Originals

my debut track on MAGDALENA'S APATHY neo compilation 🥁

limited copies CD-R
request a copy & digitals at : tormentover@gmail.com
or instagram dm at : @00djloser

thnx @loser111 ❤️🖤 
mastering by @astytekk

Darbuka Tool [M.A.012]

33 - 33-69

Format: Digital/Vinyl
Cat.No: CANVAS012
Release Date: 21st October 2022

Pre-order available at https://canvas-index.bandcamp.com/album/33-69

C.A.N.V.A.S. is proud to announce the release of 33-69, the debut album of 33. 33-69 laments and commemorates the interruption of the simplicities, beauties and charm of mortal life in full Baroque splendour, whilst also partaking in the final opportunities for carnal pleasure and orgiastic excesses in the earthly realm.

Through their collaborative project 33, Billy Bultheel and Alexander Iezzi further consolidate a partnership which has taken many forms within a visual, artistic spectrum. Their practice envelops performance art, music and installation, whilst pinpointing, developing and elaborating the most meaningful and poignant marriages of the disciplines. Their differing backgrounds have informed the way that their long collaboration works – Bultheel with his conservatory training, and Iezzi coming from DIY punk and experimental music scenes.

Their debut album 33-69 paints a tumultuous world within which the 33 collaboration is extended to a number of other presences that pierce the stormy skies to torment, delight and enchant. Amongst them are Ivan Cheng, Steve Katona and Dylan Kerr who appear in grace as the broody clouds part to let in some light. As the light recedes, NAKED haunts amongst the shadows on 'The Knife', with an avalanche of metallic noise.

'Thomas The Obscure', with Patrick Belaga's Cello performance, introduces an element of serene, meditative calm before 'Heaven's Blade' cuts through with the ultimate rapturous frenzy. The album ends with 'Speed and Beer’, a dizzying brass-led anthem which conveys a sense of nausea and confusion, surfacing from the shadows.

Bultheel and Iezzi carry with them a wealth of composition and performance experience and skill, boasting impressive trajectories which cross each other frequently. Now based in Berlin but hailing from Belgium and Arizona respectively, have worked together for the past three years, producing musical performances that explore relationships between movement, sculpture and electronic and classical music. This complex and intricate working relationship culminates in the creation of 33-69 as a defiant debut — a dense and finely crafted work which finds unlikely pathways through which to navigate Baroque, Lieder and exuberant club through humour, dread and exaltation.

33-69 was conceived during the first Covid-19 lockdowns and documents the duo’s experiences of pandemic life in Berlin. Recreating that dopamine shot and collaborating towards a sense of community that the pandemic had suddenly folded away. The record is a short but powerful rush of emotional states and bodily desires, translated into cerebral and carnal electronic compositions of EDM, noise and techno. 


Written, produced, recorded and mixed by 33 (Alexander Iezzi & Billy Bultheel)

Additional vocals on sirens by Dylan Kerr

Mastered by Ali Najafi

Design by Leïth Benkhedda & Stelios Ilchuk

www.c-a-n-v-a-s.com

33 - Fireworks

The third collaborative effort between producers Lila Tirando a Violeta and Sueuga sees the two artists effortlessly combining their styles for an organic, two-track sonic experience at the intersection between cyberpunk and Latin tribal mysticism. Distorted drums, eerie textures and abrasive industrial sounds come together in the unsettling heavy-hitter “Residual Self-Image”, while Lila’s vocal performance floats over the manic percussion and melodic minimalism of Sueuga and Tazar Yoot in “Archivios Corruptos”.
As intense as it is sudden, “Residual Self-Image” entangles the audience with its dark atmospheres and oppressive rhythms, making its rare bright passages precious instants of pure bliss.

Stream & Download: https://push.fm/fl/residualselfimage

"Residual Self Image" Produced by @lilatirandoavioleta & @sueugakamau
"Archivos Corruptos" Produced by @lilatirandoavioleta, @sueugakamau & @tazaryoot-143
Artwork by IG: karinagevox
Mastering by @dj_ghepard

Stream & Download

Sueuga & Lila Tirando A Violeta - Residual Self Image

ESP: 

- “cr1s1s” es el punto de quiebre de nuestras inquietudes, una borradura de nuestros proyectos individuales (Practice-Loe, Tomás Urquieta e Imaabs) no hay un tú, un yo o alguna forma, es simplemente un punto singular en el cual nos propusimos inventar y jugar con el sonido hacia una perspectiva de lo que esperamos en cualquier club o rave.
 
Musicalmente, el estilo de “cr1s1s” es fácilmente identificable: Techno sin pretensiones en cuanto a complejidad rítmica o deambular en una suerte de abstracción ambient, pensamos que menos es más al respecto.

