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Bristol techno, noise and hardcore supremos SCALPING will release their latest project ‘FLOOD REMIXED’ on October 8th. The EP is an excellently curated collection of sublime remixes from some of the most prominent and intriguing musicians, producers and figureheads from across the musical spectrum. Heavyweight contributors include 2021 Mercury Prize nominees and recent number 1 album holders Mogwai as well as Laurel Halo and object blue.

‘FLOOD REMIXED’ continues the stellar trajectory of the band, who, over the past few years have become an unmissable live act and gained notoriety as one of the essential, electrifying new bands in the UK. Their recent debut EP ‘FLOOD’, their first release for the forward-thinking Houndstooth label, gained widespread acclaim including CRACK Magazine, NME, The Quietus, Loud & Quiet, Mixmag, The Line of Best Fit and many others.

Scottish post-rock icons Mogwai step up to remix ‘Cloudburst’. Stretching and expanding the track, creating new drum patterns, and continually ratcheting up the drama inherent in the original; a naturally sensational slab of post-rock.

“I loved reworking Cloudburst due to the sheer mass of lovely little (and big) noises from which I could make new drum sounds and melodies to layer over the original. This was a tune where everything was so nicely overwhelming in the beginning and somehow came together really well with a bit more chaos from my fumbling about with the buttons. Really looking forward to seeing the band live soon.” ~ Barry Burns of Mogwai



SCALPING is the Bristol based group comprised of James Rushforth, Alex Hill, Isaac Jones, Jamie Thomas and visual collaborator Jason Baker, initially formed at the end of 2017 with a desire to pair their hometown's visionary, off-kilter dance music to the more organic instrumentation you might find in noise-rock and post-punk. They have since won all manner of plaudits at radio, press and through fervent word-of-mouth for both their eclecticism on record and for the pummelling intensity of their live performances.

FLOOD Remixed

Cloudburst (Mogwai Remix)

COLOUR 12" / DIGITAL

SCALPING - Cloudburst (Mogwai Remix)

Electronic Rhythm Number Twelve

Akkord | HTH020

I. Gravure

II. Continuum

III. Typeface

IIII. Greyscale

Release date: 16th June

Formats: 12” 180g grey vinyl, cut and mastered by Matt Colton at Alchemy, with de-bossed artwork and a postcard insert / Digital
 
Sacred geometry, complex polyrhythms and clean sound design all collide in the work of Manchester outfit, Akkord.

With their critically acclaimed, self-titled debut album charting high in XLR8R’s end of year list and receiving 9/10 and 4/5 in XLR8R and RA respectively, Akkord are not resting on their success, and are already planning their next assault with this new body of work.

HTH020 consists of four tracks of much darker, moodier sounds, pairing monumental low-end frequencies with surgically precise production. The whole EP is centred around clammy, ominous atmospheres, underpinned by stomping beats and descending basslines, placing greater emphasis on the space in-between, and textured over with a doomsday ambience.

The music that Akkord create never strays out of their own minimalistic and direct approach to techno, but from there, and beyond, they touch on an ever-evolving variety of styles, which gradually drive us in front of an overwhelming and riveting soundscape.

PR | aja@tailored-communication.com | david@tailored-communication.com


Gravure

Jupiter (Ambient Mix)

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT  - THE GUARDIANS

Таких случаев много, ты просто о них не знаешь. Царь Давид всегда свои Псалмы Отчаяния заканчивал Славословием Бога. И так спасался от множества проблем.

Recorded live at Home Studio.

Gear used: Technics ST-S1L, LM 1229, DL-301A, Yamaha DX7, Alesis Midiverb 2, Mackie CR-1604, Akai GXC-725D.

Open for release proposals. More records on request.

December 2019.

Abiocoen — Prayer

Questa è una traccia che mi ha tenuto occupato in questi giorni difficili. È stato davvero complicato riuscire a fare questo brano e non per la sua complessità. Il motivo è che contiene un ricordo della mia infanzia, un momento in cui due ragazzini si ritrovano vicino ad un torrente e riescono ad acchiappare per la prima volta delle piccole rane.
Ad acchiapparle in realtà è stato mio fratello, io ero troppo impegnato a mangiare un panzerotto gigante (però gli indicavo dove scappavano le rane).
Ma la vera cosa che riesce a custodire questo ricordo è la sua voce, la voce di mio padre che non scorderò mai; riascoltarla adesso mi fa venire i brividi, però sono contento di non doverla ascoltare solo nella mia testa, e penso che ci siano altri a cui farebbe piacere riascoltare la sua voce, anche se sono solo queste due parole: "Vieni qua", ed una piccola risata.
Non voglio dimenticare questi momenti, non voglio dimenticare la sua voce.
La copertina non è altro che una parte di un dipinto incompleto fatto da mio padre che sono riuscito a trovare a casa.
Lui amava molto disegnare e dipingere, amava la musica, ed è stato proprio lui a farmi scoprire per la prima volta un software per la creazione di musica (che era una brutta copia di FL Studio ma non ricordo il nome), quindi è merito suo se adesso sto seguendo questa passione.
Quante volte gli avrò fatto ascoltare dei "brani" veramente inascoltabili.
Di solito io non faccio descrizioni o post del genere, ma in questo caso era necessario farlo.
Spero di esser riuscito ad immortalare questo momento di felicità.
Sono sicuro che gli sarebbe piaciuto molto questo brano.
Buona festa del papà.

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