MMMMMmmmmm, crack out the sexy woodblock!

6G is the child of a hollow moon, unwritten histories of permaculture deities in the levant, pagan conspiracies about haunted birthrights, texts buried in lunatic obscurity, communication with the evil smile of a goddess, bells designed to be wrung three times in the night, childish blood games, farmers with occult crops.

The duo of Oxhy and Susu Laroche have chosen the name The Fertile Crescent, evoking one of the cradles of human civilization as much as a (un)healthy devotion to the power of the lunar cycle. Musically, it reeks of post-industrial folklore ripe with solemn tones and conflicting bits, combined via the mocking dream logic of a trickster spirit. A skeletal presence of melody in a sparse, ceremonial ambiance that can even welcome thunderous rolls of breakbeat, like tapping from the energy of every ritual that has scarred the land in time. Following the record is like attempting at drawing a psychic topography of those same rituals, manifestations, tragedies and games, it’s like mistaking the broadband network for the Ley lines but still succeeding in conquering its occult power.

Written & Produced by Fertile Crescent
Mastered by Tapewave

All profits go to: www.islamic-relief.org.uk/afghanistan-emergency-appeal/

https://soundcloud.com/oxhy
https://soundcloud.com/tsvsvnami

the fertile crescent - a hollow earth

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

On Oath

Fortuna is the 5th track of the upcoming 'Slo Mo' cassette by Milan W. (JJ005)

Music by Milan Warmoeskerken
Published by Jj funhouse, 2014
www.jjfunhouse.com/catalogue/jj005
©All rights reserved

Milan W. - Fortuna (JJ005)

Пайта - Южный человек (Paita - Yuzhniy Chelovek)
Bandcamp: https://fuselab.bandcamp.com/album/--7
Stream: https://band.link/yuznniychelovek

Paita is a project of musician and sound producer Kolya Dolgov, currently living in Moscow.

In 2021 the album "What is not" was released, which became the starting point in the formation of the young artist's style and sound.
Experiments with dub and ambient, explorations of "raw" electronics and new-age, participation in punk bands as a bass-guitarist, moves, travelling, meetings and breakups, love and hate. The line of changes through which both the musician and his lyrical hero passes stretches to the new release "Southern Man".

"Southern Man" is an album-metamorphosis, it is a story or better to say a notebook, about the changes that a young guy goes through. Accustomed to seeing the emptiness of the horizon, he is met with monolithic granite structures, and instead of the great water of the sea, there is now a river winding subtly in channels. 'It's what's inside, but you can listen to it' says Пайта (Paita).

The album features collaborations with label residents FMSAO, Shoom Berez, X.Y.R. , NWIII, as well as guest artists 8luetic and Молох. Here you can hear gentle pop ambient, uncomplicated balearic house, juke and dub.

Links:
Пайта
@user-251557634
https://vk.com/paitaskapushonom
https://www.instagram.com/paitaworld

Fuselab
@fuselab
https://fuselab.bandcamp.com/music
https://www.facebook.com/fuselab
https://vk.com/fuselab

Music & lyrics: Nikolay Dolgov
Cover art:  Natasha Lyutik
Design: Dmitry Krylov
Mastering: Evgeniy Schukin

Южный человек

Пайта - Sad In a Jungle (feat. X.Y.R.)

Dystopian nightmare

Produced by Accent Noir for Accent Noir Music

Mixing and Mastering by Accent Noir

Photography by Bruce Ruston

Juniper

@samoyed revives hibernating label Flask for the release of forthcoming album, 'Saturday'.

Pre-order digi above and vinyl via Redeye - http://www.redeyerecords.co.uk/vinyl/69310-

Read more on Dummy: http://www.dummymag.com/features/premiere-samoyed-angel-st-nunez

Premiere: Samoyed - Angel St. Nunez

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

02-Lost and Found

03-Sleepless

Track from the upcoming DE NOR 2020 compilation LP/DL, out on January 11, 2021!

02-Lost and Found

modernlove

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