Crystal 5

The latest contribution to the NaviarHaiku Challenge. Piano for four hands

Across the River (NaviarHaiku 385)

Across The River (NaviarHaiku385)

What a joy it was to play Pat's hand-built guitar in this series of improvisational musings.  This one is also in Drop D tuning drawing  inspiration from Fahey to Beethoven, but no inspiration more prominent than Pat himself in our friendship and collaborations.  As in the previous parts, only reverb was added to enhance the ambience of the guitar sound, no tonal filters were used.

For My Friend--Part 3 Miscellaneous Musings

Saturnian Song

Version live à la Barraque auprès du feu ^^
youtu.be/fP69ovvmteU

Saturnian song - Live version video in description

What happens if "Dust In the Wind" meets "Classical Gas"?  I sought to answer that profound question one morning when I was riffing on an A-minor chord and couldn't think of another way to describe this acoustic concoction. I couldn't think of a better name for it either, but seemed to have a "ballad" feel to it, either about a hero or villain, I'll let you decide, and maybe catch a "catnap" thinking about it:)

Ballad For Acoustic Guitar

Another Death a new Slave

minimalistic piano

https://industrial-1.bandcamp.com/track/h2

abstract

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Winter Came Suddenly

Electronic/acoustic piece. Piano, sax, granular synth, things.

Turning

This composition is a hommage to russian composer Mikael Tariverdiev

quiet music

Composed, arranged, performed, and produced by
Carlos Vivanco

Memories

Renacer

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out