mine

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mellow

moby

LIB 2014

mobygratis is a resource for independent and non-profit filmmakers, film students, and anyone in need of free music for their independent, non-profit film, video, or short.

Moby has made a selection of over 150 tracks from his huge catalog of music available to licence for free, via a simple online application system.

Find out more here: http://mobygratis.com


Apply For Licence

mobygratis unreleased

Variete

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Everything That Rises':

“I just thought this song had a really odd, strangely beautiful quality to it, which is why I used it to open the record. I like the idea of starting absurdly small and then getting quite big and epic about two-thirds of the way through. Hopefully, people won’t turn up their stereos really loud at the beginning to compensate, because it does get quite loud at the end; but when it begins, it’s just so thin and strange. When you first listen to it, there’s a chance you’ll wonder what’s wrong with your stereo! 

It’s hard to talk about instrumentals because… they’re instrumentals: It’s difficult to say, “The song is about this,” because technically it isn’t about anything. And I never know what to name them, either, so I figure, why not pay homage to my favorite writers and borrow their titles? I’ve named a few of my songs after Southern Gothic stories, and this one comes from “Everything That Rises Must Converge,” which is a Flannery O’Connor story.”

Innocents

Everything That Rises

Buy on iTunes

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Saints':

“‘Saints’ was supposed to be a song with vocals – a big New York 1984 almost freestyle type song. Originally it was just drums, bassline, and synths;
it kind of reminded me of something you would’ve heard at Danceteria in ’84 -’85,  pre house music. But I was never able to write good vocals for it. By the end, I kept adding more strings, more orchestral elements, more drums, so I ended up with an instrumental that was so filled, there just wasn’t room for real vocals on it.
I like music with vocals, but having an instrumental on a record provides a moment where the listener doesn’t have to be as engaged, so you can kind of take a little break; the parts of your brain that are engaged by people singing can quiet down for a minute and you can just relax. 

Spike said ‘Saints” reminded him of ‘Slave to the Rhythm’ and ‘Unfinished Sympathy’: when he told me that, I listened to them, and was like, ‘Oh, yeah – you’re right!’ It wasn’t intentional, and I wasn’t aware of it when I was working on it, but afterwards I was like, “Yeah, I hear it.” If you listen to records enough, eventually they are going to infect how you make your own music. The fact that “Unfinished Sympathy” is one of my favorite songs of all time, and “Slave to the Rhythm” is such an inspirational piece of music, it’s not surprising that some of those elements would come through in what I do.”

Saints


Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Tell Me':

“‘Tell Me’ is so much about the atmosphere. The way we mixed it, most producers or mixers wouldn’t mix a song where everything has reverb on it: the kick drum, the snare, the hi-hats, the pads, the vocals. Basically, It was like, ‘Why don’t we just turn up the reverb and see what we have.’ The finished product is really messy, but I like that it creates its own odd, washy, atmospheric, world.”  Oddly enough I was thinking of 'PSK What Does It Mean?' by Schoolly D as the inspiration for the mix."

Tell Me (feat. Cold Specks)

Buy & Stream

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Lonely Night':

“‘The Lonely Night’ had just been a really stripped down, vulnerable instrumental – just a synth and a drum machine. It’s electronic music at its most basic and simple, a cheap univox organ from 1972 and an old drum loop I was playing. 

I had talked to Mark Lanegan about signing on my record, so I sent him a bunch of instrumentals. I expected him to gravitate towards the darker stuff, but he chose this very gentle piece. Mark wrote the lyrics and melody, and then came in, I put a microphone in front of him, and we recorded it in one take. That’s it. I started adding more stuff to it, to expand on what he’d done; then for the mix, we mixed all the music – strings, bass, guitars - through a distortion pedal into a guitar amp; it’s about as broken down and lo-fi as a song can possibly be. 

A big problem I have with modern music is every song is mixed the same. With a song like ‘The Lonely Night,’ it’s such a vulnerable, beautiful delicate song, how could you mix it in a bombastic way? The mix needs to be just as broken and vulnerable as the song.”

The Lonely Night (with Mark Lanegan)

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Dogs':

“The Dogs” is the last song that we made for the record. When I make a record, I’ll write about 300 songs, narrow them down to 75, and then narrow that down to 30; and then six months ago, we narrowed them down to 15. But when Spike and I started, we agreed there could only be 12 songs on the records, so I got rid of three of them. On the very last day of making the record, I finished “The Dogs” and thought I’d just put it on the very end, because no one’s going to listen to it. I like it, but as it's the last song on the record in an age when people don't buy or listen to records I don’t really expect many people will hear it.”

