G-EAZY "Been On (Remix)" 
ft. Rockie Fresh & Tory Lanez

Produced by Christoph Andersson

http://G-Eazy.com

Been On (Remix) (Ft. Rockie Fresh & Tory Lanez)

Production - Follio
Vocals/Lyrics - Tyler Vivian

Follio - Use Lose & One ft. Tyler Vivian

L eTS.......     g  Et.........    wO   n K   y........ 

Free Download

Wonky

LYRICS

two am, friday night
another pointless fight

on your throne, all alone
please get off your phone

you agree to disagree
what do you want from me

two am high on pride
please don’t leave tonight

when i wake up in the morning, i’ll need you
when i’m tired in the evening, i’ll need you

all the times that you were right, i was blind so i would fight
all the times that i would cry, i wanted you to hold me tight

cause i need you

download (:

your diary

Fred V & Grafix
http://www.fredvandgrafix.com/  https://www.facebook.com/fredvgrafix 
https://twitter.com/fredvgrafix 
https://soundcloud.com/fredvgrafix 
http://instagram.com/fredvgrafix
Released by Hospital Records
http://hospitalrecords.com
http://www.facebook.com/Hospitalrecords
http://twitter.com/hospitalrecords
http://instagram.com/hospitalrecords

Artwork by Julian Faylona
http://fav.me/d5tx7up
https://society6.com/julianfaylona
https://www.facebook.com/ELEMENTJ21/

Download

Fred V & Grafix  Nearly There

Out Now! Beatport Exclusive http://bit.ly/ImGonedbs 

We've barely recovered from the sun-scorched assault of Technique's Summer 2016 album, and yet, already, there's more Drumsound & Bassline Smith material for us to get our ears around. Proving they've got too much fire for one label to contain, their recent excursions on Playaz and Function Records have been setting raves alight, and now they're back on their home turf. So, what have the Technique bosses cooked up for us this time?

First on the menu is “I'm Gone”. And this one isn't just a Tune with a capital T, it's also a Song with a capital S. Bully hasn't just provided a singalong hook, but a fully structured lyric which drives the track just as much as the relentless bassline. From the lighters-up intro through to the soar of the build to the solar-plexus strike of the drop, this is going to deliver everywhere from festival main stages to early-hours after-parties. No watering-down, no gentle chaser, just a neat shot of pure vocal drum and bass.

And then it's time to handle “The Truth”. The original hit hard when it dropped at the end of last year, but now Drumsound & Bassline Smith have unleashed the VIP and things have got even more serious. First of all, the intro has an extra level of cinematic sci-fi epicness, which perfectly sets us up for the additional brutality of the drop. The militantly staccato bass of the original is given a re-lick with more unpredictable twists and turns. This is one for selectors to pull out to ensure they keep the rave in the palm of their hand.

To put it simply, here are two dancefloor-wrecking heavyweight pieces from the ever-prolific DBS team. To put it even simpler, it's Drumsound & Bassline Smith, so what did you expect?


Tracklisting:

A. I'm Gone feat. Bully
AA. The Truth VIP


For interview requests and further information, contact:

info@techniquerecordings.co.uk


Drumsound & Bassline Smith - I'm Gone Feat Bully

Document One – Chasing Stars / Get Da Funk 
Beatport 9th Sept // All Stores 23rd Sept
All Stores: https://Technique.lnk.to/CStars
iTunes:http://smarturl.it/TECH139

To say that Document One “defy categorisation” wouldn't quite get across the whole truth. For one thing, it's a cliché, and to use a cliché to describe their brand of gritty, smoky, jazz-inspired, funk-infused dancefloor D&B just wouldn't be right. After all, they steer well away from cliché in their music, what with their expert melding of the light and the dark, the natural and the synthetic, the laid-back and the crowd-hyping. They've created their own category, and the two tracks on this release are here to stretch the limits of it a couple of notches further. “Chasing Stars” is the sound of effortlessness. 

Two different flavours of drum, the techy kick and snare plus the loose cymbals and fills, roll alongside each other in the intro. Meanwhile noodling keys and the eponymous vocal riff create a gentle head-nodding vibe. Then, without breaking a sweat, Document One call this casual jam-session to order, with a grimy bassline that weaves the whole track into a tightly-knit roller. This is dangerous rave material that you don't see coming. 

Then “Get Da Funk” goes one step more groovy. Yeah, groovy. That's the word for it. Horns and acoustic drums lay down the vibe, then a Motown-style vocal soars over the top to build things up. Then the drop gives us quintessential Document One, as bass and iron fist drums create a rhythmic combination with vocal and horn stabs that is absolutely irresistible. An ice-cool breakdown with added blues guitar gives the opportunity for even more hype in the second drop. 

These tracks could easily be onstage recordings from some ultra-slick band. The deftly expert programming doesn't detract from the feeling of live energy that Document One manage to get in their music. Like the best jazz or funk acts, it's the sound of accomplished technicians letting loose and having some fun. And while they're having fun, the ravers are too. This is D&B as only Document One do it.


Tracklisting: 
A. Chasing Stars 
AA. Get Da Funk 


Document One - Get Da Funk [Clip]

Pre-order the new album 'It Is What It Is', released 3 April on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Follio - Use Lose & One ft. Tyler Vivian

.FollioNZ.

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