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Over the last six years, Worst Behavior Recs has been championing the most exciting producers coming out of the bass underground around the world. Worst Behavior, Vol. 4 is the final installment of our Worst Behavior compilation series and it’s truly a global affair, uniting producers from Amman, Moscow, Bristol, NYC, Los Angeles, Austin, and beyond over 16 tracks that show the excitement and kinetic energy of soundsystem music and culture. 160 bpm heaters have been our hallmark, and this compilation definitely delivers on that front, but also includes a wider range of sounds, speeds, and genres than ever before.

Forward-thinking, high-quality, and fun, these tracks connect the dots between the bass-loving underground worldwide. Lock in!

Worst Behavior, Vol. 4

Pre-order our forthcoming various EP "9" and get instantly this new banger from the one and only Qant.
Thanks Sw2lton for the premiere:
https://youtu.be/dPtMPPjmkwQ

Mastered by Beau at Ten Eight Seven studios.

9th anniversary EP available on April 14th 2023

Qant - Lazy

Lead track from our forthcoming Worst Behavior, Vol. 4 compilation, out August 18th!

Samurai Breaks - Oshee

@annamorgan_dj and @bell_curve curate 16 killer cuts from the global bass and breaks underground for their upcoming compilation, ‘Worst Behavior, Vol. 4’ (@worstbehaviorrecs)

More info: https://djmag.com/listen/premiere-bastiengoat-level-where-love-real

Premiere: bastiengoat ‘to a level where love is real’

READ > https://inverted-audio.com/premiere-toumba-gasab-sokkar 

Today's premiere comes fresh off the forthcoming release of 'Worst Behavior Vol. 4', an immense sixteen-track journey through the depths of bass culture. 'Gasab Sokkar' by @toumbaa heralds the vibrant evolution of where bass music dares to go, beckoning us to join the ranks of the sub-frequency vanguard.

Toumba - Gasab Sokkar [Worst Behavior]

Pre-order: https://worstbehaviorrecs.bandcamp.com/album/worst-behavior-vol-4

'Worst Behavior, Vol. 4' is the latest instalment of @worstbehaviorrecs' compilation series, uniting producers from Amman, Moscow, Bristol, NYC, Los Angeles, Austin, and beyond with 16 tracks showcasing global soundsystem music and culture.

This bi-coastal link-up between @drjeep and @djfarsight produces a deep percussive workout of sonar sounds, crisp breaks, and booty-rattling sub-bass.

More exclusive music

Premiere: Doctor Jeep & Farsight 'Spacemaker II'

@WorstBehaviorRecs release the final volume, Worst Behavior, Vol. 4 on August 18th. 
Future sound system music, let's go. We're premiering the juke/jungle fusion of @AddisonGroove 's 160 Cowbells

In Addison Groove's wild domain,
160 Cowbells played, insane.
On Worst Behavior, they did prance,
Dinging and donging in a merry dance.

No rhyme or reason, just a crazy clatter,
Cowbells ringing, what's the matter?
A musical riot, a topsy-turvy show,
Their melodies went to and fro.

In jumbled tunes and disarray,
They ruled the night and ruled the day.
Addison's streets filled with the sound,
Cowbells echoing all around.

So if you visit that mystical land,
Embrace the chaos, take a hand.
Join the madness, don't be shy,
In Addison Groove, let nonsense fly!

Curated by Anna Morgan and Bell Curve, the compilation boasts 16 tracks of forward thinking bass and breaks from all over this globe Since its inception in 2017, Worst Behavior Recs has championed the bass underground, with this worldwide instalment they unite producers of hard-hitting snaking techstep, R&B-meets-rave and dreamier vibes to boot.

MORE INFO

PREMIERE: Addison Groove - 160 Cowbells [Worst Behavior]

Fodie J. - Le Track

Clips for MNC003 coming from Russian producer Moscow Legend.

1. I've Got Dis
2. We Run Dis

Mastering: Kodama
Artwork: Sean Walker
Digital Release: 29/03/24

FOLLOW ⬇️

SC - @moscow_legend
IG - instagram.com/moscow_legend

SC - @midnightcutuk
IG - instagram.com/midnightcutuk

MNC003 - Moscow Legend [OUT NOW]

Tous les fonds récoltés serons reversés à l'association @lesmididumieofficiel

all raised funds will be donated to @lesmidisdumieofficiel

Collectif solidaire avec les Mineurs Isolés Étrangers à Paris depuis 2016, les Midis du MIE apportent repas, orientations et soutient aux ados en exils.

L’Association créée en 2016 et dont les valeurs principales sont la solidarité, l’accès aux droits, aux loisirs et à la culture, la dignité des personnes et la protection des enfants, a pour but de soutenir et de participer à des actions en faveur des jeunes migrant·e·s.

Les principaux domaines d’activité de l'association sont les distributions alimentaires et non-alimentaires, les maraudes, l'accompagnement administratif, l'hébergement d’urgence, l'hébergement de jour et lieu de vie collectif, l'apprentissage et culture, entre autres. Toutes ces initiatives demandent des ressources financières constantes

De plus, le lieu qui abrite l'association est sous le coup d'une expulsion. Elle a donc plus que jamais besoin de soutien pour pérenniser ses activités et pour trouver le prochain lieu pour continuer d’offrir un accueil de jour aux jeunes à la rue.
C'est pourquoi nous souhaitons lui reverser la totalité des revenus générés par ce 2eme volume de T.I.G.
credits
released April 1, 2024

mastered by @devoid666
visuals by @rond_cashton

hosted & curated by @sighhhhss & @ohjeelo
license

TIG Compilation Vol.2

Hyas & Argo - Double Standard

MNC004 coming from Russian producer Oddkut ft. vocalist Logan.

1. No Drama ft. Logan
2. Shaking

Mastering: Ion Digital
Artwork: Sean Walker
Digital Release: 14/06/24

FOLLOW ⬇️

SC - @oddkut
IG - instagram.com/oddkut

SC - @midnightcutuk
IG - instagram.com/midnightcutuk

Oddkut - Shaking (MNC004)

Out now on Bandcamp : https://chrisguillotine.bandcamp.com/track/scatter

Scatter [Out Now]

Portway & Slinki's 'Move' builds on a Latin piano before turning into a monster percussion beat, only to change again on the second drop as a big synth releases the tension.

follow @portway-portway-portway
follow @slinkiuk

Move

Portway & Slinki - Move

Fixate & Sam Binga - Issker

Toura & Midrib - Bufo bufo

Loudspeaker

Not sure if it's the over-commercialization of everything, but I've been thinking about edits a lot lately. I used to make a ton of them and they were fun, but as they've become more and more the standard for what gets played out, I've more or less stopped making them.

When everything is an edit, what is the point. Do we really need another version of "My Neck, My Back"? Probably not, but here's two more. I feel like 'Some Edits & Shit' might add to that problem, but for me, it's really just turning a page and leaving some things behind.

Looking back, some of these are embarrassing, and some of them are really fucking cool. There is something to be said about allowing yourself to grow as a human while understanding that it is ok to come from a place. Even if that place feels embarrassing or alien years later. Maybe there was something interesting about the time or place or just the way I threw ideas together back then.

My only regret is not making a Creed edit. Maybe next time.

Free DL

Beatking - Crush (Wheez-ie rmx)

Label & party series founded by @annamorgan_dj and @bell_curve, dedicated to  promoting producers that excite us. We curate events showcasing our love of soundsystem music, deep rave, and of course fast bpms.

Premiere: Doctor Jeep & Farsight 'Spacemaker II'

Mixmag

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