Asa-Chang & Junray - Hana ("Jun Ray Song Chang", 2002)

processed field records of an abandoned railway platform

jelez

*Rubbishhh*  l  Unstated - 15.06.22

this is the Stereo Love Song - With Chechen Beat  :)

Stereo Love Song -Chechen Remix

I Thought I Saw an Eagle But it Might Have Been a Vulture; I Never Knew the Difference

There Will be a Light

Drwen

Stas Shärifulla, also known as HMOT, is an artist-researcher, and quraysı based in Basel, working with sound and decoloniality. Born and raised in East Siberia, RU, with Başqort (Bashqort) roots, Stas takes this dual heritage as a starting point to study the politics of indigeneity, reflecting on how the interaction of indigenous and non-indigenous sonic and listening practices turns them into tools for community-building, the preservation of collective memory, and the transformation of political imagination into direct action.

Werkstatt Sessions with HMOT, 2024 – 02

saliva pattern

South Korean-born, Netherlands-based artist Jiyoung Wi's (@jiyoungwi) 4'44" - is a 'sound fiction' in the format part book and part CD. During her Sonology course in The Hague, Wi's recent work considers the relationship between the two mediums to alter the possibilities of narratives.

Structured as a series of letters opening with a one-sided transcript of a conversation, 4'44"'s accompanying audio tracks combine sounds collected through field recording and a reading of the transcript by seven speakers - in Korean, Japanese, Chinese, Bengali, English, Lithuanian, and Turkish. The use of multiple languages disrupts a single, cohesive cultural or geographical context for the text, further obscuring the identities of those engaged in the conversation. Such translation of text to sound acts as a prelude, drawing the readers into the disjointed world of 4'44". Intimate and surreal, the story follows a first-person narrator who relies on her fractured psyche for survival, chronicling the various stages of her mysterious illness.

he title reflects the layered conceptual and formal explorations of the work, appropriating John Cage's 4'33", lasting 273 seconds, often interpreted as referencing -273°C, or absolute zero, where all molecular motion stops. By adding 11 seconds, Wi creates an interval to reflect on "the other," mirroring the act of letter-writing, which involves both a sender (self) and a recipient (other). The resulting manipulation of time also draws on cultural symbolism, as the number four is often associated with death in many Asian cultures. Combining the suspended ambience of 4 minutes and 33 seconds with a brief yet charged speculative moment, the letters of 4'44" invite meditation on what lies beyond the self, at the edge of death.

https://doyenne-books.bandcamp.com/merch/d-08-jiyoung-wi-444-book-cd-set

Gabrielė At The University Hospital Where She Hates Working

Gamut

Neruption

@tumy06 - Homeseek
Release Date: November 10th, 2020
Mixed & Mastered by @Go_Meee
Cover by Bobbie Orkid
SL+07
© Seedlink⁺ 2020

saliva pattern

misha kurilov

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