like this a lot going back 2 play magical


awesome

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Almost Home':

“One thing that makes L.A. great is you live in your cars, so you listen to a lot of radio; there, public radio stations like KXLU and KCRW are actually valid, big stations that people listen to. One day, I was listening to ‘Morning Becomes Eclectic’ on KCRW, and I heard a Damien Jurado song. I simply fell in love with his voice – this most beautiful, vulnerable, pristine, angelic voice. Originally ‘Almost Home’ was a fully finished song, but I love Damien’s approach to melody and lyrics, so I gave it to him as an instrumental. What he did was much better than anything I’d come up with.”


Innocents

Almost Home (feat. Damien Jurado)

Buy on iTunes

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Saints':

“‘Saints’ was supposed to be a song with vocals – a big New York 1984 almost freestyle type song. Originally it was just drums, bassline, and synths;
it kind of reminded me of something you would’ve heard at Danceteria in ’84 -’85,  pre house music. But I was never able to write good vocals for it. By the end, I kept adding more strings, more orchestral elements, more drums, so I ended up with an instrumental that was so filled, there just wasn’t room for real vocals on it.
I like music with vocals, but having an instrumental on a record provides a moment where the listener doesn’t have to be as engaged, so you can kind of take a little break; the parts of your brain that are engaged by people singing can quiet down for a minute and you can just relax. 

Spike said ‘Saints” reminded him of ‘Slave to the Rhythm’ and ‘Unfinished Sympathy’: when he told me that, I listened to them, and was like, ‘Oh, yeah – you’re right!’ It wasn’t intentional, and I wasn’t aware of it when I was working on it, but afterwards I was like, “Yeah, I hear it.” If you listen to records enough, eventually they are going to infect how you make your own music. The fact that “Unfinished Sympathy” is one of my favorite songs of all time, and “Slave to the Rhythm” is such an inspirational piece of music, it’s not surprising that some of those elements would come through in what I do.”

Saints


Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Tell Me':

“‘Tell Me’ is so much about the atmosphere. The way we mixed it, most producers or mixers wouldn’t mix a song where everything has reverb on it: the kick drum, the snare, the hi-hats, the pads, the vocals. Basically, It was like, ‘Why don’t we just turn up the reverb and see what we have.’ The finished product is really messy, but I like that it creates its own odd, washy, atmospheric, world.”  Oddly enough I was thinking of 'PSK What Does It Mean?' by Schoolly D as the inspiration for the mix."

Tell Me (feat. Cold Specks)

Buy & Stream

Rata Antrakt, Rodnya x RTS.FM 12.12.14

Fast Lane is a collection of the brand new remixes of Highway Records tracks released in 2008-2014. Label’s essential tunes remixed by some of the best Russian producers - such as Anton Kubikov, Sergey Sanchez & Thierry Tomas, Nikitin, Asaga, Andrey Burtaev, BarBQ, Monkey Fish and Dave Pad.

Supported by Dave Seaman, Hot Since 82, Coyu, Audiojack, Shadow Child, Edu Imbernon, Anthony Pappa, Joyce Muniz  and many more.

Buy on Beatport:
http://www.beatport.com/release/fast-lane-highway-records-remixed/1437125

Highway Records on Facebook: 
http://www.facebook.com/highwayrecords

SCSI-9 — Tierra Del Fuego (Asaga Remix)

'If I Was' Available Now (North America: March 31) http://thestaves.com/ifiwas

Facebook: http://www.facebook.com/TheStaves
Twitter: http://twitter.com/thestaves
YouTube: http://www.youtube.com/user/thestaves
Instagram: http://instagram.com/thestaves

If I Was

Black & White

Download on iTunes

Go! is the second single to be taken from Public Service Broadcasting's critically-acclaimed new album. 

“Make no bones about it, this is a beautiful record… just wonderful” - Drowned in Sound 8/10

Download the remix package here: https://itunes.apple.com/gb/album/go!-remixes-ep/id990637061

http://publicservicebroadcasting.net/go-limited-edition-7-vinyl-release/ - 7" vinyl (the vinyl is green, as in green for go..)

The Race For Space is now available:

iTunes: found.ee/TheRaceForSpace-iT
Amazon: smarturl.it/TheRaceForSpaceAMZ
Official Store: store.publicservicebroadcasting.net



Public Service Broadcasting - Go! [Radio Edit]

Una resa dei conti con Dio e la religione, ma anche con l’essere umano e i dogmi moderni, come il buonismo e il politicamente corretto; una resa dei conti organizzata dialetticamente in tesi, antitesi e sintesi, che lascia spazio a voci discordanti pur prendendo decisamente posizione contro le verità assolute e facili e contro ogni forma di fanatismo…religioso, sentimentale, sociale.

5. una fiaba

Rest

Deadly Valentine

Mickey Mouse Operation

Start Shootin'

Swear

The Poison Tree (David Lynch Remix)

Purely Educational

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


A Case For Shame (feat. Cold Specks)

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Saints

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