The Dogs

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Long Time':

“‘A Long Time’ was the first song written for Innocents. Originally the whole record was going to all sound like that – lo-fi downtempo dance music. Early dance music was futuristic, but had these sounds that had a broken-down warmth to them. It’s why so many electronic musicians love Bladerunner: there’s all this high tech stuff, but it’s grimy at the same time. 

I like letting an element of wistful nostalgia creep in, specifically through sampling things that happened a long time ago. The vocals that are sampled on ‘The Long Time’ are probably seventy years old: they’re filled with longing and pathos, recorded by someone who’s been dead for quite a long time. It’s futuristic nostalgia, or maybe nostalgic futurism? Electronic music has this openness to bygone aesthetics and technologies that have sort of a naïve wistful quality to them.

A Long Time

A new remix of the second single from 'Innocents' by Canada's https://soundcloud.com/ttrustt
http://ttrustt.com
https://twitter.com/TR_ST

The Perfect Life is an epic electronic soul track, which showcases the collaborations album to dramatic effect. Wayne Coyne from The Flaming Lips joins Moby to deliver an uplifting and melodic anthem.

The track is taken from Moby's forthcoming album, 'Innocents', which is out on Sept 30, pre-order 'Innocents' here:
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

The much anticipated video for the The Perfect Life was shot in L.A with Coyne and Moby dressed up as a Mexican mariachi band. Watch it here: http://youtu.be/t3ZDqe5j4q8

The casting call was posted on Moby’s Facebook and included some very specific extras, "S&M gimp rhythmic gymnast", "eight roller-skating ghosts", "12 goth choir members", "2 obese bearded bikers in red speedos", "a punk rock brass brand" and " a drunk king: guy with beard age 35-50".

Listen to Innocents

The Perfect Life (TRUST Remix)

Moby with Damien Jurado 'Almost Home' remixed by https://soundcloud.com/washedoutofficial 

Taken from his 11th studio album Innocents, out now through Little Idiot, listen here: http://innocents.moby.com

A few years ago, Moby (born Richard Melville Hall) decided that it was time for a change so he packed up and moved from his beloved New York to sunny LA. This fresh, new outlook permeates his 11th studio album, Innocents. One day, as the story goes, he was riding around town listening to “Morning Becomes Eclectic” on local radio station KCRW, and he heard a Damien Jurado song come on the air — and the rest is history. 

“Originally, ‘Almost Home’ was a fully finished song,” recalls Moby. “But I love Damien’s approach to melody and lyrics so I gave it to him as an instrumental. What he did was much better than anything I’d come up with.”

Beatport

Almost Home (Washed Out Remix)

Klapp Klapp, the first single from the album "Nabuma Rubberband"

Available in the USA on May 13th on Loma Vista Recordings
Available in the rest of the world on May 12th on Because Music

iTunes: http://po.st/NabumaRubberband
Amazon mp3:  http://po.st/LittleDragonAmazon

Zane Lowe's Hottest Record in the World 13.02.14

www.nabumarubberband.com
www.lomavistarecordings.com
www.because.tv

Nabuma Rubberband

Klapp Klapp

http://www.noisia.nl
http://www.facebook.com/noisia
http://www.twitter.com/noisia_nl

This remix came out early 2008.

Alice

Moby - Alice (Noisia Remix)

Ed's debut album '+' out now:

iTunes: http://atlre.co.uk/r1Qybn
iTunes Deluxe Version: http://atlre.co.uk/rjrmBJ
Play: http://atlre.co.uk/qvO50K
Amazon: http://atlre.co.uk/kDOh38
HMV: http://atlre.co.uk/jI2rGR
Tesco: http://atlre.co.uk/rrLznw

The A-Team {KoanSound Remix}

Wildfire - SBTRKT feat. Little Dragon

My Songs 2011

Moves Like Jagger (Radio Edit) [feat. Christina Aguilera]

The Heist

Make The Money

Lady Gaga - Bad Romance - Skrillex Club MASTER

The new album 'CARACAL' is out now
iTunes: http://po.st/P3wCTx
Amazon: http://po.st/pPvCDJ
Official Store: http://po.st/qO7d9s
www.disclosureofficial.com

Disclosure Live: http://disclosureofficial.com/live/
Official Merch: http://po.st/4iqh1L

