GodKing MajorLucre - Wit A Bad Bitch ( Freestyle )

Track created using software on iPad:
AUM, BLEASS SampleWiz/Phase Mutant, GeoShred, Sugar Bytes Aparillo, iceWorks Lagrange, Rozeta LFO, Altispace2 by Igor Vasiliev, AudioDamage RoughRider 3/OtherDesertCities, rymdigare by Erik Sight, Bram Bos Kosmonaut, Imaginando DLYM, Pagefall Ioniarics, 
Mixed and mastered in Cubase 12 with Ozone 10
Photo by zenbytes (2020, Bretagne, France)

summer night transforms - Naviarhaiku 479

The call

This track was created for the Naviar Haiku group.
489
https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

2023-05-18

Dividing The Autumn Sky  ( Naviarhaiku 489 )

naviarhaiku490

The cold forest flaunts
A newly webbed blanket of
Wood anemones

Pritee Rel is a teacher living in Alberta, Canada, with her husband, two children, a dog, and a cat. Besides reading and writing, Pritee likes going on long walks/hikes with her dog.
Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 31st May 2023
Haiku by Pritee Rel
Picture by Annie Spratt

The Cold Forest Flaunts (naviarhaiku490)

Naviar Haiku 491
morning glow
buttercups flutter
at the forest’s edge

Catherine LoFrumento lives in Connecticut with her husband and fur babies. Her poetry has been featured or is forthcoming in various journals and anthologies including: Cattails, Modern Haiku, Frogpond, bottle rockets, Chrysanthemum, Hedgerow Journal, Three Line Poetry, and Poetry Quarterly. You can find more of her work on Twitter: @Catherin03 and on Instagram: @Poetrycatt

Morning at the Forest’s Edge

Morning at the Forest’s Edge (NaviarHaiku491)

Created on iPad with AUM and several AUv3 synths and effects.
Mixed in Cubase 12, mastered with Ozone 10.

Inspired by Naviar Haiku 493:
https://www.naviarrecords.com/2023/06/14/naviarhaiku493-desolate-street-at-dawn/

Photo by zenbytes (2021, Baudinard-sur-Verdon, Provence, France)

desolate street - Naviarhaiku 493

2023-06-21

The Story Of Salvör

I watched Glastonbury with old legends like Elton, Cat Stevens, Blondie and The Pretenders etc. who all showed they can still rock the place in their 70s!! Amazing! Hats off to all!!

Here's a track in the "Brit" style and tradition and it gave me an excuse to give my guitars and voice a bit of an airing :)

Writer's Block

bird polyphony
– treble, alto, tenor, bass,
Spring meadow concert

Raymond Cobley is an experimental composer and regular participant in our Haiku challenge. Now retired, Raymond aims to explore the possibilities afforded by open-source software, which he uses exclusively for creating and editing both sounds & images. All his works are published ​under a Creative Commons licence, and free for anybody to download or remix.

Artwork by Jackie McMaster

spring meadow concert [naviarhaiku495]

Credit roll-2023

A slow interconnect rule returns a new collection

rytbeat

A Steak Hat Hovers over a Red Mist

Bill Boethius: Ibanez Gax70 guitar with bottleneck and EBow

Performed, composed and produced by Bill Boethius Osborn

Steak Hat

Thought I Heard My Name

ETHEREAL AMBIENT SOUNDSCAPES INSPIRED BY GAME OF THRONES AND THE  LORD OF THE RINGS AND MANY OTHERS. RELAX, ENJOY AND DRIFT AWAY.

CTHULHU MYTHOS - HYPERBOREA

A live stochastic experiment 
with four Crumar Spirit synthesisers,
from http://cherryaudio.com

Cosmic Spirit

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

The Story Of Salvör

Night Note

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