Can't Remember My Name

Was going after a Pink Floyd sound on this. I hope you enjoy it!

In a dream, you’ll make it
Has to be, to take it
Guilty, we can see our saviour
The bastard, he can be our traitor

The wind and sea will impale ya
If you’re like me; a drunken sailor
To never be free, I found a jailer
A sot, a near-do-well, a total failure

There has to be something braver
For saving me, blind faith, and valor
The troubled breeze of change surrounds us
A muddled release of all they’re talking about

In a dream, you’ll break it
The mirror of fate, yourself; you hated
Bring to me the sands of Abydos
For the beggar who has the most

I’ll squint to see if there’s land there yet
Uncertainty is the jailer now
Brought to peace, my fight is over now
Into that dream, forever; on and on

Quiet Desperation

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by Pat Matrone music and all credit goes to him for the music track creation which I have listed below. Check out Pat Matrone music on YouTube. The links below are to the original material by the artist.  

Obtained from: PatMatronemusic
YouTube site: https://www.youtube.com/@PatMatronemusic
Backing Track Title: Deep Spacey Backing Track/Guitar Jam in C# minor [Observable Universe]
YouTube Track channel: https://www.youtube.com/watch?v=g8NGW-FJI4Y

Date: 10/30/24
Song Title:  Observable Universe
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 91 Ibanez RG550 with HSH configuration
Color: Purple Metallic 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Tim Henson Neural DSP 
Preset: Smooth 80s Lead
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Encounter_00X

Observable Universe

Kurdt

The Titans

LANDS OF FOOLS 2024.

pict free stock photo

At the end of the book, connections surface that are basically clear, but the reader had no idea about them during the book and couldn't put them together in any way :-). Just Yrsa, hahaha.

2024-11-12

Find From The Landfill Clarified - Everything Is Different

Pipers was supposed to be part of a 'triptych' but now has ended up being a 'polyptych'...

Dall-E SUCKS as there are no explosions going on in the image, as the prompts were blocked due to "unsafe image content detected" (explosion)

Explosions were part of the track...as artists we should be able to express what we want without regard to some algorithm dictated by our 'betters"...

See https://soundcloud.com/remnant60/pipers-into-the-thistles-parts-1-3
for the rest of the story...

Pipers Into The Antideim (Part 4)

i composed an ambient track, i recorded Lehna on guitar, his style is half oriental half psychedelic, then i recorded my violin and Indian flute. the track is peaceful, happy, open horizon with an deep oriental touch

BUY HERE

Sahoti (feat Lehna)

This track is a relaxing ambient soundscape intended as another short 'with a coffee' meditation piece, for when you only have a few minutes to kick back.
It features my Kostal acoustic guitar, this time tuned to CGCGCD and the beautiful Max Richter Piano by SRM Sounds, and several sounds made in DIVA.

Blue Meditations III

HFTH 178 Æternæ Rerum Conditor I (StMaryRedcliffe)

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Find From The Landfill Clarified - Everything Is Different

Night Note

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