Moby

Taken from the Winter EP, Storming is the first preview from the Seasons EP series; a 4 part series to be released over the coming months each inspired by a corresponding season.
The Winter EP features contributions from Kane Ikin, Tuff Sherm, Scissor Lock and Panoptique Electrical and will be released on August 19th http://feralmedia.bandcamp.com/album/winter-ep

Kane Ikin - Storming

Brian Eno - Prophecy Theme

Title track from Leafcutter John's new album, Resurrection(Pathway009)

A panoramic sound world of drifting vocals over a densely-processed terrain of mud-caked percussion and guitar, Leafcutter John’s new solo album, Resurrection, is a characteristically unique blend of the electronic and the acoustic, the hi-tech, the human and the homemade.
Resurrection is the sixth Leafcutter John album and his first solo release since 2006’s The Forest and The Sea CD/LP(Staubgold). In the intervening nine years, John has toured from Vietnam to Venice, appeared live with Beck Hansen and Imogen Heap, and provided the score for Crow, a major theatre project by Handspring (creators of War Horse). 

During this time, John has also maintained his permanent role as the unpredictable, electronic antagonist in Polar Bear, the twice Mercury Music Prize-nominated, genre-defying jazz band.
This new record marks fifteen years of releases by Leafcutter John. Born John Burton in Wakefield (Yorkshire, England), his highly original musical voice was first spotted by Mike Paradinas, label boss of Planet Mu Records. Over the course of his first three albums (2000-2003), John established and developed his idiosyncratic London-based studio, and his skills as an inventor of unusual instruments and extraordinary music software.
Resurrection begins with the sound of a single bell, in homage to one of John’s major influences, Bernard Parmigiani’s De Natura Sonorum (1976). From there, the album unfolds over five cinematically varied tracks, “like floating above a world in constant flux,” in John’s own words. In fact, aerial photographs of the Japanese tsunami of 2011 were a direct inspiration for the record.
“I would create complete, fully-formed compositions,” says John, “then later, I’d come back to them, playing the part of
the destroyer, scraping and smearing away elements, weathering, piling up and re-ordering them, as if they’d been hit by a natural disaster.”
Not content with the usual tools available to the electronic musician, John has created innovative new systems and techniques for both live performance and production. This includes a light-controlled instrument that allows him manipulate his live sound through gesture, flickering candles, flashing torches and pyrotechnics. For the track “Gulps,” John coded special software to layer huge swathes of sound. Using a recursive system, he created 7.1 billion layers of a recording of the North Sea, one for each human alive on the planet at the time of writing.
Featuring a guest appearance by Shabaka Hutchings (Sons of Kemet), “Gulps” is a poignant demonstration of John’s
approach: Hutchings’ intimate clarinet is gradually engulfed by a (literal) ocean of sound. This is sculptural sound design
where technological innovation is always at the service of the emotional impact of the music: deeply human at its root, and
mind-expanding in its ambition.

Desire Path Recordings
www.desirepathrecordings.com | leafcutterjohn.com

Credits
Written and produced by Leafcutter John, with Varpu
Kronholm playing additional percussion on “I Know You
Can” and Shabaka Hutchings playing Clarinet on “Gulps.”
“Endless Wave” contains elements of “Forest Of Spades” by
Strings Of Consciousness, used with permission.
Mastered by James Plotkin
Photography by Max Baillie
Design by Chris Koelle, Leafcutter John, and Varpu Kronholm

Distributed by Revolver

Leafcutter John - Resurrection

polarity

Dark Ambient Music inspired by the writings of HP Lovecraft and the Cthulhu Mythos cult. Be scared and enjoy!

CTHULHU MYTHOS - THE AIRLESS VOID

Mirall

Rauelsson - Sierra

The first track off of the 2018 tour cassette "On Falling". 
Edition of 50 w/ hand letterpressed covers.

Out of print (but repressing *could* be possible)

(on falling) debris

Shot In The Back Of The Head (Ambient)

Slow Light 1 (Ambient)

Ghost Return (Ambient)

Slow Light 2 (Ambient)

The Right Thing (Ben Hoo Derivation)

The Poison Tree (David Lynch Remix)

11 Shot In The Back Of The Head (Ambient)

Moby & Mark Lanegan - The Lonely Night (Freescha remix)

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


Innocents

A Case For Shame (feat. Cold Specks)

Buy on iTunes

Official SoundCloud for recording artist and DJ Moby. Follow for new music, remixes, DJ mixes and more

I am an Artist, an Art Therapy Counsellor and a dance facilitator. My passion is to provide space for people to express and connect to the inner wildness of the unconscious self (that is all too often forgotten)

Slow Light 1 (Ambient)

Moby

Recent comments

OG 2610

musicisfoodforoursouls

Jonix

Coco911

Related tracks