غاب نهار آخر - سهام شماس

شربل روحانا  انت و الوتر

زياد الرحباني - مقدمة ميس الريم

مارسيل خليفة يا ساري

كارم محمود ـ  فيروز ـ اوبريت زرياب ـ روائع الغناء العربى

Angels and Demons” is an immersive orchestral journey that transports you into an epic cinematic world—where light and shadow collide in a sweeping tapestry of sound. From the very first string tremolo, you’ll feel the tension of divine conflict unfold: soaring brass fanfares beckon the celestial host, while brooding low strings and ominous percussion signal the rise of darker forces. Each track is crafted like its own mini-film sequence, with lush woodwind melodies interwoven alongside thunderous timpani and choral whispers that evoke both awe and dread.

Imagine cathedral-sized halls where choirs chant in Latin, only to be interrupted by demonic growls of brass and swirling tremolos that seem to echo from the abyss. Moments of fragile serenity—harp arpeggios, solo violin laments—remind us of hope, even as the undercurrents of bassoons and contrabass pulse like a heartbeat in the void. Throughout the album, dynamic crescendos build toward transcendent climaxes, then collapse into intimate, shadowed interludes that leave you suspended between worlds.

Whether you close your eyes and see angels locked in battle or feel the demons lurking just beyond the score, “Angels and Demons” delivers a cinematic experience that’s as grand as it is haunting. Press play, let the full orchestra wash over you, and journey through the eternal struggle of light and darkness.

Angels and Demons

Seraphs Ascend

Thoughts
(experimental)
Exploring "Une maison"
I'm wrestling with the imagery of "Une maison quelque part." The core feeling I want to capture is a sense of longing for a place that perhaps never was. I'm focusing on crafting a narrative that feels both familiar and elusive, grounding the listener in emotion rather than a concrete location. It's a journey into imagined memories, a wistful exploration.
Delving Deeper into Memory
I'm continuing to explore the "Une maison" idea. It's becoming less about a literal house and more about the feeling of a place lost to time. The Californian light, the heat shimmering off the desert, it's all starting to weave into the music itself. The ethereal guitar, layered vocals... they're becoming the echoes of imagined children, laughter in the dust. This is turning into a personal mythology.

Interpreting EP's Essence
I'm currently dwelling on the EP's meaning, trying to grasp its core message. Considering the validated elements, I'm focusing on their implications and interconnections. The challenge is to distill the essence of the EP, capturing the emotional resonance and intended impact. I'm exploring how these elements coalesce to form a cohesive whole.
Dissecting Past and Present
I'm starting to see the "house" as a feeling, a fleeting memory of a place that might be more dream than reality. California's sun-drenched haze seeps in, a backdrop for this uncertain past. The folk-tinged music feels right, the layered vocals echoing whispers from a forgotten era. Are the children the ghosts of possibility? Or symbols of lost innocence, their laughter resonating through dusty corners?
Mapping the Unseen
I'm starting to wonder if the music is a map of a feeling, not a place. The "house" isn't a physical structure, but an emotional echo. California's light bleeds in, less a location, more a state of mind. Is this about memory, or the act of remembering? The children's laughter, are they reminders of joy lost or never found? And the songs, are they pathways to forgotten dreams?

Collapse to hide model thoughts

24/12/2014

At last, the day has come.
The day I release into the world something that has been writing itself within me for twelve years.
With pauses, with pain, with awe, with faith.
Requiem. The work of my life so far.

In the beginning, I wrote without much purpose. Because if I can—then why not?
But over the years, this piece became more than just music. It became a path.
And this last year made me understand exactly what it was all for.
And why now.

This is not a requiem for death.
This is a requiem for life.
It is light.
It is not a funeral mass, but a voice saying:
“Thank you for letting me live. And for letting me keep living. Just like this.”

With people who love. With moments that teach. With experiences that break you and then remake you.

But this piece is also something more.
It’s armor.
Forged from truth I hammered out over years when life was anything but gentle.
And from today on—I will pass that armor on.
Not to defend myself.
But so that every good person I meet can receive even a fragment of courage.
To keep going. Honestly. With head held high.

Because the only thing truly worth being in life—is a good human being.
Not clever. Not cunning. Not successful at the expense of others.
Good.

And now I say it out loud—to those who walk through life with cold eyes:
If you hurt others, if you lie, if you live as if no one else matters—then you know who you are.
And it’s not about fear.
It’s about looking in the mirror and asking yourself honestly:
Is that really how you want to be remembered?

Because the day will come. For everyone.
A day when you won’t answer to your god, the world, or other people.
Only to yourself.

And may you then be able to say:
“The universe remembered. And day by day, it came for me...
But today I stand. I don’t hide. I feel no shame.
I’m proud of who I was. And how I lived this life.”

That’s what I wish for you. All of you.
That you settle accounts with yourselves—before the world does.
And that you can say, without blinking an eye:
“I gave goodness. I didn’t do to another what I wouldn’t want done to me.”

Because only you know what you gave this world.
And what you took from it.

EPIGRAF

من أين لكم هذا ! | الزين الصافي

Cover يمر عجبا

1	طلع الضو (Sunrise (Instrumental) )	3:07
2	الخضرجي (Street Vendors)	4:12
3	بوليس الإشارة (Traffic Police)	2:13
4	يا بيروت (Beirut)	3:53
5	طرقات وضجيج (Road Noise)	3:10
6	قلت يكتبلك (I Will Write)	6:55
7	يا سعدة خيرا بغيرا (Sa'di)	3:57
8	الشوفيرية (Chauffeurs)	4:28
9	البياعين (Salesmen)	2:47
10	ولاد البحر (Sons Of The Sea)	3:37
11	فاضي المدا (Don Quixote)	1:53
12	أنا راح سميك (I Shall Name You)	5:22

غاب نهار آخر - سهام شماس

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