 - “El fin de un mundo en común” es el impasse actual del revival, que a nuestro criterio, es mantener momentos qué han sido cómodos para la industria y la cultura etnocentrista, donde se continúan perpetuando modos de entender y vivir la realidad, como una repetición infinita sin Balance, pero esto no implica el fin de lo posible, la tarea es crear y buscar fuera de las linealidades que nos enseñaron, la Génesis de mundos posibles, diferentes a este. 

ENG: 

- Musically, the style of cr1s1s is easily identifiable. In most of his works we can find a raw, dry and forceful techno. It's unpretentious techno in terms of complexity of rhythms, dreamlike or ambient abstraction, but sometimes less is more and in the case of cr1s1s it works perfectly. Rounds between House, Techno, Rave & Breakbeat, the only thing guaranteed: It will always burn the dancefloor.

- “El fin de un mundo en común” (The end of a common world) is the impasse about the revival, which is in our opinion shaped to maintain moments that have been comfortable for the industry and the ethnocentric culture, where the ways of understanding and living reality are perpetuated, as a repetition without Balance, but that does not imply the end of the possibilities... The task is to create and search for the Genesis of new realities, different from this.

Cr1s1s - Balance

No more dystopias, please. The end of the world has been a prevailing theme of so much club music in recent years. On GLOBAL METANOIA, 10 artists choose instead to explore how an injection of hope might lead to something far more radical. From Beatrix Weapons’ cathartic mashing together of IDM, industrial, and breakcore, to SUTA’s bubbling experimental pop, to Die In Polar’s vocalising over a pounding high-speed tresillo, the producers featured here not only push club music deep into adventurous new terrains, but manage to do so with a genuine smile.
OUT soon via https://soundcloud.com/postworldmusic
Single by  https://soundcloud.com/beatrixweapons
Mastering https://soundcloud.com/personalbrand

Support & Pre-order

[PREMIERE] Beatrix Weapons - Survival

Pre-order: https://magdalenasapathy.bandcamp.com/album/nexus-sin

Safety Trance (aka @cardopusher) and @loser111 drop a three-track collaborative EP on @regrets_regrets, the imprint from DJ LOSER.

'Essence Reaver' is a best-of-both-worlds track, perfectly fusing the namesake styles of both contributing producers. A clever schism between spiralled trance and alarming sound design sampling, its sudden twists and corrupted layers keep attention levels on high alert.

More exclusive music

Premiere: Safety Trance X DJ LOSER 'Essence Reaver'

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - Promesses Vol. 3 [PRMSSS025]
Promesses, 2023
𝓑𝓾𝔂 👉🏾 https://promesses.bandcamp.com/album/promesses-vol-3

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://www.instagram.com/cardopusher/ 
https://soundcloud.com/cardopusher

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://www.instagram.com/_promesses/
https://soundcloud.com/prmsss

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#106 📢 Safety Trance - Lo Que Tú Querías [Promesses]

Arena!

Sega Bodega & Safety Trance - Arena!

Spain’s SITA (@princessitabellan) links up with @cardopusher for a slice of lust-laced techno ahead of her debut EP for @hectoroaks’ KAOS label

More info: https://djmag.com/listen/premiere-sita-extasis-carnal-ft-cardopusher

Premiere: SITA ‘XTASIS CARNAL (ft. Cardopusher)’

3E is a conjuring for the club and sonic ritual that revolves around yearning, sex, and moments of the infinite which occur through a suspension of time.

I Like It out now
EP releases February 29, 2024

@manuka_honey @cardopusher @la-favi

Mix: Safety Trance
Master: Lolo

Manuka Honey, Safety Trance - I Like It ft. La Favi

Pre-order: https://www.spacecadets.world/release/1714390832/van-boom-nuborne

@realvanboom's latest release, ‘NUBORNE’ EP, mounts wider explorations of the eviscerating sonic grounds that he began to depict with his first LP.

Featuring a standout collaborative track with @cardopusher and @evitamanji, ‘NUBORNE’ is rendered evermore atypical.

Premiere: Van Boom 'OBJECT MAPPING' (ft. Safety Trance & Evita Manji)

Alice Deejay Feat Burr Shrine 2nd Part (slowed and reverb)

Taken from SBKT026: Various Artists - Cache 01

Release date: April 26th 2019

Mastered by Raphael Valensi
Artwork by Kim Laughton

Cache 01

Osheyack & Nahash - Hold Pattern

Artwork by Fredrik Austad 
Mastered by Henrik Sveen

Thrust - Extended version

bit.ly/3m82drx

Track by @ice_eyes taken from deco VA, released October 19, 2020, via @lowincomesquad.

Buy: bit.ly/3m8jRvr

anti-histrionic in nature while simultaneously fusing form and function, "deco" (LI$023) comes forward as a time capsule, preserving the current uncertainty, hesitation and burning desire; standing by, ready to be summoned upon at will.

Design: Lucija Mandekić & Marko Mišković.

Curated: Igor Cvitković (igen).

Premiere: Safety Trance X DJ LOSER 'Essence Reaver'

Mixmag

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