Contemporary piano music. Everything I feel like it's worth listening but I try to focus on innovative, strange and moving pieces. Suggestions and comments are welcome.

Piano

Cave

Silent Nemesis In The Mirror

Digital recording, October 2011 and January 2012.

Rob- vocals, words, music
qsc- guitar, bass, triggerfinger, words, music

(Thoughts from the)kitchen sink

what to wear tonight
while you’re wearing me out
who’s going to fill your diary tomorrow
switch me on
switch me off
I’m not the phone to pick up
I’m not the floor to walk upon

who needs a book these days
as he hit his next bottle
how do you move me in your last movie
switch it on
switch it off
you’re not my answerphone
you’re not the words I long to hear

“what part do I play in your novel” you might say
it’s all up in the air
and I’m not going anywhere
apart from
the kitchen sink

where are you taking this ride
in a borrowed car
how do you wind me through this movie
switch me on
switch me off
I’m not your terror vision
switch me on
switch me off
I’m but a broken mirror

(thoughts from) the kitchensink

A recording of Masai Mara(https://freesound.org/people/AugustSandberg/sounds/202874/) (wink to [Chris Watson's(https://chriswatsonreleases.bandcamp.com/track/river-mara-at-night)), downloaded from Freesound (thanks to [August Sandberg](https://freesound.org/people/AugustSandberg/)), is used as a "constant". Different filter and resonance configurations and tools (soundtoys' FilterFreaks, Phase Mistress; Lexicon PianoChords, FabFilter and Izotope EQs), with some time envelope graphical programming and LFOs, plus some massive reverbs, are applied on the ambiance, in order to create movement and sensations of unreality.

Image from Willa Wey https://www.flickr.com/photos/wei_willa/25341443196

More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/

About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/

Night Of Relentless Filters [disquiet0595]

I'm Not There

I’m Not There (Bob Dylan cover) (remastered)

Part 6 of the 6-part series "Polaris", music inspired by H. P. Lovecraft's short story of the same name:
https://soundcloud.com/velvetsomethingsuperdark/sets/polaris

I never wake
I never open my eyes to reality
to cruel to see

I'm home again
home where I belong
deep inside of me

There is no fear
there is no pain
there is no longing
there's no shame

And the dream
is just beginning...

Polaris 6 - End Is Beginning

CAN I FIND IT AGAIN

The original open collab of THE LABYRINTH OF HIS DECEIT transmutated by THE WINDSCALE BLUES EXPERIMENT into a whirling dervish of sonic devastations!  Follow him at https://soundcloud.com/windscaleblues right now!   
Make art together and change your world!

The Windscale Blues Experiment + Black Market Brains = Labyrinth Of Deceit

Skyscraping

29Mar24

My Naviarkaiku534 track;
https://naviarlab.tumblr.com/post/746205559437557760/naviarhaiku534-pre-dawn-inertia
:D

Pre-dawn inertia [naviarkaiku534]

2024-05-06

Another Find In The Barn

This track was created as a homage to Piano Day 2017 and was recorded on the day storm Doris hit the UK. I wanted to write a track that felt affirming in the midst of a turbulent beginning to the year. The track was recorded during the later hours of the day when the storm was receding but a drop or two of rain can still be heard. It's available to download across digital platforms from 24.03.17 xx

You'll Be Okay

Pas À Pas (Piano Day 29th March)

Come dance with me, where time has no boundaries and music is made of light.

Day VI

2021-01-02

a waterman was sitting in  the willow

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

a waterman was sitting in the willow

Night Note

Recent comments

Andreas Lundmark

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