disquiet0697

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Ready to Tango (disquiet0697) 92 bpm

Disquiet Junto Project 0697: First Third
The Assignment: Record the first third of a trio.

I made a simple sequence, that should leave a lot of room for two musicians. It should be Fminor with 70bpm in 6/4.

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Duets here:
https://soundcloud.com/daniel-diaz/alpha-crucis-with-krakenkraft
https://soundcloud.com/boundaryobjects/song-95-disquietjunto0698

Trios here:
https://soundcloud.com/lee-evans-722170034/third-third-disquiet0699-w
https://soundcloud.com/hugh-399766637/chef-money-junto-trio-with

Thank you guys!
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More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Diskussion: https://llllllll.co/t/disquiet-junto-project-0697-first-third/71838

[disquiet0697] Crux

This is my submission to this week's Disquiet Junto assignment.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

250511 [disquiet0697]

SONG 93 - DisquietJunto0697 - First Third

This track is inspired by the beautiful and unique landscape of Brittany, especially the Côte de Granit Rose.

It is intended to be the first part of an asynchronous trio - as inspired by this week's Disquiet Junto project. But it is also meant to be a composition on its own.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Ploumanac'h (Disquiet0697)

This was my contribution for Disquiet Junto Project 0698: Second Third. The Assignment: Record the second third of a trio.

Here’s a copy of my post on the Disquiet Junto 0698 discussion thread on Lines:

Hard to decide since there were so many cool tracks. Selected “B Drone” by @morgulbee / @alanblip for my first contribution. Hoping to work with another track before the Monday deadline. Created the complimentary sequence using Slate+Ash Choreographs in Ableton Live and panned it to the right while setting the original to the left. Photo by Sven Mieke via Unsplash. 

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

B Drone Aftermath [disquiet0698]

original here https://soundcloud.com/boundaryobjects/song-95-disquietjunto0698
More on the 699th weekly Disquiet Junto project, Third Third — The Assignment: Record the final third of a trio — at https://disquiet.com/0699/

Chef Money (Junto Trio with Boundary Objects and Krakenkraft )disquiet0699

Worked on this duo by e_nu_ri (@user-807707609) : https://soundcloud.com/user-807707609/bowed-and-jangled-farther-disquiet0698  based on this original track by 
@red_robin
https://soundcloud.com/red_robin/disquiet-junto-0697-mr-bowed-jangles

The all-synth background is great. I thought the contrast between those synth tracks and a warm, acoustic tone could be interesting, so I improvised a lead part on tenor ukulele. I also added an infra bass drone playing the tonic, and used a little software I’m beta testing that generates sound from a text prompt using some kind of AI (can’t say more here, but it’s fun for drones!).
It's like a dark, abstract recitativo, hope you like it.

For this collaboration project:
llllllll.co/t/disquiet-junto-pr…t-0699-third-third/

Mr Bowed Jangles returns (w/ he_nu_ri and Tristan Louth-Robins) - disquiet0699

The Assignment: Break apart a piece of music and fill the resulting spaces — at disquiet.com/0701/

Schoenberg: Drei Klavierstücke, Op. 11 (1909) 2. Mässig

Musescore Midi file.

Schoenberg: Drei Klavierstücke, Op. 11 (Pollini)
https://www.youtube.com/watch?v=VeTFxbsVGrI

4 sequencers (Reaktor Rhosyn - Polyrhythmic Sequencer Block)
4 instruments (Piano, Synplant, Derailer, Visco (drum machine)

Reaper FX

Doubles [disquiet0701]

Disquiet Junto Project 0709: Overclocked
The Assignment: Speed up a machine (or process) until it falters.

I used to do this thing with the guitarist in my old band where we kind of leap frog off of each other's riffs to create new parts for the song.  So he'd have a riff, I'd write something for it, then he'd listen to my part and write a new part on top of it, and so on.  It's something I still do occasionally just to see what comes out of it.  For this prompt I decided to use this technique but cut the bars in half at a regular interval until the song speeds out of control.  As it started to really speed up, it felt kind of comical to switch back and forth between bass and guitar after recording only one little note.  The synth pad was just to make everything blend together a little better and distract from some of the more jarring changes.  I like it because it seems to kind of herald the chaotic break.  After the breakdown, it felt kind of short so I brought back the groove but tried to make it sound kind of broken, like a walkman running out of batteries or something.

More on the 709th weekly Disquiet Junto project, Overclocked — The Assignment: Speed up a machine (or process) until it falters — at https://disquiet.com/0709/.



Bridge to Nowhere (Disquiet0709)

M. Ackerman's second page, mostly for Disquiet Junto pieces projects.

Bridge to Nowhere (Disquiet0709)

modusMatt

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