Herr Irrtum of Radio Irrtum (https://www.elektrische-lasagne.de/radioIrrtum/ ) wrote: 
"Wow! Just wow!
Just listened to it through the speakers of my phone – so I may only got half of it for now – but it's so impressive already.
I get associations with retro sci-fi movies in strange colors. Maybe because some overtone harmonics remind me on old Wurlitzer-style 50s organs (with hefty tremolo ;) ), as if I'm caught in a neverending beaming process, while Scotty is stoned.
What I also like is the restless pace - this constant movement makes it "gripping" almost.

This is not the 7692th piece of music that typically comes out, when someone makes experimental electronics. This is super refreshing with it's very own character. And with birds, I might add (!).
Super nice!!" 

Thanks for your kind feedback, Herr Irrtum!   :-D

DryStorm 9 is the original soundtrack of an experimental video with hand drawn animation. The whole work can be watched here: https://www.youtube.com/watch?v=HCfMpKSHHeQ

DryStorm9

Ken- Bass 
 Colin - Drums 
Paul - Guitar, Keyboard
Fiona - Vocal

The Nature Anthem

The Cedar Ballad is my latest sonopoem written in the form of a quatrain ballad, which is an old traditional form of verse.

It is accompanied by multiple tracks of field recording I took in Fez,Morocco this year and that I mixed to create a story. 
It offers sounds from the Medina, the local tannery, the looming and dyeing processes, kids and kittens, the Cedar Forest in the Middle Atlas.

Field recording taken in Fez (Morocco), 2024
pic: Cedar Forest, Middle Atlas, Morocco


'Clink, scratch and clank
the din of the cedar ballad
Creep, creep along the roach
they tether the mule to the cedar trunk

Dyed and enamelled the belongings 
of the cedar ballad
Meow, meow the kittens meow
in the streets of the cobalt city

À bientôt, au revoir the kids wave
in the streets of the cobalt city
The latch at the door in the Dar
praying to the cedar ballad 

Walking, walking in the cedar wood
awestruck the cedars of the cedar ballad
walking, walking in the cedar wood
stack up the wood of the cedar wood

Cedars, cedars, etched
the wounds of the cedar ballad
Cedars, cedars, aloft 
the heights of the cedar ballad


Clic, scratch e clac
il baccano della ballata dei cedri
Striscia, striscia la blatta
legano il mulo al tronco del cedro

Tinti e smaltati gli averi
della ballata dei cedri
Miao, miao miagolano i gattini
per le strade della città di cobalto

À bientôt, au revoir salutano i bambini
per le strade della città di cobalto
Il chiavistello alla porta nella Dar
pregare la ballata dei cedri

Cammina, cammina nel bosco di cedri
come rapiti i cedri della ballata dei cedri
Cammina, cammina nel bosco di cedri
accatasta il legno del bosco di cedri

Cedri, cedri, intagliati
le ferite della ballata dei cedri
Cedri, cedri, lassù
le altezze della ballata dei cedri'

The Cedar Ballad

opus automatum (part 1) is based on a 16-track recording from the Serge modular system. The entire recording was edited with the focus on preserving the original analog timbre of this unique synthesizer

opus automatum (part 1) is the first piece in a five-part collection of generative compositions. 
I dedicate this recording to the passionate musician, composer and philosopher Klaus Weinhold.

opus automatum

opus automatum - part 1

a possibility fading_03

2024-0924

Sleeping City

2024-10-06

The Eruption Was Followed By A Calm Lava Flow

Grasping at the intangible

Immerse your audience in the chilling solitude of a world undone with 8 haunting tracks from the Plagued Earth - Survival Music Collection.

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7 - Phat Phrog Studio - Plagued Earth - Humanitys Remnants

A knife in the back

Timeless Void

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

The Eruption Was Followed By A Calm Lava Flow

Night Note

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