in peace and acceptance without ...,?>..<>,./";;

A song I love…

Paroles : Bernard Dimey - Musique : Henri Salvador
https://fr.wikipedia.org/wiki/Syracuse_(chanson)
- - - -
J'aimerais tant voir Syracuse
L'île de Pâques et Kairouan
Et les grands oiseaux qui s'amusent
À glisser l'aile sous le vent
Voir les jardins de Babylone
Et le palais du grand Lama
Rêver des amants de Vérone
Au sommet du Fuji-Yama
Voir le pays du matin calme
Aller pêcher au cormoran
Et m'enivrer de vin de palme
En écoutant chanter le vent
Avant que ma jeunesse s'use
Et que mes printemps soient partis
J'aimerais tant voir Syracuse
Pour m'en souvenir à Paris
Avant que ma jeunesse s'use
Et que mes printemps soient partis
J'aimerais tant voir Syracuse
Pour m'en souvenir à Paris

Syracuse

The Universe is Not Complete Without You

2021-05-07

thoughts

Solarity

BROKEN

something over

punk rock mailman

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

https://cosmicleaf.gr/releases/581/emotional-ambient
https://cosmicleaf.bandcamp.com/follow_me
https://www.patreon.com/cosmicleaf
https://cosmicleaf.gr/playlists
https://cosmicleaf.gr/tag/63/free-download/releases


Check our playlist:
Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient

Zero Cult - Northern Sun

This album emerges from the rediscovery of an accordion following the loss of a close relative an instrument that had been a constant companion throughout their life, weaving itself into the fabric of childhood memory. At its core lies the recognition that both human and
accordion share the same essential act: breathing.

The accordion becomes a meditation on mortality and memory, its bellows expanding and contracting like "lungs", its air valve releasing pure breath without melody—the raw pneumatic essence of life itself. Every sound originates from this single instrument, largely unprocessed, preserving the intimate relationship between human touch and mechanical response.

It’s an investigation of how an instrument can hold the memory of hands that no longer play it. The mechanical whispers, the subtle articulations of metal and leather and wood become a language of remembrance, breathed rather than spoken.

Bandcamp

Of a Distant Memory

Evolution occurs within its own timeframe and resists being hurried.  Often, when there are huge technological advances, it will take time for everyone to be comfortable and continue their own progress.  Is this what is going to happen with advances in AI?  Some argue that whole value systems will change — I think it depends on how deep those values are.  What do you think?

10 Sep 25 Subtle Tension

All things are possible for those who believe in magic.

woodspirit

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

thoughts

Night Note

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Bobby Nelson

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