fantastic Milan. I must say that to me this one of your best tracks. of course this is worth what it's worth. just words. but I felt a fantastic sense of grounding, the structure and ambiance it's just magical. congrats 

Excellent how the guitar blends with the atmosphere. Very accomplished work

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku/

All submissions to Haiku 371:

https://www.naviarrecords.com/2021/02/10/naviarhaiku371-heavenly-creatures/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #371: Heavenly creatures / descending it seems - / the sea of spring

Polar Day

Crystal Cave

Take two

Tape end

Off To The Land Of Nod

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

Impro for fretless electric bass (noise included) thinking about Bruno Gussoni.

Instant Song (for BG) 

Instant Song

Made for Naviar's 370th Haiku Challenge, details and other inspirations at https://www.naviarrecords.com/2021/02/03/naviarhaiku370-since-my-house-burned-down/

Rising moon [naviarhaiku370]

This track was created for the Naviar Haiku group.
370 week Haiku.

 https://naviarlab.tumblr.com/

https://www.naviarrecords.com/2021/02/03/naviarhaiku370-since-my-house-burned-down/

OneAmbient4 - View Of The Rising Moon (Naviarhaiku 370)

Heavenly creatures
descending it seems –
the sea of spring

Matsunaga Teitoku (1571-1654) was an early haikai poet and founder of the Teimon school of poetry, which aimed to make haikai accessible to a wide audience while striving to make it a respectable literary form. A task ultimately accomplished by Bashō.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 17th February 2021

haiku by Matsunaga Teitoku https://www.britannica.com/biography/Matsunaga-Teitoku

picture by Nathan Dumlao https://unsplash.com/@nate_dumlao

@soundcloud.com/naviar-records

Sea Of Spring [naviarhaiku371]

11Feb20

My naviarhaiku371 submission;
https://www.naviarrecords.com/2021/02/10/naviarhaiku371-heavenly-creatures/

Heavenly creatures
descending it seems –
the sea of spring

:D

Boson Spin - Heavenly creatures descending [naviarhaiku371]

This track was created for the Naviar Haiku group.
371 week haiku
naviarlab.tumblr.com/
experimenting with virtual scoring guitar

2021-02-11

heavenly creatures ( Naviarhaiku 371 )

Lost and found master from 2007, a live in the studio improvisation performed by
Nico Arnicho (URU), Percussion
Bobby Rangell (USA), Flute
Daniel Diaz (ARG), Fretless bass

Remixed and edited for the first time now February 2021 , for this haiku:
⠀
Heavenly creatures⠀
descending it seems –⠀
the sea of spring⠀
⠀
Poem by Matsunaga Teitoku (1571-1654)
Photo by Sam X

Descending (live studio jam) naviarhaiku371

heavenly creatures
descending it seems - 
the sea of spring

naviarhaiku371: heavenly creatures

an attempt at simpler more tonal little soundscape

Heavenly Creatures Descending(NaviarHaiku371)

My response to naviarhaiku371 – Heavenly creatures

Heavenly creatures
descending it seems –
the sea of spring

Matsunaga Teitoku (1571-1654) was an early haikai poet and founder of the Teimon school of poetry, which aimed to make haikai accessible to a wide audience while striving to make it a respectable literary form. A task ultimately accomplished by Bashō.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 17th February 2021

haiku by Matsunaga Teitoku https://www.britannica.com/biography/Matsunaga-Teitoku

picture by Nathan Dumlao https://unsplash.com/@nate_dumlao

Lately It Seems (naviarhaiku371)

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

heavenly creatures ( Naviarhaiku 371 )

Night Note

Recent comments

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Andrei G

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