A perfect expression of this haiku, in music.

all submissions

haiku #552: Stretching ahead - / the straight road, / loneliness.

Improvised song on my old Yamaha keyboard through a guitar effects pedal.  The coolest part of this song is the unintentional recorded feedback matched up with what I was playing.

Standard

Ambient with...
Safari pedals:Camel Strip,LadyBug Reverb,Flamingo Verb
TBTECH:TapeSAI,USRackAI,
Soft Synth:Plasmonic 
and My Violin

Enjoy!

Time And Tears -Ambient (Safari pedals and Three body TEC new plugin test)

The SoundCloud algorithm doesn't class this as 'music' so refuses to recommend it to potentially interested listeners lol! See what you think ...

Stretching ahead -
the straight road,
loneliness.

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.
 
Haiku by Santoka Taneda: https://www.chzc.org/Nonin.htm

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF aheaD [naviarhaiku552]

This track was created for the Naviar Haiku group.
552
https://www.naviarrecords.com/naviarhaiku552-stretching-ahead/

2024-08-01

Stretching Ahead - ( Naviarhaiku 552)

An electronic composition, sounds created in Pure Data.

The Road to Loneliness (naviarhaiku552)

Vocal snippets transformed with Gauss and SpaceFields in iOS.

Strange Monologue [ naviarhaiku552 ]

OtroCero

HAIKU MUSIC CHALLENGE

Naviarhaiku 552

Stretching ahead -
the straight road,
loneliness.

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.
 
Haiku by Santoka Taneda

Picture by Devin Justesen

Submission deadline: 7th August 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Loneliness

Loneliness (naviarhaiku552)

Recorded, mixed & mastered 02/03 Aug 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

Process notes

On 02 Aug, I recorded Polysynth in Bitwig for 20 minutes after building an interesting modulation system. 

In the very early hours of 03 Aug, I recorded a Eurorack modular performance for 14 minutes.

This piece uses short sections of both along as re-imagined in Ableton Live. 

Tools used - Bitwig, Bitwig Polysynth, Eurorack modules (Nonlinear Circuits Dos Osc, O_c, Temps Utiles, Braids, Behringer Abacus & Neutron), Zoom H6, Ableton Live & native devices.

This original version of "This Body Is Not Dry" was submitted as part of Naviar Haiku 552, Stretching Ahead.

Stretching ahead -
the straight road,
loneliness.

by: Santoka Taneda

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of *sabi* (solitude) in order to achieve spiritual enlightenment and serenity.

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

This Body Is Not Dry  (naviarhaiku552)

2024-10-03

NLS - 2024 - 10 - 03   The Sun Is Slowly Going Down

Original Score inspired by the Dan Hanks novel The way up is Death

It’s here.

The Crossing

Daydream (version soundtrack)

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Stretching Ahead - ( Naviarhaiku 552)

Night Note

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