One year on from their debut, Rainer Veil explore deep, brittle rave variants on their 2nd EP for Modern Love. The five tracks of 'New Brutalism' are a product of their Northern environment, making pointed reference to the kind of deep-rooted rave heritage documented in Mark Leckey's 'Fiorucci Made Me Hardcore' soundtrack through a prism of angular, vulnerable club music. Conceptually, It adopts a similar perspective on British nightlife to Burial or Lee Gamble, surveying the 'floor as if during an out-of-body experience or through closed eyes from a corner of the club at 5am. Opening track, 'UK Will Not Survive' captures that sensation beautifully with its tape-saturated layers of wistful vocal, woody 2-step and daubs of Reese bass, whilst 'Three Day Jag' isolates that curious blend of hedonism and introspection innate to early UK 'ardcore, albeit without the narco-sweats. Closing number 'Run Out' doffs a cap to grey building sites and strobe-lit clubs alike, channelling diffuse field recordings and half-heard breakbeats with a bleary-eyed, tired and emotional quality.

UK Will Not Survive

 7 months on from TP#4, Demdike return with the 5th instalment in their ongoing research and development series - a double-headed monster split between gnarly reductions on the A-side, and industrial strength edits on the flip. ‘Procrastination’ edges through Grimey detritus and gunshot snares within a vast open space perfectly primed for that Demdike slow build. ‘Past Majesty’ on the flip offers up a feral take on some kind of cyber-industrial insanity, somewhere between Ministry and Powell - with a denouement which should probably come with a public health warning attached to it. All we’re saying is - watch yr eardrums.

Past Majesty

HTRK – Body Lotion

Body Lotion is a collaboration between Belgium's Sleeperhold Publications, Australian duo HTRK and London-based artist David Ferrando Giraut. The three tracks on the record—"Sugar," "Punch" and the title track, "Body Lotion"—date back to the sessions that led to the band's 2011 album, Work (Work Work). For any HTRK fan, the opportunity to hear three unheard Work (Work Work)-era tracks is reason for both celebration and reflection. Two of the songs feature the unmistakable basslines of Sean Stewart, who died in 2010, before Work (Work Work) was released. 

Both "Sugar" and "Punch" were recorded live in HTRK's London rehearsal room, the then trio of Jonnine Standish, Nigel Lee-Yang and Sean Stewart. On "Sugar," Jonnine's voice smolders through smeared drums and Sean's bassline. "Punch" is spare and confessionary; "Body Lotion" is suggestive, winking and bruised, a trademark HTRK hook submerged beneath the murk. All three tracks mutated from the recording sessions that ultimately led to Work (Work Work) track "Slo Glo." While they all stand as striking individual songs, they share subtle elements in common—a lyrical idea here, some guitar parts there. 

David Ferrando Giraut's distinctive artwork adorns Body Lotion's sleeve and one side of the wax. (All three tracks feature on the record's A-side.) The Spanish artist has a deep and intimate connection to HTRK—he was living with Nigel in London at a time when Sean would visit to sketch out songs in Nigel's tiny room. They've collaborated before, too: Jonnine has narrated and appeared in some of his films, while Nigel has provided the music. Giraut's previous installations have often carried a musical lean—he's used LP covers and turntables in the past—and he's found a rich stream of creative inspiration in music's ability to create meaning and change in memory and behaviour.

This year has seen HTRK return with Psychic 9-5 Club, a bold and triumphant album, one that marked the beginning of a new era for Nigel and Jonnine. Body Lotion presents a beautiful, bittersweet glimpse into the recent past. 

About Sleeperhold Publications:

Sleeperhold is a Belgian-based publication platform. It's aim: to produce ten outputs, spanning different realms of the arts, and then cease to exist. Its current project is a run of ten vinyl records—HTRK's 12-inch follow previous efforts from Tropic Of Cancer, Moon Duo and Disappears. Before the vinyl series, Sleeperhold put out a photobook, a poster set, a deck of cards and short stories. They say: "There is no recurring theme, there is no recurring format, there is no recurring audience."

SHP #5.4: HTRK - Body Lotion

ABERRANT - RECOGNIZER

FROM MY NUMBER ONE HIGH/TAKE ME DOWN THE DUNES 7" SINGLE OUT JUNE 2016 ON DUNNO RECORDINGS DISTRIBUTED WORLDWIDE BY RUBADUB GLASGOW

'First track sounds like dark twisted fantasy about carnival in some cheap tropical spa. The other one will reach your guts and throw them upside down.' 

COVER PAINTING BY TOMASZ KOWALSKI

MY NUMBER ONE HIGH

Building on the original sounds sculpted by Morrison, Tape Throb Records will look to release music which stems from the same nonconformity and desire to distort, blend, warp and innovate in the world of dance music. Now the platform has expanded from a bedroom in Derry to a recognised genre amongst those in the know the label will look to bring in more fledgling artists who share the same unconventional creative ethos and build Tape Throb from a niche sound to a movement. A movement that is at once soulful and punchy, warm but with a distinct sprinkling of fuck you.
Fittingly the first release scheduled for mid 2016 is a tape containing unreleased work by Buz Ludzha embracing a punk riddled jungle vibe punctuated with his signature warm distortion.
Watch this space.


Ruined By Blue

Appears on R.A.N.D. MUZIK — RM Picture 01 12"
Buy: https://randmuzikrecordings.bandcamp.com/track/b3-circular-ruins-ta-voix-tes-yeux-snippet-vinyl-only

Ta Voix, Tes Yeux

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

samples Roberto De Simone - II° Coro Delle Lavandaie
artwork: bambi

praczki

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

Taken from 'Top Of The Pops', a 2018 North American tour cassette.

Past Majesty

modernlove

Recent comments

Mrsongclaude

ANSV

Natalia Kostruba

Natalia Kostruba

Related tracks