Name: Yasmine Hamdan - Enta Fein (Babylon Sessions) by Mohamed Amin
Duration: 4 min 33 s
Description: Yasmine Hamdan - Enta Fein (Babylon Sessions)

Produced, Mixed Mastered By Nick Dagher 
Vocals & Oud by Muayad Al Hilow

جاء الحبيب الذي أهواه من سفر 
والشّمس قد أحدثت في خدّه أثر 
يا حبيبي 
يا حبيبي 
فقلت كيف 
فقلت كيف تحلّ الشّمس في القمر 
والشمس لا لا لا لا لا 
لا ينبغي لها 
أن تحدث القمر حبيبي

Habibi (ft. Muayad Al - Hilow)

Music For Film

Hizn (feat. Carol Abboud)

"Jack in the Box" represents a coherent, yet standalone music EP, with its realistic and subjective flow.
Conceptually speaking, each of the 6 tracks symbolizes a unique period of Shah's lifetime, during which he rediscovered himself, life, and the people around him.
From the roaring electro-shaabi beats and the deep grooves to the tracks' structure and nomenclature, all are speaking to us and for us, artistically and musically! 

Choose your favorite app and enjoy an exquisite listening session via: https://music.empi.re/jackinthebox
 
--

Credits & Crew:

• Music by: Shah
  / shahmusic_  

For Bookings: theshahmusic@gmail.com

• Art directed & designed by Ehab Ehab
  / ehabehab_  


• Photography by Gasser Moussa
  / guessthecreator  


• Special thank to Anas Khaire
  / anaskhaire  


• Digital Distribution: B-62
  / b62records_

Shah - Jack in the Box (Official Audio) | شاه - عفريت العلبة

Hoc album continet canticum grandis coralis, epica et solemnis, de ira divina et salutatione, de tempestatibus, calamitatibus, et illuminatione, de peccatis humanis et animarum puritate, musica magnifica ad auditorum corda movenda, ad aures audientium apicem aetheriae experientiae adferens.

Canticum Salutis

Yasmine Hamdan - Enta Fein (Babylon Sessions)

Azam Ali - Innal Malak Soundtrack

TootArd: Laissez Passer
Order here: https://goo.gl/JUD97v
www.glitterbeat.com

I do not exist on an ID card
A string and a piece of wood are my gunpowder

A Laissez Passer. Let him pass. That’s the document the stateless carry. It’s all that those from the occupied Golan Heights possess. Since 1967 the area has been part of Israel, but the inhabitants aren’t Israelis. They don’t have any citizenship. They don’t have passports. Just a Laissez Passer. And for the members of TootArd who all grew up in the village of Majdal Shams in the Golan, it’s a very apt name for their new album.

“Laissez passers are special situation papers,” explains singer and guitarist Hasan Nakhleh. “It took us a while to realise the effect. We’re permanent residents in Israel, but not citizens. We have no travel documents. When we travel we need the laissez passer. With no nationality, we’re officially ‘undefined.’”

But in statelessness, the five-piece has discovered musical freedom. TootArd grew up understanding that borders are something imposed by governments, lines that only exist on a map. On a disc, in concert, they can go wherever their imagination carries them. They carry their citizenship inside.

“What we do now is the result of everything we’ve ever done and heard,” Nakhleh says. “We began listening to Tuareg music and we fell in love with it. It resonated with us. North African music is something we’ve heard since we were children. We all grew up with classical Arab music. In finding our own sound, we’ve discovered things from all over.” With Laissez Passer, the past has helped create the future.

On the title cut, Nakhleh notes, “the first verse is the reality, the second is our solution. Our people are stateless. We have no flag, no sense of belonging. It also reflects our emotions. We feel undefined, we don’t know where we belong, when everything in the world tells us we should belong. People always want you to say who you are.”

With its insistent riff that evokes the space of the desert, glorious driving, funky percussion, and an electric guitar that Nakhleh modified with extra frets to sound like an oud, the song builds a manifesto that bonds West Africa and the Maghreb to the Levant. It’s a thrilling opener; more than that, it’s a very catchy one, with the subtle reggae flourishes adding a very organic, international feel. But those were a natural touch for the band, a nod towards their musical beginnings.

Laissez Passer is the sound of a band that’s found its voice. The songs seemed to be pulled from the air, to have found them, whether it’s the catchy optimism that transports “A’sfur,” the biting groove that propels “Oya Marhaba,” or the flickering shadows-and-light shifting guitarscape of “Sahra.”
The album closes with the yearning “Syrian Blues,” a gaze across the Golan Heights into the distance and history of another country.

“It’s something calm to finish, a very emotional quality. Our region used to be a part of Syria. Historically we’re Syrians, but I’ve never been to there. I feel the music has an emotional quality, and sadness in the harmonies. I even wrote it in the Rast scale, the one that’s most used in Arabic music. I thought it would evoke Syria.”

The result is an Arabic blues, the quiet, sad music of people who have a home but no nationality.

With music I become a flying bird
I change my feathers, I change my strings.

TootArd are not ‘undefined’; they’ve fashioned their own identity in their music, creating a bond of the stateless that reaches from the Levant to the Tuareg – another people without a real home - and reaches out far beyond. Let them pass.

Laissez Passer

TootArd - Oya Marhaba

سرقات صيفية

this one's for long nights

Tikoubaouine - Tiniri

Facebook Page : www.facebook.com/bthtakhrebi
حفلتنا الجاية في القاهرة يوم 18 فى الساقية
https://www.facebook.com/events/831228337846972

الكلمات :
تمثلت ذنوب عبد في رفيقته
و غلبه العشق فالحرام ذو لذة
قلبه معلق بخيط من هوى
تحول نفسه رغداً دون توبة
فبائع الهوى قد نفذت سلته
يشكو على الطرقات قلة حيلته
فلا من احد يملك ما دوا
و رفيق الدرب من هجر سنته
فما للغرام ينشي احبته
و يسكر الفؤاد و يسكر مقلته
فلا غيب نفر او غفى
إلا كما غاب ضل تشتت

كلمات و غناء : مصطفى عدلى
قيثارة كهربائية : اكمل بسيونى
قيثارة كهربائية و باك فوكال : عبد الله عامر جوبا
قيثارة الباص و باك فوكال : محمود سينر
درامز : نادر سمير

الحان : محمود سينر
توزيع موسيقي و اوركستريشن : عبد الله عامر جوبا
ريكورد , ميكس و ماستر : محمود سينر

Yasmine Hamdan - Enta Fein (Babylon Sessions)

Mohamed Amin

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