Oxygen - vial 03

Twisted Remains

Check out more grazy stuff form the https://soundcloud.com/mrzoltn

Funking Duck Vs MrZøltN: Haloperidol For All (free download for CC BY-NC!)

Based on a live jam at muzieklab lebbeke. (https://soundcloud.com/expmu9280)

Drifting

Track four of this record: https://originalexistence.bandcamp.com/album/sublime-blunders-subliminal-aches
Produced by Gypsy and [original] Existence
Voice by [original] Existence
Cover art by [original] Existence

Sunbeam

Gypsy & [original] Existence "Sunbeam"

Voids

Listen to it on Spotify
https://open.spotify.com/album/2E6X695GfYjmAPAcSEo7mx

buy on bandcamp
https://tasss.bandcamp.com/

Artwork by
#Aleaf_art

Mrityunjaya

The battle for creative control between me and my Mo Sheen rages. Mo keeps saying he's the "Romulus in this relationship." 

Composed and performed by Admrial Krank.  Drums by Mo Sheen.

Romulus and Remus

A small sample of an Expanded Cinema Event performed as part of the Clarenece City Council's Winter Series 26/08/21. Was a top night. Official press blurb below and link lo live video footage and original film after that. : )

Discontinued Space: The Cinema of Maya Deren 
An Expanded Cinema Event 

Live at The Rosny Barn 26/08/21

Dani Kirby      Piano/Voice
Mat Ward       Bass/Intonarumori/Percussion     
Dylan Banks   Intonarumori

Maya Deren (1917 - 1961) is considered one of true pioneers of experimental film yet unlike many of the film makers she influenced ( Jean-Luc Godard, Stanley Kubrick, David Lynch) her work is rarely experienced outside of academic and film school environments. As part of Kirby and Ward’s continuing investigation into the important (and often overlooked) role of women in the history of Contemporary Art  Discontinued Space: The Cinema of Maya Deren will present several of Deren’s short movies with original live scores written by Kirby, Ward and Banks.

Deren employed a vast array of cinematic devices (looping, reversing, overlaying and time manipulation) to create vignettes that focused on graphic and kinetic form rather than straightforward narrative. Conceptually the work examines rhythm, isolation, social constructs, movement and ritual, all of which is underpinned by the notion of the inner world and its disconnection from the space of everyday life. 

It is the conceptual framework of Deren’s cinema that informs the scores produced for this project. Rather than compositions that ‘soundtrack’ the  action and the visual imagery the music reflects and explores Deren’s philosophical beliefs and her desire to immerse her audience in a world that is barely hinted at in everyday life yet sits just under the skin of reality. 

The performance by Kirby, Ward and Banks showcases the 7 major short films Deren produced from 1943 to 1958.

https://vimeo.com/595121466
https://vimeo.com/595129696

A Witch's Cradle (1943 Maya Deren) LIVE - Kirby/Ward/Banks

Kaliyuga

Bottles At Sunset

Walking Mate

‘mare salis’
Personal.
Semi-live performance.

Dead Sea.

Tools :
Pam’s, SIG.
- DFAM > Desmodus Versio.
- Basimilus.
- Plaits (vowel and speech synthesis) > Monsoon (clouds mode).
Rnd Step, Ochd, Batumi.
Buff Mult, Sinc Defero, Mutes.
StMix, Black stereo mixer, Listen IO.
Logic: Suitcase Mark I.
Recorded, mixed and mastered with Logic Pro.

You can listen to an excellent remix by joerxworx here:
https://soundcloud.com/joerxworx/kalia-beach-by-petrus-major-keys-sax-remix

Associated image : Petrus Major.

Kalia Beach [personal]

LICHNOBIUS Demo and Art Book , limited to 50 copies. Please contact if interested.

Meditations in a Cosmic Fire

Caustic Soda

Night Dog

The Day We Made Contact

All Our Future Worlds" Fully Created On The SOMA LYRA - 8

ghost II

Ravebirth 2791

Dopamine Clouds

Our cover of "Welcome to the Machine" by Pink Floyd, sans acoustic guitar. Lyrics gently updated.

Welcome to the Machine

Open call remix for Humanfobia

Original Track Links
https://hearthis.at/dark-horror-music-for-videos/14-the-ghests-ef-fert-senteege-menele/?fbclid=IwAR0R9QtTYkjSgsiX8o9RqP8CtSepzbIkF--ub5qihkkyLNl6VEJ_XoewM5A

https://archive.org/details/humanfobia-epitafio-fantasmal

https://humanfobia-official.bandcamp.com/album/epitafio-fantasmal-2021?fbclid=IwAR2GDifySAH8gQPiRI9XnLnbHByogKaQmuFsDXwqVu5Cqx7t8KHS3GmNnOE

H∐ϻ▲NҒØɃᏆ▲ - THE GH∎STS ∎F F∎RT SᐃNTᴉᐃG∎ MᐃNᴉLᐃ (Insatiable Void Remix)

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out