robots walking

NightMan - How... Seriously... How... ???

Endless motion without escape.
Circles drifts through layers of synth, reverb, and tension — a slow rotation between beauty and decay. Every pulse feels familiar, every silence deeper than before.
Minimal. Hypnotic. Eternal.

🎧 Headphones recommended.

CIRCLES

Photo: Aceh Indonesia, 2016.

Sucker for filtered guitars, so enjoy.

As ever, listen all the way through = good karma... thank you.

Drums: NI Kontakt loops.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster into NI GuitarRig and Archetype Mateus Asato
Keys: various VST from NI and Arturia.
Mastering: Ozone 11 Standard.
DAW: Ableton 12

Bandcamp

Raindrops on Cherries

root conductor

« Ces mers qui se succédaient et devant lesquelles, autre nymphe, elle se détachait. »

On recopie cette phrase dans son carnet de bord, au-dessus d’un démon vert qu’on a gribouillé hier. Pas grave si la cohérence entre la nymphe et le démon n’est pas évidente. Pas grave, quand bien même ça suffit pour t'agacer.

On dévore les peaux mortes
de tes lèvres qui desquament.

https://fhauna.bandcamp.com/album/orpailles

catalogue : muzakorderEP0016

recording(s) : fhauna

mastering : Jean-Patrice Rémillard 

buy_on_BC

dramanee

2025-12-05

moment of peace

Incident On Deck Forty-Three


Through the black dome, CyDar watched as Hurford, R.J. #34-4563 and McCullen, J.M. #37-9863 arrived on the Lighthouse command deck together. Their files indicated a previous relationship. CyDar calculated that humans with an emotional bond would be an advantage.

Jamilah McCullen checked the Situation Log.

“There’s an incident logged just over eight hours ago, appears to be an impact of significance seven but no details. Odd.”

Rob Hurford was scanning Engineering and Communication logs. “Several electrical and control systems have been automatically locked out and re-routed. That would suggest a hull breach. But there’s nothing major in the environment log, only a blip around the same time… suggests momentary tremor in a small area. CyDar, can you clarify?”

The black dome pulsed with light from an internal LED. “Good morning, Captains Hurford and McCullen. I hope your revival has no negative indicators.” The voice was deep and feminine.

“Aside from feeling like a two-day-old hangover, no,” said Jamilah. “Please report on the situation. The log is strangely deficit in detail.”

“Admin Directive seven five three one states that two officers will be revived and will attend the command deck at regular intervals. Sequencing is random.”

Rob checked another log. “This is not a regular interval. Human watch isn’t scheduled for nearly another week. And Captain McCullen has already served two watches on this tour. What about this incident report?”

“Your tone indicates displeasure.”

“More like surprise. I’m surprised that an apparent level seven impact - a possible hull breach - hasn’t generated more than a margin note in the logs. Aren’t you surprised, CyDar?”

“It is… unanticipated.” There was a pause, uncomfortable by human standards, geological in computer terms. “I can gather no further data. All feeds from the affected area are dead.”

“Are the feeds cut or blocked?”

“Unable to confirm.”

“Rob, we need to recce this, now.” Jamilah opened a locker and took out two pressure suits. They were designed for traversing vacuum-affected areas in a gravity-positive vessel, not for deep space work, so weren’t much harder to don and work in than a jump suit. Since the Lighthouse was largely automated or inert, most of it was unpressurised. Breathable air was too valuable a resource to fill a whole station, and it was corrosive. Their reservoirs held an hour of air and could be refilled from points throughout the station. She passed one to Rob, brushing her hand against his. “I’m glad it’s you. I’ve missed you.”

He nodded. “Me too, you look great when you’ve just woken up.” They finished suiting up and she gave the cut-throat signal to leave their comms turned off. They pressed their faceplates together so that the suits could conduct sound.

“CyDar is being evasive. What do you make of it?”

“Not sure. The logs are generated in real time. I suppose they could have been tampered with. She doesn’t seem to be fully aware of the cause. I guess we’ll find out soon enough.” They kissed through the carbonate faceplates and turned their comms on.

