Name: Dos piezas para un tiempo errante by mvlenv
Duration: 4 min 24 s
Description: Obra estrenada por el Ensamble de Música Contemporanea Damus (UNA) en Septiembre de 2022, Río Negro.

Obra estrenada por el Ensamble de Música Contemporanea Damus (UNA) en Septiembre de 2022, Río Negro.

Dos piezas para un tiempo errante

Edition of 20 dub plates of BK020, all individually numbered, and all with a unique hand finished collage cover.

Digital also available featuring two bonus tracks.

Stems also available for purchase, with full rights given to remix/edit as you wish.

A1 - Paterson - Lost Ceremonies 
A2 - Paterson - Virtual Machine
B1 - Ikpathua - Lyra Warp 
B2 - Ikpathua - Replicant Dub
Digi Bonus: Paterson - Motor City Funk
Digi Bonus: Ikpathua - GR1 Dub

Buy BK020

BK020 - Paterson & Ikpathua - Lost Ceremonies EP

Marie Deback, a French artist and DJ.
She works in the museum of fine arts and the museum of contemporary arts in Toulouse. She is mainly to be seen playing in art exhibitions and gardens. Her mixes are shaped by emotions and flaws and will often catch you in a dreamlike haze.

Marie Deback [Hits from the Boeing] [15.05.2023]

Présentation de nouveautés musicales issues de la scène Bruxelloise et d'ailleurs.

La dernière heure w/ TG Gondard (10.05.23)

placid silver waters

TRACKLIST:
LOVE SPIRALS DOWNWARDS - Waiting for the Sunrise
RUMSKIB - You’re My Japan
SLOWDIVE - Erik’s Song
YOU’LL NEVER GET TO HEAVEN - Dust
INTERNAZIONALE - Evian
JUSTIN WALTER - End of Six
VANESSA AMARA - Manos
YOU’LL NEVER GET TO HEAVEN - Still
NINE INCH NAILS - Adrift & At Peace
KARLA BORECKY - The Passing of Clouds
VIDEO DAYS - Bleached
DIRTY BEACHES - Alone at the Danube River
GROUPER - Headache
DEADHARRIE - Reverie
SIGN CRUSHES MOTORIST - Better
SULK - Motormouth
ALAISTAIRE GALBRAITH - Money Is So Sad
DEVENDRA BANHART - The Ballad of Keenan Milton
SSALIVA - twisted stars
DEUX FILLES - Drinking at a Stream
SET FIRE TO FLAMES - Your Guts Are Like Mine
CLARK - Pleen 1930’s
SET FIRE TO FLAMES - Your guts are like mine
MARBLE ARCH - April
KAI SAUL - Bright dark world
STARS OF THE LID - Piano aquieu
LINDA PERHACS - Hey, Who Really Cares
GAROTO - Um Rosto de Mulher
LOREN CONNORS - Dance Acadia
DAVE BIXBY - Drug Song
CYBE - Can You Hear The Rooster Crow
APHEX TWIN - Nanou2
LAGOMORPH - Forest of misunderstandings
NINE INCH NAILS - The Frail
FRANK LOCRASTO - Laika
JEFRE CANTU-LEDESMA - Crescent
ARAWAK - Warhouse
JUNE11 - White Bird
CAVERN OF ANTI-MATTER - Winter Rhombic
NINE INCH NAILS - 36 Ghost IV
ROY MONGOMERY - In Another TIme
FROTH - Slow Chamber
BOWERY ELECTRIC - Over and Over
CHÂTEAU ROUGE - Vitraux

Sieste Ambient #111 w/ Sinekhantan

https://vertical-music.bandcamp.com/album/radura

Sonic research in two residual places linking poetry, soundscape and architecture. ‘Femminile Plurale’ takes us through a former greenhouse, an irrigation tank and a bunker in Liguria. ‘RADURA’ rewrites the space of an urban clearing in Berlin through a participative performance. 

Vittoria Assembri is an architectural and sound researcher. Her practice explores the territories considered marginal, from an architectural and sound point of view. She focuses her research on the regeneration of urban spaces as the recovery of building heritage that pursues sustainable sociability and social diversity. She deepens on the notion of Third Landscape, as an oblique and unconventional condition, of abandoned spaces invested by spontaneous forms of other species. 
www.vittoriaassembri.com 

Gaia Ginevra Giorgi is a poet, sound artist, performer and researcher. She published “Manovre segrete” (Interno Poesia, 2017) and “L’animale nella fossa” (Miraggi Edizioni, 2021). Her research is oriented towards the generative possibilities of intercode poetry: she experiments with vocal soundscapes, and studies the relationships between text, voice, new electronic devices and architectural space, creating site-specific projects. 
www.instagram.com/gaiaginevragiorgi/ 

They are co-curators of 'Walk So Silently That the Bottoms of Your Feet Become Ears' (on Fango Radio), a collection of sound materials by artists who work with a site-specific approach. Archives of sound landscapes reflect on the theme of liminal enviroment, of waste, of residue: field recordings, interviews, vocal soundscapes, poems, sound installations, then in close relationship with the architectural space and its crossings (human and non-human). 
www.fangoradio.com/shows/158

Vittoria Assembri & Gaia Ginevra Giorgi: RADURA (Excerpt)

Richard Vergez's Album

Night Foundation - Desperate Entities

Dissolved's "Island Flux" album reimagined. https://section27.bandcamp.com/album/island-flux-remixes [S27-201]

Island Flux remixes brings together a diverse group of artists who were given the raw elements from Dissolved's 2022 album "Island Flux". Given no restrictions, each artist has placed their own unique stamp on the tracks, resulting in a collection that stretches and morphs into new expanses while allowing the ghosts of the originals to still exist.
The original album cover depicted an unknown and strangely isolated island, located 'somewhere'.
To reflect the way these remixes expand and change the originals, the orignal photo has been artificially expanded, revealing a new expanse of ocean and sky, somehow making the island even more remote and mysterious and allowing the music to take you on a different voyage.





http://section27.bandcamp.com
http://dissolved.bandcamp.com

DISSOLVED: Island Flux Remixes [previews]

Hello everyone! I was invited to create some presets for Harmonic Bloom by Sonora Cinematic. Harmonic Bloom is a sound design plugin on Kontakt Player. It utilizes the concept of the harmonic series to turn noise into unique and distinctive musical material that can be used in your compositions. I had a lot of fun creating some presets for the new v1.3 free update. 

https://sonoracinematic.com/products/harmonic-bloom-by-sonora-cinematic

In this recording, I demonstrate some of the presets that I created for Harmonic Bloom. I made a few sequences in Ableton to trigger the patches. Everything you hear is directly from the patch including the effects and panning. I did not EQ the recordings or add any compression. All of the sounds are straight from the source. When you hear a modulation in the sound it's either from my LFO programming or from adjusting the Noise/Pitch ratio. I really enjoyed working with this instrument and have already used it in my music. I hope you enjoy these sounds. Thank you for listening! Thank you to Alessandro Mastroianni and Joe Miller for trusting me with this project.

In the new update you will also find inspiring presets by Elif Yalvaç, r beny, MAATHS, and Si Begg.

https://sonoracinematic.com/products/harmonic-bloom-by-sonora-cinematic

Dos piezas para un tiempo errante

mvlenv

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