Tout Passe, Tout Lasse, Tout Casse

Tout Casse

- Keys, synths/pads, comp.: Andrew Janik (Bury The Jar), Toronto / Kanada 
- Additional synths/pads, flute, art: Axel Weiß, Obernbreit / Germany

“'Walking For Water' is a piece of music that will be on a new album called sub-Saharan, to be released on all streaming services in the near future. It is dedicated to all those in sub-Saharan countries that walk to feed their families. It is their love, dedication perseverance and even hope that embodies all that we are as human beings. 
I am happy to be working with Axel again." (Andrew Janik)

The pleasure is all mine, Andy ☀️

Listen to more of his beautiful music:
https://burythejar.bandcamp.com

Walking For Water (Andrew Janik & Axel Weiß)

A big thank you to Ian Greaves aka (IPG1)for this wonderful opportunity by providing his acapella vocals.

Music & Mastering provided
in the ARAPA Music Studio
Sydney - Australia

If I had it my way I'll do this everyday
My rap videos would be on blu ray
Track after track on auto play
Back to back videos big booties on display
You'll be back for the crack just like G-money say

I'm the first of the last one of heavens outcast
Skillzzzz unsurpassed a ghost from the past
It's IPG1 no need to ask
What makes me better every word every letter
A real vendetta if you fucking with my cheddar
Your tipping the scale I'm light as a feather *(Musical scale)
Trying to match me measure for measure
I measure twice cut once
Desecrate the playing field then bounce
There'll be hell to pay
Lord I said it I meant it
Dig it -goddamn it- so what's with it
Talk about my style now they act like they want it
my techniques are pivotal each one unique
I swerve in and out son I navigate the beat
Transition in the middle of a sentence like that
And I say what I want cause the rhyme's got my back
So much flow and rhythm you might need a kayak
It's IPG1 and I got it like that

Everyday I wake with lyrics in my head
Recall from experience and the books that I've read
Break up the vocab I'm thick with it
Rolling of my tongue from the rhymes I spit
Find the right beat I get sick with it
As I preach bob your head to the harmonics
Mic guarded like I'm a vicious Pitt
Don't Overreach your grasp you'll need hooks and picks
I've got the rhythm for the music
The beats for the track
These stone cold lyrics that I can't hold back
Swagger on the mic from this lyrical attack
So you hating ass bitches get off my nut sac

Now run the damn gauntlet been there done that
Clean sweep clearing house like Freddie Mac
Dig through these barzz you'll find buried treasure
Wiz with it son scale bar and measure
Fresh never stale witty and clever
What can I say it's my favorite endeavor

Short and sweet plan for defeat
Get the hell out my kitchen turning up the heat
Elevated status known as elite
Boss on the streets heartbeat concrete
No forgiveness capitulate retreat
Another win checked off on my balance sheet

Step to me now what you're gonna do
I'm the RPG taking out your whole damn crew
Gamble if you choose It's time to pay your dues
Don't play up your importance you won't even make the news
Quick review not a mental breakthrough
Don't play with fire it will burn you

*Scales---Musical scale
Copyright © 2016, Ian Greaves

If I Had My Way (Feat. IPG & ARAPA)

2024-10-07

view from the stratosphere

SECRETS  OF  TREES  2

Leaves that fall and fade

A sespuzzle pausan_01

Dark Ambient _ Drone Horror  OST 2

私を見なさい。.

One of the strangest things I ever made with a guitar, this is a spacey ambient / soundtrack piece done a couple of years ago. Prior to the start of this recording, the delay was made to sound like a random percussion type sound. I added a high pitched string sound done with Absynth, plus a little Pro-53 sweeping synth sound. With a long delay and reverb, you can make a guitar sound very much unlike a guitar. #SoundCloud ☁️

Supraterrestrial

Supraterrestrial ˓˓ ⍥⃝⃝ ˒˒ (guitar + flashback + chorus + mini universe + Absynth & Pro53)

ここには一度きたことがある
地底に広がる大工場
溶けた鉄を砂型にそそぐ
コークスで真っ黒の男女
砂型の湯口が崩れ
燐のにおいが立ち込める
火炎がうねり
火の粉が爆ぜるキューポラ
おまえは深淵の縁に立ち
地底に呼びかける
「ヤッホー」
その影がトンネルの壁に映り
影絵のようにうつくしい

I feel like that I had once come to this place.
A big foundry in the bottom of the abyss.
Men and women dirty with cokes pours the melted iron into the sand molds.
The sprues of the sand molds collapse.
The smell of phosphorus spreads.
The cupola furnace emits fire.
Sparks leap.
She stands at the edge of the abyss and looks down at the bottom.
She calls to the factory persons working in the bottom. "yoo-hoo!".
Her shadow falls on the wall of the tunnel.
It is beautiful like a shadow picture.

cupola furnace

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

view from the stratosphere

Night Note

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