All submissions to Haiku 351:

https://www.naviarrecords.com/2020/09/30/naviarhaiku352-the-surface-of-the-water/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #352: the surface of the water / like ornate silk / spring rain

drifting (slowed  & reverb)

Deep Sleep Twenty Nine

Neon Nocturne

16Mar20

Mike Brosco very kindly supplied me with a most excellent base guitar track and gave me permission to experiment with it (thanks Mike).
https://soundcloud.com/brosco
This is experiment #1
:D

Partaker of the five-fold mystery 1 [Brosco / Boson Spin Collab]

Are you sure about hitting it with a hammer?

Lost track from https://youtu.be/mZV5ArTzThw

The Ipatiev House

tank drum,guitar and voice
deep man production
tchabouliken,,,
https://tchabouliken.be/

texte,,,
trop de déchets sur cette planète terre,
trop d immeuble noir,qui encombre la nuance de la couleur poétique,
de tout ces paysages bucoliques
trop d'excès pour oublier,
consommation,et la pollution,camoufle le bruit du vent
une vibration,un siflement dans la lumière nous fait voyager pour enfin aimer a l'unisson,une note nous y emmenera,sur tchabouliken,,,tchaboulik,
il faut de la magie dans l'air,plutôt que le tonnerre,
il faut que le rythme sorte de terre,pour évité de faire la guerre
une mélodie sort d'une émotion,pour que l'on aime enfin a l'unisson,,

deep man

Tchabouliken

This track was created for the Naviar Haiku group.
352 week haiku
naviarlab.tumblr.com/

2020-10-01

the Surface Of The Water ( Naviarhaiku 352 )

the surface of the water
like ornate silk
spring rain

Haiku by Ryōkan Taigu
Naviar Haiku 352
https://www.naviarrecords.com/about/naviar-haiku/

Surface Tension (naviarhaiku352)

Electric guitar
Bamboo flutes
Bowed upright bass
Composed and performed by DD

For this haiku:

the surface of the water
like ornate silk
spring rain

Poem by Ryōkan Taigu
Photo by Trevor Cole


@naviar-records

like silk (naviarhaiku352)

the surface of the water
like ornate silk
spring rain

haiku by Ryōkan Taigu https://artofwonder.org/2014/11/14/forgetting-the-moon-the-poetry-of-ryokan/

picture by Tim Mossholder https://unsplash.com/@timmossholder

For more information visit http://www.naviarrecords.com/about/naviar-haiku

forel thana

halF ornatE [naviarhaiku352]

2Oct20

My naviarhaiku352 submission
https://www.naviarrecords.com/2020/09/30/naviarhaiku352-the-surface-of-the-water/

the surface of the water
like ornate silk
spring rain

:D

Boson Spin - Spring Rain [naviarhaiku352]

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi -
Mastering: King Imagine (Alexey Mikryukov)

Vanessa Pettendorfer & Bruno Gussoni - respirer

1st Section: Bb Major
synthesizers performed by DD

2nd Section: A major/minor. 
Performed by
Flute (Bobby Rangell, Denver USA)
Percussion (Nico Arnicho, Montevideo Uruguay)
Fretless Bass, bowed basses drone (Daniel Diaz, Buenos Aires, Argentina)

Recorded circa 2007 in Paris, reworked and remixed Friday November 13th 2020.

Photo by Louis Maniquet 

For this challenge:
Step 1: Think about how a gradient functions, as one thing transitions into another.

Step 2: Make a short piece of music that aims to explore the idea of a gradient in sound.

As mentioned on a previous junto, lately, when I have time, I’m recycling old masters I got back this summer from a publisher deal, I have dozens of 10 or 15 years old tracks to re-listen, re-work and release or use at will.
For this junto I decided to do a gradient between two old tracks: one completely electronic (synths and treatments) and one acoustic (live in the studio performance with actual musicians and instruments)
It starts with the electro-drone song , and instead of just crossfading volumes between tracks I decided to make my own interpretation of gradient: the second song’s tracks start unmuting one by one, starting with the flute and some percussion, then bass, etc, while the first song’s tracks start fading or muting one by one.
To make things interested, the first song is in the key of Bb major, while the second plays around A major and A minor, so the long middle section of this track, where the mutation happens, is in two superimposed keys, providing dissonance and instability instead of the original track’s clear mood.

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…aking-the-gradient/

Two Memories Gradient (disquiet0463)

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi -
Mastering: Alexey Mikryukov

Vanessa Pettendorfer & Bruno Gussoni -  neiger à gros flocons

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

the Surface Of The Water ( Naviarhaiku 352 )

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