Wonderfully exhausting! Big stuff! Helen :)

@letterfounder: Thank you very much . Also, I'm curious. So far, only my imagination loose. :-) Thanks a lot. Hi. Milan

@the-tired-horizon: Thank you very much . Mystery. Let us surprise. But it was a great inspiration to free ideas and imagination :-) Thanks. Hi. Milan

What a fantastic space journey Milan. Well done!!! :-)

I thought about something like this as a song title or idea too! I really like how this turned out...definitely has a mysterious atmosphere to it and brings great imagery to the mind

Allvaret

If you have leisure, think that you have none, lest you lack leisure when you desire it one day.

In German we call it "Nickerchen"...

Most of the time we dream most intensely when we have a short rest....
Nap
Han
Nokitsemine
Sieste
Дрімота

🤗

DRZEMKA

Dive in Chapter 4

Never Forget the Sea

mystery

picture NASA
http://www.universetoday.com/122865/whats-orbiting-kic-8462852-shattered-comet-or-alien-megastructure/

What´s Orbiting KIC 8462852

It's the bottom of the 9th... let's take home that trophy.  ,,,,,,  Home run!

A Big Victory

This new track comes from reflecting on some difficult personal issues yet feeling a deep sense of motivation to keep going and find my way through the fog.

Video: https://youtu.be/qppl-gaXknA

Bandcamp

Cosmic Balance

Elm Records compilation album. Waiting For Spring. Featuring artists Tone Color, Moss-covered Technology, Andrew Heath, Pepo Galan, James Osland, Mi Cosa de Resistance and Seabuckthorn.

Mastered by James E Armstrong

01. Tone Color - The Day Before Yesterday

The structure of Malakosha is based on a repetitive textile weave which, on each repetition, is proportionally augmented until it is 24 measures long. Melodic patterns and change within these patterns also follow the structure of the weaving pattern. The work takes its title from the pentatonic Indian raga on which the harmony and tonal range of the music is based. Each section expands by adding more notes to the repetitive melodic patterns. Over the course of the work the role of the "noisy patterns" develops: initially they are in the background and then gradually become part of a louder soundscape with the live instruments.

Performed by Royal Northern Sinfonia, conducted by James Weeks at  CoMA Festival of Contemporary Music for All on 6 March, 2020 at Sage Gateshead, Newcastle, UK.

Recorded by BBC Radio 3:
https://www.bbc.co.uk/sounds/play/live:bbc_radio_three

The work was commissioned by the international contemporary music festival ARS MUSICA (Belgium) and premiered by ENSEMBLE 21, conducted by Marc Collect on 29 November, Brussels.

Malakosha_Royal Northern Sinfonia (The Excerpt)

Kval

track 5 from “Prelude” by Dreone
https://dreone.bandcamp.com/album/prelude

Music by @Hilyard

Prelude

Dreone - Stellar Drift

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

What´s Orbiting KIC 8462852

Night Note

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