Mixed Friends 44

||| Total Abandon |||
Let yourself drift upon synth bass so thick it can carry the weight of the world... while gently distorted synths play time amongst a slowly ticking tempo... and space is defined by the time it takes for the echo Vox to return... 

Watch the video here
https://youtu.be/jRgi4K_uZUw

#darkwave #darkambient #wavemusic #futuregarage

Total Abandon

Photos of Ghosts

hartfloh

An Atlas of Perfect Mistakes

2025-10-12

autumn sun on the low horizon

NightMan - Das Ist Nur Blablabla

un nouvel habit pour ce reggae que j'avais composé en 2023 : je lui ai ajouté une ligne de piano, un texte, et, sinon un chant, du moins ma voix.
PAROLES
Même si t’es sans ressource
Prends un verre de reggae
Bois la vie à la source
 Réveille l’avenir
 Fais luire
Dans les yeux de la nuit
 Le soleil de midi.

Si t’es plus dans la course
Prends un bol de reggae
Danse sous la Grande Ourse
Réveille l’avenir
 Fais luire
 Dans les yeux des amis
 La source de vie.

Même si la joie te quitte
Et que le Roi est nu 
Prends un air de reggae
 Et retourne en toi-même
Pour qu’à tous  profitent
Le rire des enfants
La couleur des « je t’aime »
 Et la chanson des rues.
________________________________________________________
LYRICS
Even if you're destitute
Have a glass of reggae
Drink life at the source
 Awaken the future
 Shine
In the eyes of the night
 The midday sun.

If you're no longer in the race
Grab a bowl of reggae
Dancing under the Big Dipper
Awaken the future
 Shine
 In the eyes of friends
 The source of life.

Even if the joy leaves you
And that the King is naked 
Take a reggae tune
 And find in yourself
For benefit of all
Children's laughter
The color of "I love you"
 And the song of the streets.

Musique et paroles : Henri Elie ( tous droits réservés 2025)

Boire la vie à la source

Golgota (Ort des Schädels)

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Part 2 "
credit : LIGHTwaves 2025
date : 11-10-2025

Video:
www.youtube.com/watch?v=w3_yn4gVTek

PLEASE VISIT OUR MAIN PAGE :

https://trampelfad.bandcamp.com/album/kesselhaus-factory-2025

KESSELHAUS FACTORY

“ORANATOL” unfolds like a dialogue between cultures, a meeting of Anatolian warmth and Western sophistication. Smooth yet expressive, the track moves in organic waves of improvisation, where mellow guitar lines and soft jazz harmonies breathe with soul.

At around ~78 BPM in D minor, “ORANATOL” balances gentle groove and cinematic stillness. It carries the calm elegance of jazz intertwined with the emotional resonance of Anatolia, a sonic horizon where sunlight fades into melody.

Perfect for reflective evenings, mindful sessions, and creative focus, it embodies the spirit of fusion, where emotion and tradition coalesce.


BPM: ~78 /  Key - Tonality: D minor (approx.) / Dynamic Range: ~21.5 dB /  Spectral Centroid: ~2.8 kHz / Average RMS: –17.2 LUFS /  Stereo Width (Side/Mid): ~0.45 / Gender Energy: eminine-leaning (42M / 58F balance)

Fusion Breakdown: Lo-Fi Chill 20% • Cinematic Ambient 25% • Neo-Soul 20% • Jazz 30% • Experimental 5%

ORANATOL

This track was created for the Naviar Haiku group.
232 week haiku
naviarlab.tumblr.com/
NI Maschine
sound sample from  https://freesound.org/people/jaegrover/sounds/240549/

2018-06-14

Indian summer dragonfly shadows seldom brush the window (Naviarhaiku 232)

Improvisation III

Indian summer:
dragonfly shadows seldom
brush the window.

Poem by Masaoka Shiki https://terebess.hu/english/haiku/shiki.html
Picture by Gabriele Diwald https://unsplash.com/@gabrielediwald

clicK-herE

halF dragonflY [naviarhaiku232]

An all-interval 12-tone row (serialism!) gets repeated over and over (minimalism!), but the tones are gradually revealed as 4th harmonics of implicit fundamentals (spectralism!) that get randomly (aleatoricism!) replaced, in each clarinet's part, by other harmonics.  The result is not midway between tonality and atonality, but rather, paradoxically fully committed to both logics at all times.  The harmonic cloud around the row gradually obscures its structure, and something happens at the midway point that may only seem obvious to the listener who gets to the end and goes back to the beginning.  This imparts a certain approximate symmetry (formalism!).  

The affect of the effect reminds the composer of butterfly flight, and the title refers, casually, to some recent research concerning how that all actually works.   The hidden crucial moment might suggest a "butterfly effect," but chaos theory is not literally implicated in the piece.

The practical score will call for three players even though effectively the work sounds as a mere duet.

Butterfly Waggle Vortex Rings, for clarinets

Boson Spin - Ossmilor

Submission for Disquiet Junto Project 0337: Through Composted
(Create a piece of music that is through-composed, but built entirely from samples.) For more information, see: https://disquiet.com/0337

Having written a through-composed folk song for February Album Writing Month 2011, I sampled my demo from YouTube ( https://www.youtube.com/watch?v=My_7VH9PRw4 )and used this as the backbone for my assembled tragedy.

Prince Of Thorough Compost [disquiet0337]

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Curly Compositions from a German Composer.

Indian summer dragonfly shadows seldom brush the window (Naviarhaiku 232)

Night Note

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