Drop

Big Blunder

P è n i n ș o l a r version of Ĺ͂̒on͞g̒͑in̓̃g̈́s̀
Produced, mixed, & arranged
by P è n i n ș o l a r 
Beats, bass, tremolos, synthesisers, polyrhythmic electronics, encrypted communications
Synth theme 
originally sent
by Wilfried Hanrath
Visual by P è n i n ș o l a r
https://www.instagram.com/p/COVpS51B_Br/
https://peninsolar.bandcamp.com/track/p-n-i-n-o-l-a-r-wilfried-hanrath-longings

Wilfrieds alternate guitar mixes can be enjoyed here : 
www.instagram.com/p/COUdji1IYXV/ 
www.instagram.com/p/COR3VEinFaV/ 
soundcloud.com/flyingtonefish/wilfried-hanrath-p-e-n-i-n-s-o-l-a-r-longings-wils-version 
www.youtube.com/watch?v=6vjkAbU7SCE

Purchase on Bandcamp

P è n i n ș o l a r & W:I:L- Ĺ͂̒on͞g̒͑in̓̃g̈́s̀

Nightdrone

2021-05-28

NLS 2021 - 05 - 28

between the lines

Palpable (Manifest v2)

P 404  Liven

The forest was silent, stripped of life and colour, branches like bones under a sky that rotted inward. He walked the dead path without hesitation — there was nowhere left to run, and no one left to warn.

Above, the heavens writhed. Stars flickered like dying coals, and a cracked moon pulsed behind a veil of shifting ash. The tearing had begun, just as he once believed he could command — back when he mistook forbidden sigils for wisdom instead of invitation.

The cabin stood ahead, windows glowing with ritual fire, its shapes crawling along the walls like living wounds. The same symbols he'd carved in his youth, the same whispers he’d followed in arrogance, believing knowledge was salvation, not a summons.

Leaves lifted around him, pulled upward into the sky’s wound. A hum rolled through the earth, through his bones, through the memory of every choice that brought him here.

He did not slow. Doors, once opened, demand attendance.

As the world bowed to the unseen thing waking beyond the veil, he breathed his final acceptance, soft and sure — the only truth that ever mattered.

The Void Remembers. 

See the full story on YouTube.

Foresaken Part 2 - Deep, Sci-fi, Nature Ambient [Sleep/Study/Relaxation]

Against Amnesia

Stefan K - Rock Flexible (Official) shared an inspiring instrumental, asking if anyone would like to contribute some vocals. I found the piece to have an ominous atmosphere that builds into something more triumphant. This is my take on it which is a rather dark ecological wake up call (as if we should still need that!) with the invaluable help of Dick Vestdijk (Oorlab) with whom I’ve worked on ten other collaborations. A very special thank you to both Stefan and Dick. Thanks for listening.

Original music – Composition/arrangement/instrumentation/production - https://soundcloud.com/rock-flexible 

Lead vocals, backing vocals and some additional lyrics - https://soundcloud.com/oorlab 

Lead vocals, backing vocals and lyrics – me

Photograph by Douglas Corrance

Is it just me,
Or is it you?
How can we,
See this through?

Is it because,
We're at a loss?
We can find our way,
Out of this.

Time is short,
And can't be bought.
Who will make time,
While we're in decline?

Too late to be denied,
We can’t hold back the tide.
Nowhere left to hide,
Time's not on our side.

Who’ll count the cost 
Of the Earth’s loss?

Is it just me?
Or is it you?

Too late to be denied,
We can’t hold back the tide.

Nowhere left to hide,
Time's not on our side.

(Meet me in the afterglow)

Time's Not On Our Side - A Rock Flexible Open Collaboration with Oorlab & MarkJBennett

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

between the lines

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