This sounds like what would happen if an RPG composer got drunk and was asked to compose the main villain theme

The Wrath

Stereo Zaddy

House of Glass

K009 "Minena"

Track - Ranma Entero
Artwork - Andreah
Master - Carlo Filio

K009 Ranma Entero - Minena

Cute Melody, Window Down! Out October 25th 2022 on Local Action Records
96back.lnk.to/cute-melody

Cute Melody Window Down

High & Tired

Juno Spa Day from HOA 21 via @haus_of_altr

https://hausofaltr.bandcamp.com/album/hoa021

Juno Spa Day

Mixed by IVNN : @hyprfnk
Originally played 2023 - 01 - 19 @ Blunderdome : turntable.fm/blunderdome
Tracklist :
1. Flying Stones - Maybe Tomorrow (After Outside Mix)
2. Dawl - Break It Down
3. Hassan Abou Alam - Delayed
4. Swerslvt - Cyberia Lyr1 (slowed)
5. Bushwacka! - Smashed
6. Z.I.P.P.O, Pearl River Sound - Coral
7. Paradox - Drum Throne
8. Skywave Transmissions vs. XOTR - Existence
9. Phantasia - Violet Skies
10. Neon - Waves
11. Wheez-ie - Choke Hold
12. Anunaku - Temples
13. Information Flash - Early in The Mornin’
14. Tifra - Plastic Replicant
15. Lithe - Soft Light
16. Shcuro - Lysergia
17. Carlton Doom - Insects In The Jelly
18. Samuel Padden - 94 Britania
19. Off The Meds - Belter 
20. Kindimmer - Junkin Hustlin
21. Polymod - 10Six
22. Pinz & Pelz - Minotaur 
23. BENUEBER - Give A Fuck 
24. Double 99 - Ripgroove
25. Buba - Pink Divine
26. Third Son - Syncussion 
27. Blush Response - Body Artifact 
28. Nic As Well - Hard Hat Area
29. Paȧl - Paradise O
30. Korzi, Hedchef - Footslog - Hedchef Heat Exhaustion Mix
31. Breaka x Guava - Fiscal Hibiscus
32. Body Program - Kill Dem
33. BufoBufo - Metal’s Winning
34. Al Wootton - Body Healthy
35. Solid Blake - Mario
36. Dr Olive & The Hoperators - LEtre Electrique (Dr Olive Ne Pas 2001 Remix)
37. Szajna - Wriggle Shuffle
38. Private Caller - Backwards
39. Shut Up and Dance - Raving I'm Raving
40.Haider - U Trippin
41. Stenny - Lights On
42. Oall Hates - PCT - 666 
43. Aaliyah - Rock The Boat (Mikey B Bootleg) 
44. Farsight- Leg Shake (Stones Taro Remix)
45. DJ 3000 - Reckless
46. Cocktail Party Effect - I Kno3
47. Pera Sta Ori - Cheddarism
48. The Advent - Live@Motor 1998
49. Gag Reflex - UV
50. Nü Kvlture - Seekit - You Go
51. Hare in Flight - Muir Woods
52. DJ これからの緊急災害 - Memory Replace

HYPRFNK [Blunderdome XI] [Pt.1]

fourmis

B1. Simo Cell - I Love The Monkey Head

The American artist came up via footwork, but is now forging a new sound that's all her own making

http://mixmag.net/feature/jlin-gold

Black Origami

Full Gold feature

Gold 027: Jlin 'Black Origami'

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Gold 027: Jlin 'Black Origami'

Mixmag

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