Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

all submissions

haiku #569: Resplendent the kite soaring up above the shanty town

Secondo incontro con il brano di Marco Lucchi.
Cambio di metodologia: pezzo essenzialmente strumentale, con un continuo contrappunto al fluire del piano di Marco.

Strumentazione:

1) Contrabasso. Con arcata ampia e sostenuta, ideale bordone per la partitura sovrastante.
2) Calimba (molto riverberata) e mellotron. Sono i suoni armonico/percussivi che fanno da contrappunto costante al pianoforte principale.

Ideale allegoria di un passare nel chiaroscuro della luce, nella natura pura e incontaminata.



Paloma: 2009 - 13 10 2024. 
Vale.

13.10.2024  (R/R "soliloquy" by Marco Lucchi)

I couln't resist adding a stadium rock guitar, drums and a funkbass to Pachelbel's great chords!

Pachelbel disturbed

Many thanks to Timothy McGuire who added his beautiful orchestration to my piano composition, "Come Take My Hand". It is always a pleasure working with Timothy and to hear more of his incredible work, you can visit his SoundCloud page by clicking here: @tim_mcguire

Come Take My Hand (feat. Fr. Harris)

ça annonce quelque chose dans ce monde

method: time stretching, panning, eqing and all that was involved, mostly based on bass guitar shredding 
narration: early Agartha, when only cave bears roamed the caverns ;-)
image: copyright jo richter

poem / copyright jo richter:

folge  der fährte
in die tiefen der erde

kienharzgebärde
in den tiefen der erde

hangockerpferde
in den tiefen der erde

lautlos zur herde
aus den tiefen der erde

verstörte, verklärte
in den tiefen der erde

interlinear  translation: deep, deep down // follow the trail / into the deep earth // kindling gesture / deep down in the ground // ocre slope horses / deep down in the ground // stalking the herds / from the deep earth // lunatics, saints / deep down in the ground //

in den tiefen der erde

Still exploring the wonders of my favourite new instrument ... All the sounds you hear in this haiku realisation are from Sumu ... Somewhere along the line there's a wooden gate and a marimba inside that extraordinary plugin to create this soundscape ...!

Resplendent
the kite soaring up above
the shanty town

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Haiku by Kobayashi Issa: http://haikuguy.com/issa/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF resplendenT [naviarhaiku569]

Recorded, mixed & mastered 27 Nov 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

This piece is a section of a longer generative improvisation. Using a patch I created earlier in the evening on Arturia Prophet V3 in the VS mode, I started in Bitwig with a few sequenced notes, Nitwig’s own random elements, CodeFN42 RandArp & iZotope’s Neoverb. I chose a small section to replicate across four tracks in Ableton Live and committed some variation with Live’s native devices and some other iZotope plugins. 

This original version of "Ion Exchange & Found" was submitted as part of Naviar Haiku 569, Resplendent. 

Resplendent
the kite soaring up above
the shanty town

by: Kobayashi Issa

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. 

Art/photography by Jim Lemanowicz, 07 Nov 2009, Massapequa, NY, USA
©2024 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

Ion Exchange & Found  (naviarhaiku569)

This track was created for the Naviar Haiku group.
569
https://www.naviarrecords.com/naviarhaiku569-resplendent/

2024-11-28

resplendent  ( Naviarhaiku 569 )

Partially inspired by „Besnilo” (Rabies), a novel by Borislav Pekić. „Partially inspired” means that I had been reading this novel at the time I started noodlin' with this. Also, it may probably refer to my own rabidness which... don't know what stage I'm in... haven't started to bite people or disgust water yet... yet.

Stage 1 - Incubation

An electronic composition, original sounds created in Pure Data.

Soaring (naviarhaiku569)

Inspired by Naviar Haiku 569:
https://www.naviarrecords.com/naviarhaiku569-resplendent/
Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (Wyoming, USA, 2017)


the shanty town - Naviarhaiku569

- Picture -
Artist Picture. Unknown (Sorry)
Art Cover Editor. Shyntwirl
Colorist. Shyntwirl
Lightning. Shyntwirl 

- Music & Sounds -
Composer. Shyntwirl
Produccer. Shyntwirl
Programmer. Shyntwirl
Background Synthesizer. Shyntwirl
Background Bass. Shyntwirl
Background. Keyboard
Water Sounds. Shyntwirl
Drops Sounds. Shyntwirl
Glide. Shyntwirl
Depth. Shyntwirl
Reverb & Echo. Shyntwirl
Equalizers. Shyntwirl
Mini Kicks. Shyntwirl
Background Textures. Shyntwirl

Ambient / Atmosphere / Nature / Relaxation / Water / Drops / Reverb & Echo / Meditation / Lullaby / Textures

PROD. Shyntwirl

Shyntwirl - Fountain (PROD. Shyntwirl)

Snow

Who's the self to whom
We give our hearts and souls? Now,
That's the key question

::

Original music & haiku poetry by Bob Weathers

To Whom We Give

When I happened to say ,  OK then !

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

resplendent ( Naviarhaiku 569 )

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