Paul Amlehn - Text for Sung Vocal, Sung Vocal, Editing, Mixing, Arranging, Production
Dieter Moebius - Sampling of Radio Voices, Vocal Effects, Synthesizer
Jim Morrison - Poetry, Spoken Word Vocal
John Haeny - Sound Engineer for Jim Morrison Recording
Eraldo Bernocchi - Vocal Treatments and Effects for Sung Vocal, Synthesizer
Jeff Zeigler - Cello, Electronics
Mick Rossi - Piano
David Lynch - Visual Art

Or Looking the Sea

From the bandcamp re-release: https://martinhoogeboom.bandcamp.com/album/deconstruction
Mixed & mastered by Theo Calis.

Deconstruction

Deconstruction II

Modulators, arpeggiator. Straight to cassette.

(1992) Fear

Recorded live on April, 25th, 2024 
CRR de Paris

Ruben Mattia Santorsa, electric guitar

Ensemble 2e2m
Léo Margue, dir.

Natura Electrica

Oddity

a motorola duet

Feature-Reel here: www.instagram.com/reel/C9GOZJ_ABse/

There is a certain beauty in additive synthesis. I can compute it with my early-8-Bit-Synthesizer, powered by an 68000 Motorola.

Working from zero frequency, there is an early starting point, when the algorithm takes over the numbers, the frequencies and delivers a sonic representation of their calculations. 

To us, there seems to be life in this. Especially, when imagining, that this only sound, could be calculated one time.

So, I did the same as the Fairlight and took the first approach of my improvised playing. I reduced the takes to only 1 – no retakes, no overdubs, no midi.

A kind of a duet concerning both singular attempts and open outcomes.

Due to computing times of about 5 seconds in between the – nearly not hearable – changes of sound, I had to place 2 little cuts.

Why compute? Maybe because it opens an untold gate to a special resonance and understanding a little about ourselves.

+++
More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at Disquiet Junto Project 0651: Why Compute? – Disquiet

a motorola impromptu (disquiet0651)

September 8, 2024
graphic by Thomas Sander

UNCONFIRMED

Future (2021) Anthology CD4 Track 09

2024-10-06

The Eruption Was Followed By A Calm Lava Flow

Could be the leading words to any good country song:  "Girl you remind me of a field full of roses with a fishin hole out back... "

field full of roses_2

Dark ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT - IN TENEBRIS

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

The Eruption Was Followed By A Calm Lava Flow

Night Note

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