The debut album from Disclosure 'Settle' 
iTunes: http://po.st/Eabal4
Official Store: http://po.st/iaE7o9
Special Edition: http://po.st/viEW5R

http://disclosureofficial.com
http://facebook.com/disclosureuk
http://twitter.com/disclosure
http://instagram.com/disclosure
http://instagram.com/disclosure_pics
http://youtube.com/disclosureVEVO
http://youtube.com/officialdisclosure
https://open.spotify.com/artist/6nS5roXSAGhTGr34W6n7Et

Running - Jessie Ware (Disclosure Remix)

Blue Moon (Holy Ghost! Remix)

Remix and additional production by Lulu Rouge and Stella Polaris Allstars

Natural Blues (Lulu Rouge vs. Stella Polaris Remix)

New single, out 6/27. 

More at: www.absolut.com/remix 

Video collaboration with Absolut: http://www.vevo.com/watch/little-dragon/sunshine/GBEWK1200004

Behind the scenes video: http://www.youtube.com/watch?v=wlQMSDG84Oc


Twitter:
@littledragon
@absolutvodka_us





Sunshine at iTunes 

Sunshine

Listen to Alicia Keys' new single, "Girl On Fire (Inferno Version)" featuring Nicki Minaj!

Girl on Fire (Remixes) - EP

Girl On Fire (Inferno Version) [feat. Nicki Minaj]

New single 'Holding On' ft. Gregory Porter
iTunes: http://po.st/http://po.st/HoldingOnSocial
Spotify: http://po.st/HoldingOnSpotify

Taken from the new album 'CARACAL' out 25th September
iTunes: http://po.st/Caracal3
Amazon: http://po.st/Caracal10
Official Store: http://po.st/4iqh1L
www.disclosureofficial.com

Disclosure Live: http://disclosureofficial.com/live/
Official Merch: http://po.st/4iqh1L

The debut album from Disclosure 'Settle' 
iTunes: http://po.st/Eabal4
Official Store: http://po.st/iaE7o9
Special Edition: http://po.st/viEW5R

http://disclosureofficial.com
http://facebook.com/disclosureuk
http://twitter.com/disclosure
http://instagram.com/disclosure
http://instagram.com/disclosure_pics
http://youtube.com/disclosureVEVO
http://youtube.com/officialdisclosure
https://open.spotify.com/artist/6nS5roXSAGhTGr34W6n7Et

Settle

Latch

When That Helicopter Comes

From Andrew Bird's <i>Hands Of Glory</i>, a musical companion to <i>Break It Yourself</i>, both available now on Mom+Pop. Also available as a deluxe edition featuring both releases. 

Get Physical on Amazon: http://smarturl.it/andrewbirddeluxe
Get Digital on iTunes: http://smarturl.it/birddeluxeitunes


Three White Horses

Mr. E What Chew Want ft. Johnny Blaze and Crisis.  "I Stole These Beats," Mixtape.

What Chew Want

A Freak

mobygratis is a resource for independent and non-profit filmmakers, film students, and anyone in need of free music for their independent, non-profit film, video, or short.

Moby has made a selection of over 150 tracks from his huge catalog of music available to licence for free, via a simple online application system.

Find out more here: mobygratis.com


Accident

Across

Again (no drums)

Again

Papa

Violins

Welcome Back

The Singles

You & Me (feat. Eliza Doolittle)

Live Forever

i first heard iamamiwhoami at a restaurant in london a few years ago.  after hearing them i emailed my manager, eric, and asked 'have you heard of this band iamamiwhoami?' and he wrote back, 'yes, we manage them'.  

when they asked me to do a remix for them i happily said 'yes', as i'm a fan of theirs.  and when i heard the song they wanted me to remix i realized that i didn't want to deconstruct it and change it, but rather just add melodic and structural elements to it, to enhance what they'd already done.  

@moby

more here: http://www.youtube.com/iamamiwhoami

You can now download high quality versions of the 'y' remixes by Moby, Joe Goddard and Brodinski on Beatport, here: http://btprt.dj/12fUr4N

y remixes

y (Moby Remix)

WANT

iamamiwhoami; y (Moby remix)

The Poison Tree (David Lynch Remix)

11 Shot In The Back Of The Head (Ambient)

Moby & Mark Lanegan - The Lonely Night (Freescha remix)

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


A Case For Shame (feat. Cold Specks)

Official SoundCloud for recording artist and DJ Moby. Follow for new music, remixes, DJ mixes and more