More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

more halF unusuaL

halF vectoR [disquiet0612]

[disquiet0616] Contrast

An electronic composition, sounds created in Pure Data.

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

March of Shadows (disquiet0622)

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow

Know the Shadows

Disquiet Junto | Know the Shadows - disquiet0622

For this, I extended my ideas around Disquiet Juntos 0605, 0606, 0609 & 0530, centered around  “minimally viable music.” I worked various techniques to shadow my foundation audio - including duplicating and delaying - as well as decaying, stretching and minimizing strategies using gates, crushers & audio warping.

Recorded, mixed & mastered 14 Feb 1988, 30 Nov / 01 Dec 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2023 Jim Lemanowicz

Process notes - 

For the foundation audio here, I used a recording I made of a cheap acoustic guitar to cassette tape on 14 Feb 1988 and transferred to another tape on 30 Aug 1995. I transferred to digital in Nov 2019.

Tools used - Ableton Live 11 Suite, Ableton Live native devices and a handful of Max for Live devices, along with iZotope Ozone 9 and K-Devices Shaper.

---

This original version of "Little Iodine Crack" was submitted as part of **Disquiet Junto Project 0622: Know the Shadow.** The Assignment: How do you depict a shadow in sound?

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

This track was originally released under the artist name "Lumber Mart."

Little Iodine Crack (disquiet0622)

sound art for disquiet0622.

a stereo shadow.

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: How do you depict a shadow in sound?), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

frozen shadows (disquiet0622)

In German there is no distinction between shadow and shade, so thinking about how a shadow sounds, I thought about how shadow/shade feels differently in different times of the year. In summer I seek shadow and enjoy spending time in it, in winter quite the opposite. I tried to express this in my piece with winter taking the first half (it’s winter outside… not too much of a fan as you might deduce from the sounds I chose).

More on this 622nd weekly Disquiet Junto project, Know the Shadow, at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

Disquiet0622 - Shadow/Shade/Schatten

Like the task,played the transition on SOMA's Terra
recorded in TP-7, mixed and mastered in Ableton

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

FromLightToDarkFleesenseeShadow(disquiet0622)

Disquiet Junto Project 0622: Know the Shadow
The Assignment: How do you depict a shadow in sound?

It finally occurred to me when I was playing guitar that each note on the fretboard has a sort of shadow note that you can sometimes hear if you play unplugged.  If you pluck the string on the other side of your fret hand you get a different note.  The pickup on an electric of course won't get this.  I recorded with my phone because the mic is pretty sensitive and still had to jack up the volume a bit in the DAW. Anyway, I held the same chord the entire time, AbMaj #4 7 10, and went back and forth, picking on one side of the fret hand and then the other.  On the other side you get a BMaj 6 (no 5).  The two chords together, the regular and the "shadow chord" give you a 6 note scale: Ab B C D Eb G.  Sounds like some ancient exotic lyre or something. Who knew?

Added some echo and reverb because ya know, shadows.

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/  About the Disquiet Junto: https://disquiet.com/junto/  Subscribe to project announcements: https://tinyletter.com/disquiet-junto/  Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

Shadow Notes (disquiet0622)

For this project I wanted to re-record my Jamuary track “Glitched Guitar / Lots of Ripples”. I chose this track because I thought it was just a simple guitar melody and a bit of knob twisting with effects and therefore easy to reproduce with voice.

Alas the original track was made with Norns Glitchlooper - a five track asynchronous looper with a mind of its own - fed into Norns RPLS, which can be a delay, a looper or anything in between. So it was really impossible to get the same result. Also pitched voices don’t have the same appeal as pitched guitar plucks. My submission sounds a bit like a birdhouse after you handed out the wrong birdseed. Still, it was a fun challenge to try and do this based on just voice.

More on the 633rd weekly Disquiet Junto project, Voice Swap — The Assignment: Rerecord all or part of one of your tracks using just your voice — at https://disquiet.com/0633/

Disquiet0633 - Glitched Voice / Lots of Ripples

This was my contribution for part 2 go Disquiet Junto Project 0637: Right (2of 3)

Here’s a copy of my post on the Disquiet Junto 0637discussion thread:

I worked with a cool drone track created by @tt15tt (blaroed), and added a panned right sequence created in Ableton Live 11 using K Devices TATAT and Slate+Ash Choreographs.  No other effects added except what was in the S+A plugin. This is in C Minor/A-flat Major.   

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Left And Right Mirage [disquiet0637]

moduS ponY's second page, mostly for Disquiet Junto pieces projects.

Shadow Notes (disquiet0622)

modusMatt

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