“Testing comms and video feed. Are you receiving us,  CyDar?”

“Affirmative, Captain Hurford. Full signal strength verified.”

“Wish us luck.”

“Hopefully so unreliable a system of chance will not be required, Captain McCullen.”

“Amen to that, CyDar.”


to be continued......

(c) iamacamera 2022

Image: Lexica.art

Incident On Deck Forty-Three: Part 1

bUT  Not  2day

An electronic composition, basic sounds created using Pure Data.

Quiet Cabin among Pines (naviarhaiku624)

Winter Mirage (remaster)

Original foto- copyright by 
katja3885@instagram

A JOURNEY from THE FOREST

© 2019 Sana music - Офіційне видання ©  Electronic Pop
►https://www.youtube.com/channel/UCK9nhrCNRIqdHqwytTUn9aA

Don't Cry (ENG)

Captured by silence, 
our feelings.
Beyond Love
Unknown life
In the palms of sadness
where there is no color
There are invisible borders
of dangerous words.

Do not say that black clouds
captured the blue sky.
Do not shoot at the heart
with black and white arrows
I don't want silence
Do not be silent.
Win your sadness,
hold my hand

Don't tear my heart
Don't tear my soul
It is very dangerous
I have to tell you this.
Don't play with feelings
Love me without hesitation
May there be love
between us forever

Take a look!
We are in the arms of heaven.
In vain we did not
value time.
Find forgotten sounds
in your heart.
Overcome the sorrows!
Take my hand

Don't tear my heart
Don't tear my soul
It is very dangerous
I have to tell you this.
Don't play with feelings
Love me without hesitation
May there be love
between us forever

❤️⭐️🎶❤️⭐️🎶❤️⭐️🎶❤️⭐️🎶❤️⭐️🎶❤️⭐️🎶 ❤️⭐️🎶❤️

Не край (UA)

У полоні мовчання
Наші почуття
За межею кохання
Чорно-біле життя
У долонях печалі
Де нема кольорів
Є невидимі грані
Небезпечних слів
	
Не кажи що хмари
Захопили блакить
То лише примара
То лише на мить
Я не хочу тиші 
Її не тримай
Ну скажи навіщо
Ми залишили рай

Не край моє серце
Не край мою душу
То є небезпечно
Сказати я мушу 
Не грай з почуттями
Кохай до нестями 
Нехай буде вічним
Кохання між нами

Подивись як небо 
Обіймає нас 
Ми с тобою даремно
Зупинили час
Позабуті чари 
В сердці відшукай
Подолай печалі
Мою руку тримай

Не край моє серце
Не край мою душу
То є небезпечно
сказати я мушу 
Не грай з почуттями
Кохай до нестями 
Нехай буде вічним
Кохання між нами

►► Пісня                            Don't cry
►► Виконавець                Sana
►► Альбом                        Reboot
►► Жанр                            Electronic Pop
__________________________________________________

Lyrics:    Sergey Luchko, Oksana Luchko
Music:     Sergey Luchko
Music      Arrangement: Sergey Luchko
 
♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
►https://www.youtube.com/channel/UCK9nhrCNRIqdHqwytTUn9aA
►► Luchko.s.a@ukr.net

© 2019 Sana music Electronic Pop

►►Категорія
►►Музика

Sana - Don't Cry

Well this monday, 14/10-2019, i almost lost my arm in an accident. will be a long way back to play guitar again if ever. really sad about this but figth i will an one day i will return. and play or not i will always be a stormchild and support the rest of you as much as i can!
Cheers and thank you to evryone

Stormchild

pict:  https://commons.wikimedia.org/wiki/File:Druids_Inciting_the_Britons_to_Oppose_the_Landing_of_the_Romans.jpg

2019-10-19

march of druids..

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

march of druids..

Night Note

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idematoa

Magi©ian™ (Making music make a difference)

Stan Magendanz

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