... butiful fealink off the bass ... hmmmm...flouting...

please,dont "rape" this beautiful song remix,,this is one and only this hear what it feel<3

fullidity

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Going Wrong':

“This song is just delicate. It starts delicate, and stays delicate – even when it expands a little bit, it still has this quality of warmth and delicacy. It never needs to become ironic and cynical and step back and see what it’s doing; it’s just this little jewel box of a song.”

Innocents

Going Wrong

Buy & Listen

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Almost Home':

“One thing that makes L.A. great is you live in your cars, so you listen to a lot of radio; there, public radio stations like KXLU and KCRW are actually valid, big stations that people listen to. One day, I was listening to ‘Morning Becomes Eclectic’ on KCRW, and I heard a Damien Jurado song. I simply fell in love with his voice – this most beautiful, vulnerable, pristine, angelic voice. Originally ‘Almost Home’ was a fully finished song, but I love Damien’s approach to melody and lyrics, so I gave it to him as an instrumental. What he did was much better than anything I’d come up with.”


Almost Home (feat. Damien Jurado)

Buy on iTunes

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Everything That Rises':

“I just thought this song had a really odd, strangely beautiful quality to it, which is why I used it to open the record. I like the idea of starting absurdly small and then getting quite big and epic about two-thirds of the way through. Hopefully, people won’t turn up their stereos really loud at the beginning to compensate, because it does get quite loud at the end; but when it begins, it’s just so thin and strange. When you first listen to it, there’s a chance you’ll wonder what’s wrong with your stereo! 

It’s hard to talk about instrumentals because… they’re instrumentals: It’s difficult to say, “The song is about this,” because technically it isn’t about anything. And I never know what to name them, either, so I figure, why not pay homage to my favorite writers and borrow their titles? I’ve named a few of my songs after Southern Gothic stories, and this one comes from “Everything That Rises Must Converge,” which is a Flannery O’Connor story.”

Everything That Rises

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Perfect Life':

“Wayne Coyne and I ended up doing a duet on ‘The Perfect Life’: we sing the choruses together, and then go back and forth on the verses. Wayne and I first met in 1995, when The Flaming Lips and I were both opening up for a Red Hot Chili Peppers’ European tour. We became friends, shared a dressing room and the same bad craft services, and watched the Chili Peppers from the side of the stage. I thought of Wayne for this song because The Flaming Lips have evolved in this very open, celebratory band when they play live, and that was the perfect vibe for what I was imagining for ‘The Perfect Life.’ I texted Wayne and said, ‘Hey, I have a song – want to sing on it?’ Thirty seconds later, he texted me back: ‘Yes, send it to me, it will be great.’”


The Perfect Life

The Perfect Life (feat. Wayne Coyne)

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Lonely Night':

“‘The Lonely Night’ had just been a really stripped down, vulnerable instrumental – just a synth and a drum machine. It’s electronic music at its most basic and simple, a cheap univox organ from 1972 and an old drum loop I was playing. 

I had talked to Mark Lanegan about signing on my record, so I sent him a bunch of instrumentals. I expected him to gravitate towards the darker stuff, but he chose this very gentle piece. Mark wrote the lyrics and melody, and then came in, I put a microphone in front of him, and we recorded it in one take. That’s it. I started adding more stuff to it, to expand on what he’d done; then for the mix, we mixed all the music – strings, bass, guitars - through a distortion pedal into a guitar amp; it’s about as broken down and lo-fi as a song can possibly be. 

A big problem I have with modern music is every song is mixed the same. With a song like ‘The Lonely Night,’ it’s such a vulnerable, beautiful delicate song, how could you mix it in a bombastic way? The mix needs to be just as broken and vulnerable as the song.”

The Lonely Night (with Mark Lanegan)

Order Paracosm:
iTunes
itunes.apple.com/us/album/paracos…sion/id655768700
Amazon
amzn.com/B00DBISVL8
Sub Pop
https://megamart.subpop.com/artists/washed_out
Weird World
www.weirdworldrecordco.com/releases/paracosm/
Washed Out's Website washedout.net/

www.subpop.com
twitter.com/subpop
www.facebook.com/subpoprecords

Washed Out - All I Know (Moby Remix)

José González - Teardrop (Rune Lindbæk Götet Versjon)

"Underwear" from FM Belfast's debut album, How To Make Friends.

FM Belfast - Underwear

From the forthcoming mini-album "Ragazzi".
LP pre-order: http://tambourhinoceros.net/product/ragazzi
iTunes pre-order: https://itunes.apple.com/dk/album/ragazzi/id852210732
Website: http://cancermissyou.com

Cancer are Nikolaj Manuel Vonsild of When Saints Go Machine and Kristian Finne Kristensen of Chorus Grant

Lyrics:

I imagine
I imagine
This is how it feels when you're nothing at all
And it shows
Terror take back what's mine
Go ahead love
Go ahead love
You're all I have to lose
Light
Settle where we left birds to dive
Settle where we left them
Slave
I imagine
I imagine
This is how it feels when you're nothing at all
And you know
Terror take back what's mine
Terror take what's mine

When I left you were louder than me
Dead set
All that said all I’m saying
If you blame anyone for love it's me
Stop right where you stand
Should have known when to fold them
Slave number one
Slave number one
Misery's all there's left where we left love

I know
I know
Men always yield at your will
It means nothing at all
Seen in my head or heard
Terror take what's mine
Go ahead love
Go ahead love
Only the mortal lose
And the tide settles where we left birds to dive

Settle where we left those birds to dive
When I left you were louder than me
Dead set
All that said all I’m saying
If you blame anyone for love it's me
Stop right where you stand
Should have known when to fold them
Slave number one
Slave number one
Stop

Cancer - Same Color As Digital Photography

kiss n tell freestyle

This song was recorded at Linear Studios in Sydney. With a live band; Mike Haydon, Andy Campbell, Benson Gunner, Max Corby, Bree Tranter and Emma Nuerath. 
The photo was taken under the sea in Thailand. Enjoy x

Tuesday Fresh Cuts

Midlake - Roscoe (Beyond The Wizards Sleeve Remix)

Morcheeba performing The Sea, live on KRWC

Morcheeba The Sea Live

A Forest (The Cure)—Nouvelle Vague

Taken from Sébastien Tellier's album "Politics" : sebastientellier.bandcamp.com

Follow Sebastien :
facebook.com/sebastientellierofficial
twitter.com/SebTellier
instagram.com/sebastientellier

recordmakers.com 
twitter.com/recordmakers 
facebook.com/recordmakers
instagram.com/recordmakers

Sébastien Tellier - La Ritournelle

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


A Case For Shame (feat. Cold Specks)

Official SoundCloud for recording artist and DJ Moby. Follow for new music, remixes, DJ mixes and more

The Lonely Night (with Mark Lanegan)

Moby

Recent comments

Oscar Gomez

Marta Chovalko

SONIA BRICK

Karmen Fiorella

Related tracks