haiku #620: some starlight / spared from being scooped up / four-handed net

æfenlīc

BEEP Episode 31 Sach Motee and Troy Allan at Music Image Time

Dark Beauty

Dark Cold Beauty

Autumn hiding in a hedgerow.

Live jam: four overdubs of Soma Labs’ unruly ‘organismic synthesiser’ via Zoom L6 mixer/interface into AUM on iPad. Alteza reverb, no other fx or instruments used. Was it good for you?

From A Lyra 8

Voix Nouvelles Academy – Fondation Royaumont – 
Sound  recording : Caroline Christiaens.

Poem: Fabienne Raphoz, Terre sentinelle

Ensemble Orbis:
Fanny Martin    flute
Yui Sakagoshi  saxophone
Lisa Heute        accordion
Louis Quiles      percussion    

Singers:
Clara Barbier Serrano
Lou Thomas
Lucile Bailly-Gourevitch
Emmanuelle Jakubek
Virgile Pellerin
Vanessa Guinadi

teinte du reste

You can purchase on bandcamp, if you want.
https://s-sujin.bandcamp.com/track/kq-on-the-mountain

Rec on 09/14/2025

"kq" on the mountain

Decent Sampler Felt & Fog | Unheimisch, Felt & Fog | Passing Thoughts, Felt & Fog | Hoffmann Felted and Singing Bowl all played by Piano Motifs.

SWAN Cello all played by me with GeoShred.


#345 Lazy, ponderous, gentle sounds

cranes | Album CRANES

Little song for Kinsha haiku:
"Some starlight
spared from being scooped up
four-handed net."

The title “Llum recollida amb les mans" in my island language is like "Light gathered in the hands” trying to evoke the image of the haiku where light is harvested with a single gesture, as if it were a living substance. The literal translation of haiku takes on another meaning, and the words must be changed so that they have the same poetic meaning.

Llum recollida amb les mans(naviarhaiku620)

This track was created for the Naviar Haiku group.
620
https://www.naviarrecords.com/naviarhaiku620-some-starlight/

2025-11-19

some starlight (Naviarhaiku 620)

20Nov25
https://naviarlab.tumblr.com/post/800654862684717056/naviarhaiku620-some-starlight
😊

some starlight [naviarhaiku620]

This one started as a simple electric-guitar-and-bass progression, just a rough idea that wasn’t really going anywhere. This week I expanded it with several synth layers and some floating eBow lines.
Funny enough, the little gimmick in the middle section ended up giving the track its shape — a kind of slow, climatic crescendo that finally brought it to life.

I re-recorded that line as an intro today. The whole track is still a floating, meandering, blurry ambient groove, but there’s a certain beauty in that haze.

Inspired by this naviarhaiku620 poem:

some starlight
spared from being scooped up
four-handed net


Haiku by Kinsha
Picture by NASA


Some Starlight - naviarhaiku620

made for the naviar haiku challenge #620: https://www.naviarrecords.com/naviarhaiku620-some-starlight/

fishing at night (naviarhaiku620)

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

some starlight (Naviarhaiku 620)

Night Note

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