Fine piano melody, and the profound compositional sounds that surround it. The harmony is as beautiful as the full moon reflected on the surface of the water...

very beautiful piece Milan greetings from Wales

Moderato

12 FLAWED ANDROIDS

2023-08-05

Peaceful Night Under The Full Moon

TIME

An new take on a very old melody, this is 'Greensleeves' for solo piano.

Streaming links: https://li.sten.to/33k2ny5q

Sheet music download: https://www.whaviland.com/public-domain/greensleeves

Greensleeves [arr. for solo piano]

https://youtu.be/9bQvbjp60Es
https://www.milanazilnik.com/albums/metamorfosi

"THE HATCH" - the opening track from the upcoming "METAMORFOSI" is LIVE on streaming platforms! And we have a short lot of magnificently illustrated CDs as well!

This story is not about Alice. Although, we've all had Alice in our lives. As well as the Cheshire Cat, Mad Hatter, Queen of Hearts and Jabberwock, in one form or another. This story is about you. This story is about me. 

These insane days I feel like more than ever I want to open some hidden hatch inside my piano to fall through a rabbit hole into a fantasy land, away from all the madness that I see around..

Many thanks to Yoed Nir for the magnificent cello, Vitaliy Tkachuk for the magical guitar, Craig Akin for the dramatic bass, Phil DiMercurio for the drums and percussion, Diana Lloyd for shaping my voice, Justin Gray for bringing it all home in one stunning mix, and Anastasia Frenkel for illustrating the story in such a wondrous way! And, of course, thanks to my husband, Arty Sandler, for believing in three crazy things before breakfast and making them real!

----
Composed by Milana Zilnik
Produced by Arty Sandler
Piano, vocals, Hang drums by Milana Zilnik (Canada)
Cello by Yoed Nir (Israel)
Electric and acoustic guitars by Vitaliy Tkachuk (Ukraine)
Drums and percussion by Phil DiMercurio (US)
Electric and upright bass by Craig Akin (US)
Flutes by Boris Khodorkovsky (Canada)
Mixed and mastered in stereo and in Dolby Atmos by Justin Gray (Canada)
Illustrated by Anastasia Frenkel (Canada)

Metamorfosi

The Hatch

"The Hatch" from "Metamorfosi" by Milana Zilnik

La tartaruga creata  dai bambini e' rimasta sola.

Ma qualcuno nel frattempo si rilassa nel mare con una gruccia in mano



Seguimi sui canali  :

Spotify :
https://open.spotify.com/intl-it/track/5wwSuFYPXQQ517gnBsOdZx?si=716614af4dbb4809

Bandcamp : https://davidezappettini.bandcamp.com...

Youtube :
https://youtube.com/@groovemagic1?si=_iFnAFHqVJMUW5kk


Apple music: 
https://music.apple.com/it/album/deep-blue-single/1722110314

Amazon music :
https://music.amazon.it/albums/B0CQN3TFNB?marketplaceId=APJ6JRA9NG5V4&musicTerritory=IT&ref=dm_sh_M27DGh0gnUsjURbh5seuBdiOB&trackAsin=B0CQMX1Q39

Deezer : https://deezer.page.link/7RuRnpMcvHfk4NAVA


Tidal :
https://tidal.com/artist/44555944




Il mare lento

Il  mare lento

Here I recycled the introduction of "Off The Beaten Track" because I found it deep and gripping and I wanted to give it more depth and singularity. I hope I succeeded.

That being said, I also wanted to draw attention to the synchronicity of this piece and my current psychological state. Indeed, during the period when I created this piece, I was precisely in a reflexion and a retrospective on the fact that I had created a real caesura with certain things in my life (toxic people around me / toxic situations / conflicting thoughts / my vision of things as well as my way of interacting with my direct environment, among others), so even if I am not specifically one of those who think that each things / works finds a particular echo and a deep meaning in certain parts of our life, I find that this piece perfectly describes these thoughts there, deeply. It is even disturbing. So much so that one could really interpret this piece as a sound metaphor of these thoughts.

47- We Have Crossed The Point Of No Return

47 - Caesura

Good Mix

24sep21.2

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Peaceful Night Under The Full Moon

Night Note

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