First song I am posting in 2024!

This is what I wrote in 2013 when I first thought about posting Nothing But (The Sound) but decided to take it down from the cloud short after. 

"Nothing But (The Sound)" is Plastic Inevitable's first song since 2011! Plastic Inevitable is Marty Procaccio, AKA Blankets, working the sound and Sneekie San Salvador tweaking the sound. The recording for this song began in 2011 in the bedroom recording studio of Marty in Santa Clara California using GarageBand and a whole bunch of pedals. The song was completed in 2013 with vocals recorded in Sneekie San Salvador's mobile Toyota recording unit.

Now it is 11 years later...

I am amazed that I found the vocal stems. I had to look though an old hard drive to find them. I did not feel like digging through more old hard drives for the original track stems. Big thanks to Russell for taking the time to mix the vocals and master the track. I told Russell, when I mixed the original instrumental I was listening to a lot of shitgaze bands at the time. 

May you find many gems when you dig into your past. 

Track Credits:
Blankets: Bass, guitars, and vocals
https://soundcloud.com/allergeist
Couch King: Original instrumental track mix, production, samples, lyrics, and vocals
https://musiciselation.bandcamp.com
Russell Sinfield: Vocal mix and final master
https://soundcloud.com/russell-sinfield
https://soundcloud.com/the-exe-stencilists
The Chaos Cookhouse: Studio
https://chaoscookhouse.bandcamp.com

Lyrics: 

Chorus:
Sitting in my car
Windows rolled down
Feet out the window
Nothing but the sound
Of my favorite song

Capture me a distraction
And season it with your bliss
To steal my dissatisfaction 
And feed my mind but a moment
Of happiness 

Chorus

Capture me a distraction
And season it with your bliss
To steal my dissatisfaction 
And feed my mind but a moment

Chorus  

In this moment
There is an infinite 
Amount of things
Happening
In this moment
I have loved you
Infinitely 
Again and again
In this moment 
I am yours
Forever with me
My forever friend
In this moment 
I sing with you
Every song 
That was ever made

Nothing But (The Sound)

Blankets and the Couch King with Russ Sinfield - Nothing But (The Sound)

Calm and Peaceful

🌌🎆🎪🎆  Welcome to the Freak Show ,speaking for myself ,I invite you to step right up to a Scribes of Avalon Collaboration with an awesome group called ' Mind Watching Your Elbows'....they have a very unique style and kick off Codex Scrolls Beat with a style that along with the sounds ,took my foggy mind to a Parallel Reality ,as usual!🔮  

In this reality, it's the 80s ,the world felt more free , everything was more Raw, from the wilderness that was still existing ,to the cities, towns ,strange places
....and in my imaginings and memories it felt like the carnival ,exciting but with sinister feels,it smelt of popcorn🍿 fireworks n sulphur for other reasons!🎆🎇🔥...gun oil and petrol 🏍as my family hung about with bikers and always had trouble not far away...it was like the wild west!  
🌵☠️
But this was written around the time of Corona.I was still recovering from some serious Wing clipping shit...so it's not my best verse but fuck it , it was nice to feel a difrent vibe again and work with these awesome artists.

Check out Mind Watching Your Elbow on #SoundCloud
https://on.soundcloud.com/jpLLq

Beat by:
 Codex Scrolls 
Intro verses by :
Mind Watching Your Elbows
2nd Verse: 
Codex Scrolls 
3rd Verse : Me 

Lyrics :

Welcome to the Freek show 
Step right when u step up
Carnival cook ya meet slow 
N Death lightin ur best tux
Cannibal took ur knees  toes
Heads shoulders  messed up
Scribes mind watchin ya elbows
knuckles whopper pop aNose 
on fake faces and melt those 
In big topper tents stretched up
Lights hooked up wi nice glow
But cnt stop alota tense sense stuck 
Inside despite a sweet smell grow
Candy floss n sights of the rides 
Coz standin off to a side hell shows
In the form of Avalons knights 
Not just as Scribes or no side show
But as one monster of the night 
Uniformed at times u n I know 
Lifes Helta Skelta  delt a blow 
Corona game over less ur land owner 
mad grands ta hand drove a land rover 
No owin loans n groans in hand over 
I Stand alone a loner the crowd a loada 
Clone ass fukin loud mouth boners 
Known as Posers Provoke us ogres 
Drag em down to our Clown house hopeless Un noticed 
Bag of lime decomposes
oderless after a time with hot fire pokers 


Circuit Boards

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more.

Flashing My Vagina At Koalas features the following artists:
Ambient Annie - Electronica
Ariad Music - Piano
Belial Pelgrim - Digital Strings
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dane Renshaw - Drums
Frank Wilke - French Horn
Hakan - Moog Voyager XL
Hverheij- Voice 
Johnny Python- Rocking Outro
Paolo D’Emilio - Electronica
Paul Miller - Keyboards
Sarah Megahertz - Speedway Noise
Scratch Kelly - Electronica 
Ten Atmospheres - Field Recordings/Synths
Thomas Bergheim - Electric Guitar
Tobias Schmitt - Processed Organ 
Widar’s Spiritual Front - Ms Pacman Slasher Sounds
Zanshin - Processed Drums

Mat Ward - Arrangement/Noise/Voice

Then She Reaches For The Gun - Flashing My Vagina At Koalas

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Top T Classic
 electric wah guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano, tambourine, and triangle
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass

This song started as a basic, yet melodically very strong composition by Terry involving him playing a synthesizer over a beat he created. He first shared it with Stephen, as they are regular collaborators in their project, Texas Tea, which are worth checking out on both of their pages, as well. Stephen then turned it over the the Eclectic Collective to work our magic on it.
  Josh was first up to the plate with this one, adding his deep, five string fretless bass to Terry's rudimentary beat. Ken was next up, however, adding the driving drum beat you hear, for which he used Terry's beat as a template and augmented a full kit sound to it. Stephen followed Ken, adding his striking wah guitar part to the whole thing. Tez was up soon after with his searing guitar soloing towards the end. Last, but certainly not least, JJ added the soulful electric piano you hear giving it a funk throughout, as well as the tambourine and the cool triangle dings. 
  Now that it was in the bag, we decided to ask Stephen to produce and mix it for us, which he did in his typical expert fashion, as well as the doing the mastering, too. However, Tez also did a production and mix that some of us are choosing to use instead, as a matter of taste, not quality. That is the one you'll find on my page.
  This is our holiday offering to all our fans, friends, colleagues, and peers. While it's not particularly a holiday song, it's a good display of where we are musically, and shows some of the flavour we want to add in the new year. We hope you enjoy listening to this as much as we enjoyed creating it. Happy holidays to you, and many happy returns!

Tree Tops - The Eclectic Collective with Tea R. Sea

Fibreglow

2025-02-19

The Surface Is Slowly Freezing.

A score filled with the choir, pizz strings, and tubular bells with the organ drawing us near at the end.

For All Creation

432 Hz - Universal Blueprint

Un soir a Viterbo

Scourie

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

The Surface Is Slowly Freezing.

Night Note

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