Name: KEEP FEELIN THIS featuring Jamie Lidell by @Mockyrecordings
Duration: 3 min 44 s
Description: Three minutes and forty-four seconds of sunshine funk taken from the Moxtape vol. 3 featuring the one and only Jamie Lidell.

from the album "Goosebumps Per Minute". Funky lofi instrumentals from my LA studio..
Get it here https://linktr.ee/heavysheet

Goosebumps Per Minute

Glide

Overdub instrument at Home Recording - 5/25/2024
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad

Bajandolo  -  Vocal n Drums.wav

Three minutes and forty-four seconds of sunshine funk taken from the Moxtape vol. 3 featuring the one and only Jamie Lidell.

The Moxtape Vol. 3 

Buy the Moxtape Vol 3

KEEP FEELIN THIS featuring Jamie Lidell

From the 'Extraordinary Renditions' compilation. 

Produced & performed by Gwilym Gold.

smarturl.it/DEEK-ExRenditions
smarturl.it/DEEK-ExRenditions-iT
smarturl.it/DEEK-ExRenditions-BC

Gwilym Gold - The Root (D'Angelo cover)

Quazarz: Born on a Gangster Star

Moon Whip Quäz

The third album from Duval Timothy. Released on Carrying Colour 27 October 2017.

Recorded by Duval Timothy
London & Bath, UK
Freetown, Sierra Leone
Kyoto, Japan

Ball.WAV

Get it on vinyl >>> https://mybags.bandcamp.com/album/solstice

Cover song of the legendary Cortex with a composition of Alain Mion.
This track is part of the album project "Undercover" by Medline.

Chanson D’Un Jour D’Hiver (Alain Mion)
© Esperance Call Me
Avec l’aimable autorisation de Call Me

Solstice

Chanson D'Un Jour D'Hiver

Medline - Chanson D'Un Jour D'Hiver

nowagainrecords.com

This 2/LP gatefold vinyl is available with:
Now-Again Reserve: a deluxe vinyl subscription.

Trombonist, bandleader, songwriter, arranger and producer James Reese never issued an album with his Progressions band, only a series of 45s – some under his own name, some under that of his collaboraors – out of Spartanburg, South Carolina on his Najma label, from the late 1960s until the mid 1970s. He was as ambitious as he was talented, and his ouevre ranges from brutal, deep soul to sophisticated instrumental ballads to jazz-inflected funk. Now-Again’s Egon first discovered Reese’s music on a 24 lock-in in Concord, North Carolina’s legendary record and antique clock repository, Ye Olde Clock Shoppe, in 1999. After he tracked down Reese, he officially reissued two of Reese’s songs on his seminal Stones Throw anthology The Funky 16 Corners. He later issued more of Reese’s music on the Now-Again anthology Loving On The Flipside.

Sourced from rare 45s and multi-track master tapes, Wait For Me: The Complete Works 1967-1972 presents both issued and recently-rediscovered songs in the full-length format, in a cohesive set that shows the brilliance still arising from the American soul and funk sub-strata. Long time Now-Again associate Kenny Dope presents a remix of the song “Throwing Stones,” and Now-Again mastering engineer Jason Bitner presents alternate mixes of various cuts on a bonus second LP, available only to subscribers. Those mixes are also included as part of the 2 CD set that accompanies the vinyl album. Both LP and CD version contain an extensive booklet detailing the trajectory of Reese and his band. Download card for WAV files included with the LP.

James Reese and the Progressions ft. Marlene King - “Throwing Stones (Kenny Dope Mix)"

Wildflower - 02 - Mirage

There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-esque cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time, this is a truly contemporary record that could have only been made now. 

The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies.

Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way".

The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

All News Is Good News

Surprise Chef - All News Is Good News

Get all Mocky records here:
https://linktr.ee/heavysheet

KEEP FEELIN THIS featuring Jamie Lidell

@Mockyrecordings

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