The combination of beautiful and delicate guitar and PADS is like a calm night sky....

amazing atmosphere !! I could feel a wild sea !!

beautiful soundscape & nice chill out mood, i enjoy it very much :)

All submissions to Haiku 331:

https://www.naviarrecords.com/2020/05/20/naviarhaiku333-a-wild-sea/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #333: A wild sea- / In the distance over Sado / The Milky Way.

Le parasonnie sono manifestazioni che si distinguono dalla semplice insonnia. Nel brano, ho cercato di rappresentare uditivamente l'instabilità e la vulnerabilità dei pensieri che danno forma a figure e presenze.
La traccia  è priva  di elementi armonici o melodici, si compone di 11 suoni campionati con microfono TASCAM DR-22WL. Questi suoni generati attraverso voce, strumenti a fiato, elettrodomestici e suoni ambientali, sono stati elaborati digitalmente.

Traccia realizzata nel 2018

Parasonnie

“No Gods, No Masters” is as unsettling as it is hypnotic, weaving distorted basslines, fractured percussion, and unpredictable rhythmic shifts into a soundscape that teeters between chaos and control. It’s a sonic embodiment of instability — intentionally unmoored from many of the traditional dancefloor structures — designed more as an artistic statement than a club tool.

Download

Ainonow - No Gods No Masters

Child of Nature

Wild Wild West (Night on Earth Mix)

Wild Wild West (Remix 2025)

..... created from scratch yesterday, all with VSTs* and a real sax ... Enjoy !
*Kontakt - Hybrid Keys; AAS - Ultra Analog VA-3; Native - FM8; AIR Music Tech - Strike

Sax Soul

Preorder and the next single Eupnea (ft. @hyperbox ) from the upcoming Dreone album Hanuš now live from @stereoscenic :
https://dreone.bandcamp.com/album/hanu

https://open.spotify.com/album/4kT5pNtEoedBdqYe37pgJ6

https://music.amazon.com/artists/B08QYPYMMQ

Digipack with a hard-book style cover, 7mm spine. Glass-mastered CD with paper inner-sleeve is held in a printed sleeve (3mm spine) glued to the inside of the book. Edition of 100.

Hanuš is a holistic collection of remembrance and reflection of my late friends John and Jacob, both of which are the names of the main characters in the film Spaceman which coincidentally became a deep inspiration while writing, recording and forming its concept. The overall theme of the Dreone project (as some may already know from Driftdown Procedure) is that the souls and spirit of my fallen companions live within the systems of a sentient spacecraft and its humanoid manifestation/android, the notion of which allows me the mental freedom to explore the cosmos through music and be a bit more experimental with my sound. This album in particular is about them traveling together through the echoes of memories and the loneliness of space to witness the beginning and end of everything, leading the listener to acceptance through catharsis. 

Gear used on this album includes, Arturia Mini and Microfreak, Arturia Pigments, Tascam 414 MKII tape loops, ESP LTD MH-400 B Baritone guitar, Collision Devices Blackhole Symmetry, and Bitwig.

music & artwork by Bryan Hilyard 
with special guests AJK and Brian Stegmann 
mastering by @andrewklimek

Bandcamp

Eupnea (feat. hyperbox)

blonvolp_02

Little improvised song for Tanaka Hiroaki haiku:"
Whenever we meet
it’s raining
green walnuts"

We meet (naviarhaiku616)

Update: An in-depth patch explanation tutorial video has just been released on YouTube: https://youtu.be/-7Sv6_Epr50 - if you're intrigued how this track was made, check it out 🤗

I wanted to see whether GRM Tools Atelier could do something a little more rhythmic ... It can! 😁 See the YouTube video of the patch (and an upcoming how it works) on the halF unusuaL YouTube channel: https://youtu.be/aY6TNXLZYec

whenever we meet
it’s raining
green walnuts

Tanaka Hiroaki (1959–2004) was a Japanese poet from Osaka. A student of Hatano Sōha, he published many of his works in the journal Ao 青 (“Blue”), of which he became editor in 1979. In 2000, he founded his own journal, Yū ゆう.

Haiku by Tanaka Hiroaki (Italian): https://www.lucacenisi.net/2023/03/24/cinque-haiku-di-tanaka-hiroaki/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visual (YouTube)

halF meT [naviarhaiku616]

Glad, that https://soundcloud.com/theforestarmy invited me to add some sax,
photo, backtrack - composition, concept, instruments by "The Forest Army"

The night turns to gray - feat. joerxworx

For a “desert blues,” a rather unusual combination of Danmoi and soprano saxophone ...
Sometimes Sahara dust reaches Germany... always surprising,
it's like a greeting from Africa.

Sahara Sand

This track was created for the Naviar Haiku group.
333 week haiku
naviarlab.tumblr.com/

2020-05-21

A wild sea- In the distance over Sado The Milky Way. ( Naviarhaiku 333 )

Another fairly literal interpretation but one that seems to work quite well. I had a couple of field recordings of birds and the ocean that seemed like a good fit here. My concept was a transition from earth to space, represented by field recordings then synth pad and plucks. Fairly direct, but overall I'm happy with the end result.

---

This track was inspired by the following Haiku:
A wild sea -
In the distance over Sado
The Milky Way.

Wild Stars (naviarhaiku333)

A wild sea-
In the distance over Sado
The Milky Way.

haiku by Matsuo Basho https://web.archive.org/web/20110303133453/http://thegreenleaf.co.uk/hp/basho/00bashohaiku.htm

picture by Erwin Doorn https://unsplash.com/@erwindoorn

For more information visit http://www.naviarrecords.com/about/naviar-haiku

milky

halF wilD [naviarhaiku333]

Electric guitars (3 x stratocaster)
Upright bass
Synthesizers
May 21st 2020.

For this haiku:
"A wild sea-
In the distance over Sado
The Milky Way."

Composed and performed by Daniel Diaz
Photo by Davide Baraldi
Poem by  Matsuo Basho

@naviar-records

The Milky Way Sea (naviarhaiku333)

a wild sea
in the distance over Sado
the Milky Way

naviarhaiku333: a wild sea

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

A wild sea- In the distance over Sado The Milky Way. ( Naviarhaiku 333 )

Night Note

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