag Bhimpalashee.Sarode-Sayak Barua,Tabla-Indraneel Mallick.

Bhimpalashee

In the late November days we remember death, and especially the death of our loved ones.
This sitar music is to express some of the pain I felt after my mother passed away.
(Blessed are those who mourn, for they shall be comforted !)

Mourning Raga

Raags by Ildar Khabibullin

Raga Malkauns (jugalbandi)

An alaap of a Raga Bindumalini/Ahir Bhairav/Chakravaham on my Indian Bamboo flute. 

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Ahir bhairav/chakravaham/bindumalini Flute/Bansuri

A Jai Uttal composition revamped for Diana Roger's album Love Reigns. Produced by Ben Leinbach and published by Sounds True.

http://www.soundstrue.com/shop/Love-Reigns/46.productdetails

"Jaya Radhe" Written by Jai Uttal. From Diana Roger's album Love Reigns. Produced by Ben Leinbach.

Yaman is traditionally sung during the first quarter of the night.

Raga Yaman is a night raga which is very romantic in nature. This raga is often taught to beginners in Hindustani music. Some say its origin is from the Persian mode "Ei'man" from which "Yaman" originated. Others say it has Vedic origins as Raga Yamuna which over time altered as Yaman. 

Moods: bhakti, gambhir, shringar, serene, haunting 

This raga is also called Kalyan or Yaman-Kalyan. The raga has all shuddha swars except for the tivra Ma. It is this note which gives the raga its distinctive quality of peace, and tranquility. Some modernists consider Yaman, Yaman-Kalyan, and Kalyan to be one raga and only traditionalists consider these as three distinct ragas.

Other Ragas in Thaat Kalyan: 
Bhupali 
 
Raga Yaman-Kalyan  
In avraoha, if mM is used instead of M, the raga becomes Yaman-Kalyan
Avaroha: S'  N  D  P  mM  G  R  S
Moods: Peaceful, soothing. Raga of romantic poets

Aaroha:   'N  R  G  M  D  N  S'
Avaroha:  S'  N  D  P  M  G  R  S
Pakad:    'N  R  G  M  P,  R  G  R,  'N  R  S
Thaat:     Kalyan
Prahar:    Late Evening

Alaap:
1. 'N R G, R S - , 'N R G M G - , G M P - , M G - , R G R S -
2. 'N R S - , S 'N 'D 'P - , 'M 'D 'N R G - , G M G - , P M G R S -
3. 'N R G M P - , M D N D P - , M D N S' - , S' N D P - , N D P - , M G - , R G - , R S -
4. G M D N S' - , N R' S' - , S' N D P - , M D N S -
5. M D N R' S' - , N R' G' - R' S' - , S' N D P - , M D N - , M D N R' S' -
6. G M D N R' S' - , N R' G' - , R' S' - , N R' M' G' R' G' R' S' - , S' N' D' P' - , M D N S' -


Untitled

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