vibin

One More Rush

Take Ur Time

6 O'Clock Rock

Leywole

Leywole (Edit)

Local Valley

Tjomme (DJ Koze Remix)

Conclave
“All That I Need (Photay Remixes)”
CAT#: LIR-005 
Release Date: November 29, 2021

Conclave’s self-titled debut has been hailed as one of 2021’s best, described as “magnificent” by Resident Advisor, “a vibrant house album that beautifully celebrates rhythms, collaboration and musical history.” The brainchild of New York City-based vocalist, songwriter and multi-instrumentalist Cesar Toribio, it is that rarity in dance music: a conceptual project that never lets ideation (specifically, a celebration of the Afro-Latin clave rhythm as a transcendent musical key) impede its primary motive of putting bodies in motion.

Now with Conclave – The Remixes EP, four of Conclave’s finest tracks are imaginatively re-invented across five remixes by Photay, musclecars, Jenifa Mayanja and Mike Simonetti. The resulting sounds represent an extended play in the truest sense: a continuation of the spirit of Toribio’s explorations that adventurously takes the original compositions into welcome and unexpected territory.

Photay’s “All That I Need (Remix)” brilliantly sets the tone. Anchored by an irresistibly syncopated percussive line, it accumulates perfectly placed rhythmic layers and accents, then drops in Cesar and sister Sharin Toribio’s sparse vocals amidst touches of haunting modulating organ and Bernie Worrell-esque synth squeals, all while largely dispensing with traditional basslines. It’s an intoxicatingly moody (re-)arrangement, reflective of Photay’s uncanny ability to generate momentum and evoke stillness at once. And it’s reprised in a more stripped down iteration for his lovely Photay Lullaby Remix, which dials back the percussion and plays up a simple thumb piano melody from the song’s beautifully bridge for maximum emotional resonance.

Together these re-imaginations accomplish what every remix project ideally aspires to: present the songs in exciting new contexts while reaffirming one’s appreciation for the original material. Listen, relax, and stay a while longer. 

Photay Remixes:
Arranged, Produced & Mixed by Evan Shornstein (ASCAP)

All songs written by Cesar Toribio (ASCAP) Scott Scribner (ASCAP) and Evan Shornstein (ASCAP)
Mastered by Walter Coelho
Digital Distribution by Seed Worldwide
Sync/licensing by Terrorbird Media
Front cover illustration by Lisa Rampilli
Layout by Paul Raffaele

Conclave Remixes

All That I Need (feat. Sharin) (Photay Remix)

Conclave ft. Sharin - All That I Need (Photay Remix)

Volcano

Good At Breaking Hearts (feat. Jnr Williams & Loaded Honey)

Pretty Little Thing (feat. Bas)

Us Against The World

I've Been In Love (feat. Channel Tres)

If you want our full weight of feeling on this release, head over to the extended write-up: http://boilerroom.tv/jack-j-something-on-my-mind-debuts/ -- 

Here comes a precious new delivery from Jack J on Mood Hut, Vancouver's home of hazy house jams. Take heed though: this one's a contender for track of the year.

Jack J 'Something (On My Mind)' - Boiler Room Debuts

“Con mis perros en la niebla” is the 2nd single of Okvsho’s highly
anticipated upcoming album “A place between us”.
A very expressive piece of music taking inspiration from drum and bass,
electronic and hip hop music. The arrangement takes you through a
variety of emotions between confusion and clarity.

“We almost exclusively used our usual instrumentation but wanted to really
push them to the limit by experimenting with a variety of effects and playing
styles. Yet the outcome felt very natural and honest to us. Con mis perros en
la niebla proves, that no words are needed to tell a story.”

Okvsho - Con mis perros en la niebla

Hold Your Horses

One Hand One Bounce

linktr.ee/scissorandthread
www.facebook.com/Frank.and.Tony 
www.facebook.com/scissor.and.thread.nyc/ 
www.instagram.com/scissorandthread/ 
www.youtube.com/user/ScissorAndThread

More about the world has changed than not in the decade since dance production dyad Frank & Tony released their last full-length record, 2014’s You Go Girl. Despite, or perhaps in spite of, this shifting landscape, house music has managed to stay fundamentally reliable (either a bug or its greatest feature, depending on who you ask). Where previously, Frank & Tony have been celebrated for their contemplative, studious approach to the genre, with 2024’s Ethos, the Brooklyn/Biarritz-based duo return amidst metastatic cultural upheaval to prove out those scholarly credentials — with an album that serves to remind listeners why dancefloors and liberatory politics consistently share the language of movements and revolutions. 
"House music has always been an expression of political desire as it often was the only safe space for communities to come together in ways that society at large disallowed,” Harris enthuses. “The same energy in the ‘90s could be found in parts of the punk & hardcore scene. Countercultures exist to create temporary autonomous zones of desire outside of dominant narratives that are roadblocks to creation. We have always been inspired by these countercultural movements and the Frank & Tony project is deeply influenced by it."
Though the project originates from the relationship between house legends Francis Harris and Anthony Collins, the titular Frank & Tony were born of a fictional, happenstance meeting inspired by Harris’s experiences in the more liminal, amorphous dance and punk scenes of the late ‘90s/early 2000s (as exemplified in the early works of photographer Anouk Schneider, whose photographs feature on the duo’s first releases). In a world beyond dialectic, where bodies are simultaneously revered and decentered, Frank & Tony connect for one night on an imaginary dancefloor, vowing to make work together in the future; however, having exchanged no information, and with classic club kid garb obscuring any common identifying characteristics, they turn to the internet in hopes of reconnecting for a collaboration.
This origin myth hones in on the crucial history of the dancefloor as a stage whereupon individuals, regardless of background, enact political and socioeconomic desire to scale, highlighting such locations as the tertiary factor present in intimate relationships of all kinds, brought about when two individuals unite and produce that mysterious third thing that was never really possible without blurring the lines of identity so that collaborative creation can happen. 

In practice, it sounds like the record needed by fans of the genre, full of the lightness and space in rooms full of fellow revelators. “We’re only able to make house music because of the vast legacy of producers from New York, Detroit and Chicago who laid the foundation for what we do today,” Collins divulges. “In many ways it can never really live up to that legacy as our art is born out of privilege rather than necessity to create spaces of political desire in the face of marginalization. So what does this mean? We take that legacy very seriously and we want our stamp on this history to resonate with current and future generations as a bridge to the real history behind it."

Undoubtedly, Ethos is tremendously influenced by the multitude of projects originating from, and supported by, the duo and their label in the decade since You Go Girl– releasing records from a vast diversity of artists (including Nadia Khan, Gry, Villete, Darand Land, Alex Albrecht, Dj Sprinkles and CCL), and Harris becoming curatorial voice of Brooklyn’s premiere venue for audiophiles, Public Records, where he continues to amplify work across a global diaspora (and where the duo maintain a residency of wide praise).

By The End They Will

Frank & Tony - By The End They Will

Project Sandro with a fun and adventurous reinterpretation. Tailored for the splendor of Spring & Summer of 2024.

https://pstrecords.bandcamp.com/track/nu-shuz

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MixMstrMike