God damn this fuckin bumps so hard directly out of wild noise

Compiles 4 other playlists, Testpressing001, Testpressing002, Testpressing003, Testpressing004 & Testpressing005

Demdike Stare - Testpressing#001-005

Armec - Reconbination [Furthur Electronix] Previews

Guest Mix By Vladimir Ivkovic

Born and raised in Belgrade, Yugoslavia, Ivkovic is someone with a particularly unique talent for selecting records and weaving them into a larger – and often unusually compelling – narrative. Witnessing the peak of alternative culture and disintegration of the society in his formative years. Moved to Germany in the beginning of the 90’s, in the late 90’s early 00’s invited artists like Carlos Souffront, I-F. I-G, Marco Passarani, Serge (amongst others) to play Selected and Substance events.
He first dabbled in DJing as a teenager in the mid ’80s, but it was only after leaving Serbia (to study in Germany) and later coming back for a summertime visit that he truly immersed himself in the craft, taking up position behind the decks during a series of impromptu parties at a lakeside restaurant owned by his parents.
From there, he spent much of the next two decades honing his skills while throwing events like Selected and Substance that played host to a cross-section of boundary-pushing DJs, long before it was fashionable to do so. Eventually, Ivkovic found his musical and spiritual home at Salon des Amateurs, an unassuming spot in Düsseldorf that’s gradually proven to be wildly influential, giving rise in recent years to otherworldly talents like Lena Willikens, Tolouse Low Trax, Jan Schulte and many others, including Ivkovic himself.
Offen Music, a label he launched in 2015 specialized in authentic subjectivism. Although the imprint’s output is all but impossible to neatly categorize – experimental Serbian rarities sit alongside ambient excursions and moody synth-pop in the label’s catalogue – the label’s open-minded approach and embrace of off-kilter sounds perfectly encapsulates Ivkovic’s artistic temperament.

Vladimir Ivkovic social media:

https://soundcloud.com/vladimir
https://www.facebook.com/vladimirivkovic011
https://twitter.com/V_I_011
https://www.instagram.com/vladimir_ivkovic


Playlist Mutant Disco Radio Show by Leri Ahel #384 - Guest Mix Vladimir Ivkovic

Leri Ahel Mix

01. Aksak Maboul - Tout a une fin (The Notwist Version) (Crammed Discs)			
02. Arandel - Capriccio (Infiné)
03. Reinhard Vanbergen & Reinhard Roelandt - Rootsy Regulator (Music For Dreams)
04. Ex Ponto - The Middle Path (Tolouse Low Trax Version) (General Purpose Promo)	
05. Fango - A + B (Oddysee)
06. Theus Mago - Rumores (Kaputt Promo)	
07. Cosmo Vitelli - The Shy Dictator (Alternate Version) (I'm a Cliché)
08. Harlem - Stringer (Veyl)
09. Religius Order - L.A.W.E. (Rat Life Records)
10. Religius Order - Under My Skin, I Cant Forget (Rat Life Records)
11. The Pop Group - She Is Beyond Good And Evil Dennis Bovell (Dub Verison) (Mute)
12. John Tejada - Abbot Of Burton (Plaid Remix) (Kompakt)

Vladimir Ivković Mix

01. A Bad Diana - Notes From The Underground To a Crazy Girl (United Jnana)
02. Michel Banabila - In Other Words (Web SDR Mix) (Knekelhuis Promo)
03. Teresa Winter - Hard Life in Plastic (The Death Of Rave)
04. SKY H1 - Blade - (AD93)
05. Group Zero - We Need Water (Touch Sensitive Records)
06. Squid - Global Groove (Cosey Fanni Tutti Remix) (Warp Records)
07. Christos Chondropoulos - Jungle X (The Death Of Rave)
08. SCALPING - Cloudburst (Mogwai Remix) (Houndstooth)
09. Tamir Hassan - Guitarot (Ivan Smagghe Edit) (Age Of Self)
10. Cranes - Heaven Or Bliss (Bite Back!)
11. Sitaranha - Adana (Dense Remix) (Cosmicleaf Records)
12. Weird Weather - Axle 2 Grind (LASH)
13. Nadav Samuel - Bright Sun

