I love your Naviar Haiku pieces, Milan - this is beautiful ♥

Deadline: 15th June 2022

All submissions to Haiku 440:
https://www.naviarrecords.com/2022/06/08/naviarhaiku440-the-sixth-month/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-ushttps://www.naviarrecords.com/2022/06/08/naviarhaiku440-the-sixth-month/

haiku #440: the sixth month – / with clouds laid on its summit / Mount-Arashi

Hunted by the Unseen

This track was created for the Naviar Haiku group.
440 week haiku
https://www.naviarrecords.com/2022/06/08/naviarhaiku440-the-sixth-month/

2022-06-08

The Sixth Month  (Naviarhaiku 440)

Summit in Clouds (naviarhaiku440)

Music created for

NAVIAR HAIKU 440
"the sixth month –
with clouds laid on its summit
Mount-Arashi"

haiku by Matsuo Basho (Tr. Ueda Makoto) https://www.poetryfoundation.org/poets/basho

Cover by Nelson Brodon

Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com/about/naviar-haiku

Arashi Basho

Naviar Records

Nelson Brodon - Arashi Basho (NaviarHaiku 440)

Music in response to the Naviar Haiku Challenge 440.

This work is licensed under CC BY 4.0. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

With Clouds Laid On Its Summit (naviarhaiku440)

My naviarhaiku440 submission;

https://www.naviarrecords.com/2022/06/08/naviarhaiku440-the-sixth-month/

:D

with clouds laid on its summit [naviarhaiku440]

Ypten [part 2]

Ambient Bite 560

Studio composition by Anthony Cutrera Morales

Gluon

Once again I had the pleasure to write a new song with these very talented guys : Jimmy Rivas and Dairv Dubbleyew.
It started some months ago. I had an idea with a guitar riff and I asked Dairv if he would like to play it.  He did and delivered these mindblowing riffs and guitar solos
Then we suddenly had the foundation for the vocals.
Jimmy wrote these awesome powerful vocals and lyrics to complete the song. What a great singer he is!
Thanks to you Jimmy and Dave for this great collaboration!

Jimmy Rivas: Co.writer, vocals and lyrics https://soundcloud.com/j-rivas
Dairv Dubbleyew: Co.writer, guitars, Cover Art, mix and mastering https://soundcloud.com/dairv-dubbleyew
Torbjørn Vagle: Instrumental composition, Hammond organ, synths, bass and Drums

Mean Streets (Jimmy Rivas, Dairv Dubbleyew and Torbjørn Vagle)

Left Gently

Maybe I’m too deep 
in the pit
cause when the prayers that I’ve been sending 
finally reach the ears of heaven 
they’re too distorted in their distance from my lips

and I want to rest in peace 
and I’m forever this damn tired
from fighting off defeat 

Got me calling all the spirits near
to carry on my message 
pass it through for heaven’s ear
and I must find the strength 
to persevere 
thorns pressed upon my flesh 
chains with weights to slow my step 
and I’m 
acquainted with death 
just want to rest in peace 
seems I’m always this damn tired 
fighting off defeat 
yea
might be in too deep 
sending prayers from the pit 
vibrations reaching heaven 
distorted in the distance from my lips

The Distance From My Lips

Somewhere, something incredible is waiting to be known

Dive into a world teetering on the brink with "Outbreak Origins," a compelling collection of 10 meticulously crafted music tracks designed for survival video games. Each composition within this anthology encapsulates the haunting echoes of desolation, the unwavering pulse of hope, and the relentless grit necessary to endure against all odds.

"Outbreak Origins" carries players through the chilling breeze of abandoned ruins, the eerie silence of forsaken cities, and the heart-pounding dread of unseen dangers lurking in the shadows. Each track is a high-quality audio narrative, embodying the essence of survival amidst relentless adversity.

Crafted with a fine-tuned sense of atmosphere and emotive resonance, the music within "Outbreak Origins" is more than just a background score; it's the unseen companion of every survivor, the rhythmic heartbeat of persistence that propels players forward through each challenge thrown their way. With a blend of orchestral richness, ambient textures, and modern synth elements, this collection traverses a wide sonic spectrum, ensuring a deeply immersive experience for players.

Tailored for game developers and content creators, "Outbreak Origins" is a royalty-free treasure trove, ready to be seamlessly integrated into your projects. Its thematic resonance and auditory depth are engineered to enrich the narrative and atmospheric essence of your game, ensuring a harmonious marriage between visual and auditory storytelling.

Whether your game narrates a post-apocalyptic struggle, a harrowing journey through uncharted lands, or the desperate fight against an unseen menace, "Outbreak Origins" provides the sonic canvas to paint your narrative with shades of fear, hope, and the indomitable spirit of survival. Let the haunting melodies and resilient harmonies of "Plagued Bastion" escort your players through the harrowing yet exhilarating journey of survival that defines your game.

2 - Phat Phrog Studios - Outbreak Origins - Zombie Zest

(Mastered with Clear Sky at 50pct)
Nordic Mountains; Celm Glass Organ

Shadows

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

The Sixth Month (Naviarhaiku 440)

Night Note

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