I added some piano arpeggios .. https://soundcloud.com/musichevirtuali/night-note-marco-lucchi-into-the-void-naviar-haiku-358

Deep dreaming piece Milan. Just Wonderful 

All submissions to Haiku 358:

https://www.naviarrecords.com/2020/11/11/naviarhaiku358-i-close-my-eyes/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #358: I close my eyes / and in the void / a black horse prances

My Heart

More on the 723rd weekly Disquiet Junto project, Do the Collapse — The Assignment: Make music that falls apart repeatedly — at https://disquiet.com/0723/.

Corona4(disquiet0723)

Disquiet Junto Project 0450: Texture Analysis
The Assignment: Create a piece of music from sounds related to working with rocks.

Welcome to the 450th consecutive weekly Disquiet Junto project. Thanks to everyone who has participated, supported, and pitched in along the way.

This project is the third of three that are being done over the course of as many months in collaboration with the 2020 Musikfestival Bern, which will be held in Switzerland from September 2 through 6 under the motto “Tektonik” (“Tectonics”). For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the second year in a row that the Junto has collaborated with Musikfestival Bern. Select recordings resulting from these three Disquiet Junto projects will be played on a listening booth at the Steinatelier on September 5, as well as being aired on Radio RaBe (rabe.ch), an independent local radio station partnering with the festival.

Step 1: Download the field recordings made at Carlo Bernasconi AG, a company that has been working in stone for over a century. The sounds range from machines to manual tools to spatial ambience.

Step 2: Listen for aspects of the recordings that attract your ears. Focus on textures in particular.

Step 3: Create a piece of music combining elements from as few or as many as you chose in Step 2.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0450” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0450” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0450-texture-analysis/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto and #musikfestivalbern so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, August 17, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, August 13, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0450” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 450th weekly Disquiet Junto project (Texture Analysis — The Assignment: Create a piece of music from sounds related to working with rocks) at:

https://disquiet.com/0450/

This is the third of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

The Rocks - disquiet0450

Equipment:YAMAHA Reface CP,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,Electro Harmonix Analogizer,BOSS RV-5

lukewarm

Music by Liquid House
Poems by William Blake

THE LITTLE GIRL LOST & THE LITTLE GIRL FOUND
from Songs of Experience (1794)

Composed, recorded and mixed at Hadean Studio
from the 16th to the 19th of September 2020

Etchings, William Blake
Artwork by Liquid House

https://liquidhouse.bandcamp.com/album/lyca

Lyca

Sociology Of Scientific Knowledge

This track was edited from Lockdown Collaboration 1, recorded live at home on the 18th April 2020, exclusively using the wonderful music of @idin-samimi-mofakham and his partner @martyna-kosecka as source material. 

This was quite early on in Lockdown, when angst and worry seemed at its peak, so perhaps unsurprisingly, the piece has come out quite dark and ominous (though not as dark and scary as Hell Hath No Fury, which immediately precedes it!).

Existential Angst

ラミニウス

I close my eyes
and in the void
a black horse prances

haiku by Kakio Tomizawa http://www.big.or.jp/~loupe/links/ehisto/ekakio.shtml

picture by Jakub Kriz https://unsplash.com/@jakubkriz

For more information visit http://www.naviarrecords.com/about/naviar-haiku

dolce flash

halF closeD [naviarhaiku358]

Submission to naviarhaiku 358 https://naviarlab.tumblr.com/
Haiku by Kakio Tomizawa http://www.big.or.jp/~loupe/links/ehisto/ekakio.shtml
Picture by Jakub Kriz https://unsplash.com/@jakubkriz

. . .
I close my eyes
and in the void
a black horse prances
. . .

Naviarhaiku#358 /I close my eyes

Daniel Diaz: Acoustic bass guitar, harmonica and synth overdub.
Pajaro Canzani; Guitars
Nico Arnicho: Percussion.

An old studio live jam, recovered from my vaults, mixed and reworked for this haiku:

I close my eyes
and in the void
a black horse prances

Photo by Lindsey Bidwell
Poem by Kakio Tomizawa 

@naviar-records

Black Horse (naviarhaiku358)

This track was created for the Naviar Haiku group.
358 week haiku
naviarlab.tumblr.com/
one line of Roli Seabord (NLS) and several custom sounds of outdoor recordings

2020-11-12

I Close My Eyes ( Naviarhaiku 358 )

Brandolini's law, also known as the bullshit asymmetry principle, is an internet adage which emphasizes the difficulty of debunking bullshit: "The amount of energy needed to refute bullshit is an order of magnitude bigger than to produce it."

Brandolinis Law (naviarhaiku358)

A soundtrack I created to a youtube photo presentation by my Dad:
'Hamburg Altona 1999-2020' 
https://www.youtube.com/watch?v=vefxuTv3K10&t=357s
Mainly Prophet Rev 2 Synthesizer + some Korg Minilogue & MB 33 towards the end.

Altona

Following on straight from "Choker", this track was edited from our final jam of our Lockdown Collaboration series, recorded live at home on June 2nd 2020.

Crown Of Light

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

I Close My Eyes ( Naviarhaiku 358 )

Night Note

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