Airing dates:

November 22nd @ Radio Roza 9 PM CET (Croatia)
November 26th @ Radio Aparat 10 PM CET (Serbia)
November 27th @ KLFM 00 AM CET (Croatia)
November 28th @ Dinamo FM (Turkey)

Mutant Disco Radio Show By Leri Ahel #384 - Guest Mix Vladimir Ivkovic

ele vai bota ( mc dl 22)

sentagem tabacada (mc vuk vuk)

Dia nao mata dia

<a href="https://theartistunion.com/tracks/e95df6" rel="nofollow">Download for free on The Artist Union</a>

Free Download

DANIFOX - PARABENS LYCOX

Song from 'What The Night Is For' [RAVE025]
LTD Ed. 300 red vinyl available: https://boomkat.com/products/what-the-night-is-for

Teresa Winter - For Murder

feat. Laurel Halo, Kuljit Bhamra, Jonny Lam, Verity Susman, Untold

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Workaround

Beatrice Dillon - Workaround Two (PAN 106)

Flora Yin-Wong - Virgin Pure

Demdike Stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the Testpressing banner. 'Collision' was recorded in late 2012 and is pretty much unlike anything you'll have heard from Demdike before, an intense high-frequency re-arrangement of Jungle and Noise, like a more brutal variant of the Demdike-affiliated HATE project, fed through a bank of analogue boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. 'Misappropriation' on the flip feeds off a different noise altogether, perched precariously between the mangled percussion you'd most commonly associate with Muslimgauze and the metallic clank of industry, a proper sunstroke riddim: angry and unforgiving.

Collision

Misappropriation

So here we are at part two in the series : "Grows Without Bound" on the A-side is a monster; a noisy analogue session ressurected from the burning embers of Industrial and Noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between Vainio and Nate Young. Over on the flipside "Primitive Equations" takes for inspiration the bare-boned, hyper-tense production of Photek's still devastating "Ni - Ten - Ichi - Ryu",  slugging out feral, steely noise and 'ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.

Grows Without Bound 1

Primitive Equations 1

I'm Leaving Tomorrow

Proceeding missions into the no-mans-land of noise and jungle, Demdike Stare adopt a typically schizoid stance at House and Techno tempos on the 3rd Testpressing. Their A-side 'Eulogy' is a square bass devotional to the soul of deep Chicago and Detroit house, most notably the magic of Mr Fingers and Terrence Dixon. A constantly morphing, Escher-like bassline folds in and out of itself, accented with offset kicks and washed out with effervescent, barely-there synth strokes. It's lip-smacking sunset/sunrise gear and a perfect set-up for the flipside shocker. Destined to become a classic in Demdike's canon, 'Dyslogy' comes off like an early 'Waveform Transmission' or H&M bomb spanked by Anthony Shakir; an evil, droning intro ratchets the tension for martial kicks and darkcore chords before a feral breakbeat romps loose like the spirit of '93 unchained. They really don't make 'em like this any more…

Eulogy

Eric Scott is a composer/producer, artist, writer, DJ and sound designer from Santa Monica, California. He brings 20 years of consultative experience as principal and founder of Day For Night, a creative studio for multimedia, music and design. Coming from a background in the advertising production industry where he established himself as a recordist, sound designer and audio engineer, he created Day For Night in 1991 as a boutique independent music label with an original catalogue of electronic, abstract, pop and avant-garde-jazz-classical music releases of his own. Solo recordings include 3 Mains (1991), The Performing Man (1993), Paris – A Musical Overpass (1995), Found1 - A Stone (2006), The Inner Cinema (2007) and Junction – Another Train Leaving (2007). 

Eric has also worked under the names Rhythm Factory, Bluebottles, Found, Mr. No-Logo, Künstfabriken, King FM and as one half of the duo Salvador Dalek (with collaborator Peter Moraites). In 2011 alone, Eric has remixed a broad variety of artists in diverse styles, from Euro-Israeli pop chanteuse Keren Ann, John Foxx, David Lynch, Martin Solveig and musique concrète composer Luc Ferrari.


Misappropriation

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