Beautiful piece 😍 🙏 🍀 🎶 🎧 

Playlist for contemplation, chilling, meditating, closing your eyes and feel the vibes <3

2021 Contemplative Tunes

It's the Fourth ("IV") because this song has seen many permutations, and I've raided this pattern for bits of other tracks — like "Hope" on my last album. But it finally gets its due. I think it's about love or need or infatuation. Maybe even fear and admiration, but like, in a lightweight way.

Saturn IV

Simple Questions lyrics:
v1:
Saw her the other day
The most beautiful one
A girl I`ve not in my wildest dreams thought I`d ever meet

And so far I`m right
`Cause I didnt have the guts
To walk her up,and get in touch,asking some simple questions:

Chorus:
If she wanted to dance
If she wanted to talk
If she wanted a coffee,
or to go for a walk
If she could use a laugh,
or if she needed a shoulder
If she wanted to make this night one to remember when she grew older

v2:
Then again yesterday
I saw her in town
Looking ten times more beautiful than any of the other ones around

And then I thought,
If I was a `ladies man`,
I`d hit her up with small-talk and a smile, like only these guys can.

Chorus:
If she wanted to dance
If she wanted to talk
If she wanted a coffee,
or to go for a walk
If she could use a laugh,
or if she needed a shoulder
If she wanted to make this night one to remember when she grew older

v3:
But I`m not one of them,
So here I stand.
Watching her disappear while I`m disappointed with who I am...

-At least in my dreams.
she is coming towards me.
Making me retain my religious beliefs with just some simple questions:

Choirs:

If I wanted to dance
If I wanted to talk
If I wanted a coffee
or to go for a walk
If I could use a laugh
or if I needed a shoulder
If I wanted to make this night one to remember when I grew older

v4:

Then I wake up.
And find myself on my own
I brace myself for coffee as it is a bit draining having alone.

I check my phone for missed calls
although I know there are none
except for boosted coffee broken dreamers like me will always have a dry run.

`Closing`choirs:

yes this is me,
I will always be free.
this evil curse is my destiny.
I`m not much of a dancer.
nor am I a small talker
and I sure as hell wont be remembered when she grow older

Simple Questions

Some tracks write themselves when you need to express yourself... this is an example.

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Email: sylph.music.producer@gmail.com

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Just an older track I found that I made a while ago when I was alone and sick in bed ;_;

Sick in Bed

Chill track. Samples the Doves. Need some vocals

Bahn

Le lion misanthrope (Thème de Calypse)

One Tear Before Death

One Tear Before

Aftermaths

Concrete On Fire by Scyia feat. Gorgon Corpsus (Scyia's Spirit Of Aggression Remix)

A track from "Haunted Houses" album. Released by Laverna label. Digital copy is available for free download here: http://www.laverna.net/releases/Lav85.html

Composed, recorded and mixed by Alessandro Barbanera (march - july 2020)
Mastered by Francis M. Gri

"Haunted Houses" is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It's a work made of waiting, of grainy sounds and silences full of rustles. It's a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track "Sleepless"). Houses where memories crowd, layered memories that coexist with the present (the title-track "Haunted Houses" is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs...). And then there are presences such as those of literary characters, which can come to life in the mind while reading ("The death of Joe Christmas" is inspired by the restless and controversial character narrated by William Faulkner in "Light in August"). 
Even absences find space in the album, manifesting themselves in their impalpable distance (the piece "In Absence"), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track "Torture Room"), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, "redemption" and sincere change: the final tracks "Pure" and "Endless" try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it. 

"Haunted Houses" was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of "sound craftsmanship".

Haunted Houses

Sleepless

In September the trees shake their knees,
This is the sound
As they fall to the ground.

This track is from the album
https://peteswinton.bandcamp.com/album/im-the-god-who-sets-my-head-on-fire

The Echoes Of September Trees

Marco Lucchi : toy harp and Juno synthesizer

1 dicembre 2020

***

Our share of night to bear -
Our share of morning -
Our blank in bliss to fill,
Our blank in scorning -

Here a star, and there a star,
Some lose their way!
Here a mist - and there a mist -
Afterwards - Day!

Emily Dickinson

toy harp n°20 (+ Juno koto)

OneAmbient4 - Dreaming... Boson Spin Collaboration

2021-01-18

time between midnight and morning

and we go to sleep - nice dreams

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

João 𝗦𝘃𝗮𝘆𝗮𝗺, is a multi instrumentalist, music producer and yoga student / teacher. Connected with the term singer-songwriter but also diverse genres, such as music for meditation, electronic, trip-hop, ambient, free form music, and others.
Lover of nature, passionate world observer, into spiritual questioning and meditation practices.

☼ 
 Music is one of multiple ways of living fully, being whole and complete, immersed on the vastness of the world. At each music note we can redeem something more from our essence, spread it, echo it, give, receive and be. Svayam is a moment of meditation guided by sound, and it’s offered as an opportunity to be who we really are, to take from the inside what escapes our instant and automatic sensibility. João Sousa guides this voyage - personal, but collective - with a guitar, voice and bowls.
Each body touched by sound is a moment of unique love,
an inexhaustible source of energy. To create with sound is to open doors to the earth, to touch the water, feel the air and transform with fire… For a moment we understand the act of creation, we are that moment, undulating in the ethereal, taking off from matter. Each time Svayam happens, we connect profoundly with humankind, with life, with the cosmos. Let us be all and nothing, here and now, everyone and none.

time between midnight and morning

Night Note

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