From the album “Annual”
https://moodexhibit.bandcamp.com/album/annual

Mood Exhibit - Song for The Decorous

"Dance track for the unmoving"

Music by Stu King
Korg Monologue synth
AudioKit Synth One
Hologram Microcosm
Phase (Small Stone)
Digital Delay (Timeline)
Reverb (Big Sky)
Gretsch Streamliner
Mixed in Cubase

Frozen Regard

Frozen Regard (naviarhaiku534)

This is the first track to be credited to my latest alias, Occam's Raygun, the alter ego I plan to use for strictly modular synth work. This piece showcases the Moog Mavis module for both the drum and melody line patches.

Occam's Raygun - Cannon Fodder

This track was created for the Naviar Haiku group.
536
https://www.naviarrecords.com/naviarhaiku536-tall-wide-arching-trees/

2024-04-12

Tall, wide-arching trees  (Naviarhaiku 536 )

Until darkness falls [naviarhaiku #536]

14Apr24

My naviarhaiku536 track; 
https://www.naviarrecords.com/naviarhaiku536-tall-wide-arching-trees/
:D

Until darkness falls [naviarhaiku536]

Mesmo “Absence and Presence”
Text: James Joyce

Voices:
Leopold Bloom – Ronnie Walsh
Stephen Dedalus – Patrick Dawson

The works Inflowoc, Accraol, Janesem, Rivlinone, Mergerime and Pippinur employ samples from the James Joyce “Ulysses” broadcast which occurred on Bloomsday 1982 when the Irish state broadcaster, RTÉ Radio, transmitted an uninterrupted 30-hour dramatized radio performance, by 33 actors of the RTÉ Players, of the entire text of James Joyce's epic 1922 novel, “Ulysses”, to commemorate the centenary of the author's birth (born 2 February 1882).

See: https://archive.org/details/Ulysses-Audiobook-Merged/

05 Rivlinone Minteve

Our volition is limiting most of the time, because it forces us into habitual emotional paths and musical patterns. Mechanical improvisation can be used to counteract this volition.

Made with Synthstrom Deluge.

More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at https://disquiet.com/0651/

Devolitionix 66mg (disquiet0651)

More on the 654th weekly Disquiet Junto project, Just Notation — The Assignment: Interpret a graphic score by Franziska Baumann — at https://disquiet.com/0654/ 2

The Spirit Of The Thing Itself (disquiet0654)

Lasco - INTRO Pensée 2

a new track for the incoming album: Ghost Writers.

work in progress

èṡili eṡìlii (part.II)

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Tall, wide-arching trees (Naviarhaiku 536 )

Night Note

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