@earthborn_visions: Many, many thanks Mike. Sorry for a late reply. Summer work terms . Thanks  so much . Hi. Milan

@earthborn_visions: Haha thanks. Yes. Most - or almost all of the tracks are created at a time when people are normally asleep long ago :-) Thanks. Nice weekend and ideas for the next Haiku. Hi. Milan.

@magician-2: Thank you, Ian. I do, too. It's my night relaxation before sleeping after work. So they actually move to other dimensions. Thanks a lot. Hi. Milan

@rudzupuke: many,many thanks. Nice weekend and next week. Hi. Milan :-)

All submissions to Haiku 185:

http://www.naviarrecords.com/2017/07/19/naviarhaiku185-harmattan-moon/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Upload your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track will be included in Naviar's weekly podcast and monthly compilation. Please set the track as downloadable on Soundcloud and allow others to remix it by using a Creative Commons License.

Haiku #185: harmattan moon / a leafless tree leans / on its shadow

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Stone To Screen – In an Hour (Past Into Futures) // The Epic Journey Of Human Communication

Past Into Futures – Signals Preserved, Messages Carried

“Stone To Screen – In An Hour (Past Into Futures)” sounds poetic, cinematic, and concept-concept heavy in a good way; it suggests transformation, time, and technology/art all in one.

“Stone To Screen In An Hour” evokes something ancient or raw (“stone”) being rapidly transformed into digital/visual form (“screen”) in a very short time, like compressing millennia of human evolution or artistic process into one intense session.

It hints at the journey from primitive tools and carvings to modern screens and media, so it feels like an ode to creativity and technology evolving together.

“Past Into Futures” suggests using memories, history, or old material as fuel to generate multiple possible futures, not just one fixed destiny.

Put together with the main title, it sounds like the album is about transforming long‑carried experiences into new sonic or visual worlds, almost like time travel through sound and words.


take the ride—audible experience awaits

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all music in the work produced, provided courtesy of mobygratis and crew (licensed)

vocals production, arrangement, mixes, study research, writing, production: fictionalive

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till you hit the spot

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Stone To Screen – In an Hour (Past Into Futures) // The Epic Journey Of Human Communication

Synth Pop

Starglow  House Lead

Happy Christmas to all the folks on here 🎅🧑‍🎄🤶🌲🎄

Santa’s lost his baubles  .mp3

Convergence Iterations

Yan Grooger - Spectrolive(Pitch)

Gave this one a complete overhaul in celebration of tomorrow's solstace.
Thank you for listening ♥🎵

Winter Solstice 2025

As a lover of everything percussion, here's something that scratched that itch.

Scin

scin

Respect

Arctic Wind

Created with Composer Cloud instruments by Fiona Caldarevic

harmattan moon
a leafless tree leans on
its shadow

Haiku poem by Celestine Nudanu

Harmattan Moon (naviarhaiku185)

This track was created for the Naviar Haiku group.
185 week haiku
naviarlab.tumblr.com/

Waldorf Blofeld
efects- VST + NI Machine

2017-07-21

harmattan moon (Naviarhaiku 185)

Composed using ComposerCloud sounds
Written for concert orchestra

Harmattan Moon 2 - Orchestral

Harmattan Moon 2 - Orchestral (naviarhaiku185)

See http://www.naviarrecords.com/2017/07/19/naviarhaiku185-harmattan-moon/ for info and other inspired tracks

Harmattan shadows [Naviarhaiku185]

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

harmattan moon (Naviarhaiku 185)

Night Note

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Night Note

Night Note

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