Name: Oliver Deutschmann - Sorrow by Mixmag in Workmix
Duration: 5 min 32 s
Description: An exclusive download courtesy of http://www.mixmag.net

Workmix

Pre-order: https://amity.bandcamp.com/album/chrome-abyss

@amityclub presents 'Chrome Abyss', the anticipated debut solo EP from London's @beaabea - arriving as a distilled and deliberate statement, channeling a sound palette that is shiny, metallic, and fluid yet grounded in rhythmic force.

Across four tightly constructed tracks, Beaabea unveils a world of glistening surfaces and low-end pressure - bass-heavy, refined, and built for maximum club potency. 'KNOCK OUT!' kicks off the EP with sharp, clean impact.

More exclusive music

Premiere: Beaabea 'KNOCK OUT!'

What's a Girl to Do (Remixes)

What's a Girl to Do (Palmbomen II Remix)

Buy on Bandcamp

Parkour Sundae

PXSSY PALACE presents POPPA JAX - 15 August 2025

“Acid Bastard” by VARKI & Gabo Lucero, delivers a raw and visceral journey through the roots of acid house, fused with the frenetic energy of breakbeat. Hypnotic basslines, twisted percussion, and relentless grooves built for the dancefloor. Featuring an explosive remix by Lauti Mina, the EP pushes the intensity even higher with a playful, party-driven touch. Designed for dark clubs and never-ending raves.

Track: VARKI, Gabo Lucero - Mutant 303
Label: Drumma Records
Cat: DMD044
Country: Chile
Released: 10th september 2025
Genre: Acid House

https://drummarecords.bandcamp.com/album/acid-bastard

https://www.instagram.com/gabolucero/
https://www.instagram.com/varki.dj/
https://www.instagram.com/drummarecords/


PREMIERE: VARKI, Gabo Lucero - Mutant 303 [Drumma Records]

RNT introduces MOTEL PHANTASMA, a new project from a mysterious production duo with their incendiary Claptrap EP. A tasty double A-side 7”, this pair of tracks establishes the MP sound as both club-tough and musically weighty. 

The title track is a peaktime weapon of epic proportions, oozing slippery electronic percussion, razory synth work, and in-your-face vocal incantations delivered in Portuguese. 

The flip side is a bouncey Afro-boogie number, a bit more organic in approach, and with a relentlessly catchy hook by featured singer Kaleta. With a gorgeous full color jacket to match the music’s punch, this one is an absolute late-summer essential.

PREMIERE : MOTEL PHANTASMA - Claptrap

Oblig with Mixtress - 31 August 2025

An homage to some of my favourite songs across genres presented to you as alchemy

--TRACKLIST-- 
1		If you don't have a fat ass VOX	
2		Dem Young Sconies - Moodymann
3		Come Together (Original MIX) - DJ Sneak
4		Keep On Luvin (Kingsley's Deep Punch Mix) - Maydie Myles
5		Let Me Tell You (Original Mix) - The Wildchild Experience
6		Don't Turn Your Back (Danny Tenaglia's Paradise Mix) - Danny Tenaglia
7		Finizh - Redshape
8		Pain & Pleasure (Tribal Mistress Mix) - Marquise De Sade
9		Kingpin Cartel - Ghetto	
10		Feel So (3am mix)	- DAWS
11		My Paradise - The Trip
12		Spirit Of House (Drum Tool)	- Bongoloverz featuring An-Tonic & An-Tonic
13		Mellifluous - Cinthie
14		You're My World feat. Priori - Avalon Emerson
15		Emotions - e-Dancer, Kevin Saunderson, Dantiez
16		Working Girl (Wizz'ard Dub)- Fierce 
17		Resurrection (Olsvangèr's Downtown Tribal Mix) - Medway
18		Bassian Plain (Alex Kassian Remix) - Donald's House
19		Breath Work - TSVI & DJ Plead
20		You Can Come - Saoirse
21		White Rabbit (Soundfactory Acoustic Mix) - Latin Headhuntrz
22		Posture (Correction Mix) - Spray
23		Tom's Tweaks - Hodge
24		Your Vortex- Asphalt DJ
25		The Séance (CF's NYC Beats) - Cevin Fisher
26		Got 'Til It's Gone (Armand Van Helden Bonus Beats)	- Janet Jackson
27		MYSM - TYGAPAW
28		The Serious Cousin - al dente
29		Romantic Schizophranic⁣⁣ - Das SPEZIAL & Paradise Circus
30		Coroboree - Yikes
31		DJ Deeon, DJ Godfather - Hold Up featuring DJ Deeon (Acapella)	
32		Once Upon a Time- Andrew Gurruwiwi Band

Musical Alchemy - Vol I

Loris - 15 September 2025

Mattias Mimoun présente Croque-Monsieur - 18 Septembre 2025

Sung by the Midwestern University Singers, Oct. 2009

When Roses Cease to Bloom

An exclusive download courtesy of http://www.mixmag.net 

Oliver Deutschmann - Sorrow

from 'Fatalist - The Repetition Of History' [CD|LP|DIGITAL]
available on all formats at [www.denovali.com/mailorder]

Fatalist: The Repetition of History

Field Rotation - Valse Fatale

https://soundcloud.com/gordikov | http://soundcloud.com/radkovski

--- 
Get exclusive free downloads and other stuff : http://eepurl.com/rHmPv
http://www.facebook.com/badpandarecords 
http://twitter.com/#!/badpandarecords 

Gordikov - Stray cat (Radkovski remix)

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

Oliver Deutschmann - Sorrow

Mixmag

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