Deadline: 10th January 2024

All submissions to Haiku 522:

https://www.naviarrecords.com/naviarhaiku522-lightning/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com

haiku #522: lightning – / flashing in the east yesterday / and today in the west

Klangkollagen aus dem "Komputer" - Live zusammengefügt am 10. Juni 2023 bei Strom Wandlung Schall 2 im Alten Schlachthaus Mosbach - ZeM e.V. und Kunstverein Neckar Odenwald

Mosbach 2023

Improvisation mit Konkretem und Synthetischem

in dark autumn nights
dew and the new bamboo shoots
reaching out to moon

Shubham Dasgupta, hailing from the picturesque city of Guwahati, India, introduces himself as a student of law. However, his true passion lies in his enchanting affair with words and the mesmerizing world of poetry. With an innate ability to discover beauty in the most ordinary aspects of life, he finds solace in daydreaming. Mastering the art of crafting Haiku poems on a daily basis, he effortlessly weaves emotions into syllables, creating captivating pieces of art. Occasionally, he ventures into the realm of painting, giving life to his vivid imagination.

reaching out [naviarhaiku511]

Mornings Service-naviarhaiku519

pict free wallpaper

getting to know the place when Karl arrives

2023-12-17

Farm Hvarf

The title is taken from the poem "The Peace of Wild Things" by Wendell Berry

Into the presence of still water

This track was created for the Naviar Haiku group.
522
https://naviarlab.tumblr.com/

2024-01-03

Lightning ( Naviarhaiku 522 )

Electronic composition, sounds created in Pure Data.

East & West (naviarhaiku522)

Created with Cubase 12 on PC, Spectres by Slate+Ash, Sequis and Piano Colors by Native Instruments

Inspired by Naviar Haiku 522:
https://www.naviarrecords.com/naviarhaiku522-lightning/

Photo by zenbytes (2023, near Lake Creek on Beartooth Highway, Wyoming, USA)

two day lightning - Naviarhaiku 522

My new contribution to the 
Naviar Haiku project
https://www.naviarrecords.com/haiku-music-challenge/

Lightning (naviarhaiku522)

7Jan24

My naviarhaiku522 submission;
https://naviarlab.tumblr.com/post/738505900732596224/naviarhaiku522-lightning
:D

Lightning [naviarhaiku522]

I returned to the ice I recorded in 2013 and approached it… differently. I put it through the Mangle, then chopped up the result, reversed and muti-tracked it a number of times and downpitched some by several octaves, boosting the bass as well as stretching some sections to create drones.

Then did it all over again and added it to the mix, with a dash of crème de menthe and a shot of Talliskers. I wish…

----------------------------------------------
The Assignment: Record the sound of ice in a glass and make something with it.

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

More on this 627th weekly Disquiet Junto project, Just Ice Society — The Assignment: Record the sound of ice in a glass and make something with it — at: https://disquiet.com/0627/

More on the Disquiet Junto at: https://disquiet.com/junto /

And just ice for all (disquiet0627)

Borked

The Grove

The Grove - [ Cassette Master ]

shifty 120 bpm sep 30 take 2

March of the Inanimate – Repossessed
Release Date: August 24, 2016
© 2016 Keith Richie

March of the Inanimate – Repossessed is a dark, cinematic soundscape that delves into obsession, mortality, and the supernatural. This reimagined and remastered edition of the original 2014 release expands the sonic narrative with new tracks and enhanced production—immersing the listener in a chilling audio experience.

A man, obsessed with defying death, steps into a long-abandoned home to retrieve a rumored artifact said to hold the key to immortality. But what he finds is not salvation… it is something far more sinister. As ancient forces awaken, his soul teeters on the edge of annihilation, pursued by horrors that march without mercy or sight.

This definitive edition draws inspiration from the atmospheric dread of classic horror soundtracks, particularly the works of John Carpenter and Alan Howarth. Through dark-electro pulses, suspenseful piano motifs, and immersive textures, Repossessed captures the mood of unearthed terror and psychological descent.

Now featuring three additional tracks and a fully remastered mix, March of the Inanimate – Repossessed stands as both a love letter to vintage horror scores and an original journey into the heart of sonic fear.

Critical Praise:

“Musically menacing, to say the very least. This opus incorporates haunting piano melodies and a deep intensity through its pulsing rhythms… it fits right into the gritty underworld of horror-movie-mania.”
— Jer@SBS, Sleeping Bag Studios

“Keith Richie has a way with electronic music—it rarely sounds synthetic. Here, he explores sonic storytelling beyond the confines of pop structure… an invitation to imagine films that don’t yet exist.”
— Robbie Tee, Jamsphere

Forbidden Cottage

Ovheda - Demo x90

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Lightning ( Naviarhaiku 522 )

Night Note

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