how beginning always ends to late without a case

What you write to Henry Is the thoughts of many this days. We fell down in a comfortsone and allow sadists and dictaors keep on doing their shit. We believe that all other's are as caring for peace as we are yet we all know that is not true. What you write about how Russia invaded your country in 1968 and how Hitler invaded Sudetenland is what this echoes from. As I'm originally from Finnmark and in my childhood and youth hd Russia as a neighbour we hoped the breakup of Sovjet ment a change for ever in Russia, but the last 10-15 years has shown the opposite. Unfortunatly this is hard to end without a confrontation between Russia and the ones who want the world to live in peace. Putin and Russia needs to be disabled to make war again. After this the world needs to sit down, we need to make systems and controlsystems to stop states from go to war agains each others, for any reason, Periode.

I hear the sadness and grief in your music. No one want this happen again. Let us remember that as composers we have a universal language and show the world that we have more in common than differences.

Ahoj Milane, ne moc často se tu na SC projevuji politicky, ale ve stínu posledních událostí nemůžu již mlčet. Hrůzy jež byly donedávna pouhou fantazií se mění v krutou realitu. Naprosto nesmyslný konflikt, který nebude mít vítězů ani poražených. Bohužel. Ukrajincům přeji hodně sil, jak fyzických tak hlavně psychických. Všichni kolem pomáhají jak nejlépe umí (finančně, oblečení, jídlo, krev). Teď už není čas na něco čekat. Kdy jindy pomoci když ne teď.. Zlu se musíme postavit, jinak se staneme jeho součástí. Pouze společně úsilí nás všech, dobrých lidí, povede ke změně. Jako jednotlivci můžeme ovlivnit naše vlastní rodiny. Rodiny mohou ovlivnit naše komunity a komunity pak celý národ. Začít ale musíme vždy u sebe. Čas na této planetě je to to nejcennější co máme. A možná, že už další šanci nedostaneme.

Jinak krásná skladba, zasněná, plná naděje. Úžasný počin. Přeji klidnou noc

fazendo o instrumental no magnifico vocal da minha grande amiga @specialececilia , "Childrem of the universe"... industrial form... drum bass style! intense flow

Save the Nature

Triumph Over Darkness ft. Special Cecilia

faraway monster

pict free web

A few years ago, I thought I would never have to return to this issue. Are we like humans, really the pinnacle of evolution? We are in the 21st century and there are still aggressors in the world who force everything by force and not by action. I am very sorry to have to return to the topic and question. As always, victims are ordinary people who are sacrificed as figures on the playing field. But this is the reality, no game and the victims are real, real people. Only the main players change over time. It's very sad. I don't want to philosophize here, I'm just an ordinary person who really doesn't want to ask the question - Human being - top of evolution?
https://soundcloud.com/mmastalka/human-being-top-of-evolution

2022-02-26

When Else Than Right Now

Combines the sound of a squeaky door hinge (https://freesound.org/s/119724/) and tearing paper (https://freesound.org/s/67786/)

Image credit: https://commons.wikimedia.org/wiki/File:Microstructure_of_a_stainless_steel_A961.jpg

Study For Steel And Paper

Raw March

Стриж

D-The Book of Tuesday

William Blake

Art by John Jorgenson

lyrics:
 well the concreted cracks and crumbles to ground 
 while time keeps on grinding the powder drips down
 below the soil line actively alkaline
 acting as soil lime efforts are undermined 
 chosen acidity not what you hoped it be
 frozen liquidity loss in fertility
 truly admittedly responded shittily
 the way that the city be how it  does weigh on me,

Assaulted by road salts 
the asphalt and known faults
 It's gasoline fires the burning of tires 
learning where liars are something deniers

Erosion everywhere don't let it get to you
 grasping at sand feeling it slipping through
 clasping your hands what are you praying too
 taking a stand land sinking under you
 gather the strands yet they are fraying more
Tie the loose ends It's not what you're paying for 
undue demands all that they have in store 
undoing plans What did I lay them for

