a short excerpt from " Riavvolti ( elegia for Alzheimer's disease )"

Echoes In Space

a work by Marco Lucchi reworked by Mean Flow
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here is the original composition
https://marcolucchi.bandcamp.com/album/le-je-ne-sais-quoi-et-le-presque-rien
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agosto 2023

Mean Flow & Marco Lucchi - Le Je-ne-sais-quoi et le Presque-rien

Untitled (19/09/23)

https://www.youtube.com/watch?v=HgLf-w215JQ
https://distrokid.com/hyperfollow/nozzlin/extraterrestrial

Extraterrestrial (free download)

Burial Chamber

2023-11-12

When The Clouds Came

Chimere

AMBIENT CINEMATIC LO-FI BEATS - FREE BEATS - FREEDL

Silent Orbit - Ambient Cinematic Lo-Fi

Atmospheric track recorded to cassette back in 1991 on an album of tracks called Elements of the Earth

Facebook - www.facebook.com/rabeanmusic
Instagram - www.instagram.com/rabeanmusic
Bandcamp - https://www.richardanthonybean.bandcamp.com
YouTube - www.youtube.com/channel/@richardanthonybean

Elements of the Earth

Elements of the Earth, Pt. 3

HD Download

Elements of the Earth Pt. 3 (1991 Demo)

Binary Orbital Dynamics is a graphic score composition exploring gravitational interaction between two orbiting bodies. Inspired by the physics of orbital mechanics, the piece renders dynamic relationships—proximity, mass disparity, velocity, eccentricity—as abstract visual forms. These images guide the performers in creating sound through interpretation rather than conventional notation. The work may be performed by one or more musicians, with or without electronics. In this version, a fixed audio track—created specifically for this performance and never before heard—acts as a gravitational counterpart, shaping the musical field like a second celestial body. The performers respond to the sonic environment not as accompaniment, but as a force: pulling, resisting, drifting, or converging, depending on the evolving context. Rather than following a fixed tempo or score order, the players navigate the piece as a kind of sonic orbit—interpreting each graphic relationship as a moment of interaction. When performed by two musicians, they may represent distinct bodies (A and B), each with their own trajectory and influence. Binary Orbital Dynamics was commissioned by Bowerbird in Philadelphia for the Arcana New Music Ensemble. Like much of Vidiksis’s work, it explores systems of interaction—between performer and environment, between structure and interpretation—using sound to investigate complex, often invisible forces that shape our experience. 

This track is a live concert recording from the Accademia Filarmonica Romana, Rome, Italy, July 2, 2025. 

Binary Orbital Mechanics (Rome.2025.07.02)

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

When The Clouds Came

Night Note