Assaulted by road salts
the asphalt and known faults 
It's gasoline fires the burning of tires 
learning where liars are something deniers   	 

This cat doesn't trust even in what he see 
Things can combust, ashes blow out to sea
Aims for his plans execute flawlessly 
But when they don’t he operates honestly
will not stray from this chosen modality 
or retract claws from his grip on reality 
scratching the surface his whiskers are twitching fast 
feeling his purpose this mission is giving that

Assaulted by road salts
 the asphalt and known faults
 It's gasoline fires the burning of tires 
learning where liars are something deniers

Grasping At Sand w/ Rhombus Wescott

method: There was this poem I'd written. I asked Jeff (stonerjazz) whether he knew what it sounded like. Jeff returned a full-blown, elaborate acoustic ballad.  Mesmerizing! Just for fun and contrast , I weaved in some shoegaze. This is this song. Headphones are recommended. Thank you, https://soundcloud.com/user-911083679 !
narration: Basically, this is a second part to Vinyl Ventriloquist ("people are busy / completing first lines / ...."). People of similar age and interest will hear some allusions and few quotations. The working title 'amrita' refers to the Indian legend alluded to in the last verse. That milkmaid entered the poem via an idiom in my native language: Milchmädchenrechnung. 

poem / copyright jo richter:

the milkman who used to collect
and replace empty jars
a figment of folklore now
of pageants and rural farce

streamed into raw senses
tuned in to see to forget
there is nowhere to head to now
but right into your head

far away, some milkmaid counts
her hoard of subscription fees
to gather gem regalia
that match the icy queen‘s

and all around the watchtower
wild weeds rise and bloom
swirls of living, breathing colour
where feral painters roam

the mountain king bequeathes
fluid shards of liquid glass
to his river daughters
lunatics dwell on the grass

and orpheus, oh orpheus
sings and plays the lyre
while a tribe of nanobots
dances round the fire

out of their caves, a race
of intrepid homunculi swarm
to join the merry carnival
to feel the bliss, to risk the harm

milky oceans churned by gods
give birth to shapes and sounds
while mythical milkmen undetered
still make their morning rounds

Leave of absence - with stonerjazz

Chakra Karma Clearing Solfeggio Frequencies & Chakra Notes | 741Hz | 852Hz | 963Hz | 432Hz G A B

Triple solfeggio frequencies and deep chakra healing for Throat (Vishuddha), 3rd Eye (Ajna) and Crown (Sahasrara) energy centres wrapped in 432Hz music.

Thought and Voice are the places where we create karma which can lead to good or bad Actions. The Throat, 3rd Eye and Crown Chakras are the energy centres where stagnant negative karma can sit, and repeat old patterns. We also inherit ancestral karma that sits within these energy centres which can sometimes trouble us.

This music has been created to help support the healing process in clearing and rebalancing any negative stagnant energies sitting in your key chakra centres:

- Throat Chakra (741Hz) = Where we speak from the vocal 
- 3rd Eye (852Hz) & Crown Chakra (963Hz) = Where we think in the brain

You can listen to this anytime of the day, whether lying down or while you are working. However, for a powerful effect (according to Vedic science) listening to this during the following times will have an even more profound effect in the healing process:

- 1 1/2 hrs before sunset 
- During the Waving Moon phase (these are the 14 days leading up to the New Moon - after the Full Moon has passed)  
- On the 13th Moon phase days (Waxing & Waning)

The harmonies are tuned to 432Hz playing the notes G A B which relates to each chakra:

Throat = G
3rd Eye = A
Crown = B

Hope you enjoy it and find some relief and comfort in the sounds. For maximum experience, listen with headphones.

Instagram: @alchemictones
X: Alchemy Tones

Chakra Karma Clearing

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

When Else Than Right Now

Night Note

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